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Decks in this class (50)

Chapter 1: Melody: Music Line
Pitch,
Frequency,
Note
19  cards
Chapter 2: Rhythm and Meter: Musical Time
Rhythm,
Beat,
Accent
16  cards
Chapter 3: Harmony: Musical Space
Harmony,
Chord,
Scale
10  cards
Chapter 4: The Organization of Musical Sounds
Octave,
Microtone,
Sharp sign
19  cards
Chapter 5: Musical Texture
Texture,
Monophonic,
Heterophonic
10  cards
Chapter 6: Musical Form
Contrast,
Strophic form,
Through composed
14  cards
Chapter 7: Musical Expression: Tempo and Dynamics
Tempo,
Dynamics
2  cards
Chapter 8: Text and Music
Nonlexical syllable,
Scat singing,
Vocalise
12  cards
Chapter 9: Voices and Instrument Families
Tone color,
Instrument,
Register
16  cards
Chapter 10: Western Musical Instruments
Bow,
Pluck,
Violin
66  cards
Chapter 11: Musical Ensembles
Chorus,
Satb,
Choir
22  cards
Chapter 12: Style and Function of Music in Society
Sacred music,
Secular music,
Genre
8  cards
Chapter 13: Putting Music Into Words
Genre,
Tempo,
Texture
3  cards
Chapter 14: Voice and Worship: Tradition and Individuality in Medieval Chant
Plainchant,
Liturgy,
Gregorian chant
15  cards
Chapter 17: Singing in Friendship: The Renaissance Madrigal
Word painting,
Madrigalism,
Madrigal
4  cards
Chapter 18: Remember Me: Personalizing the Motet in the Renaissance
A cappella,
Imitation,
Cantus firmus
5  cards
Chapter 23: Musical Sermons: Bach and the Lutheran Cantata
Chorale,
Collegium musicum,
Bar form
3  cards
Chapter 24: Textures of Worship: Handel and the English Oratorio
Oratorio,
Librettist,
Da capo aria
4  cards
Chapter 27: Sounding Spring: Vivaldi and the Baroque Concerto
Concerto,
Program music,
Episode
3  cards
Chapter 29: Musical Conversations: Haydn and Classical Chamber Music
Theme,
Thematic development,
Motive
12  cards
Chapter 30: The Ultimate Instrument: Haydn and the Symphony
Symphony,
Overture,
Theme and variations
4  cards
Chapter 31: Expanding the Conversation: Mozart, Chamber Music, and Larger Forms
Divertimento,
Serenade,
Sonata allegro form
15  cards
Chapter 32: Conversation with a Leader: The Classical Concerto
Concerto,
Cadenza,
Concerto form
3  cards
Chapter 33: Personalizing the Conversation: Beethoven and the Classical Sonata
Sonata,
Scherzo
2  cards
Chapter 34: Disrupting the Conversation: Beethoven and the Symphony in Transition
Cyclical form
1  cards
Chapter 35: Making it Real: Mozart and Classical Opera
Opera seria,
Ballad,
Opera
6  cards
Chapter 36: Mourning a Hero: Mozart and the Requiem
Mass,
Requiem mass,
Oratorio
3  cards
Chapter 37: Musical Reading: Schubert, Schumann, and the Early Romantic Lied
Art song,
Lied,
Lieder
7  cards
Chapter 39: Dancing at the Keyboard: Chopin and Romantic Piano Music
Character piece,
Polonaise
2  cards
Chapter 43: Absolutely Classic: Brahms and the Nineteenth-Century Symphony
Absolute music
1  cards
Chapter 45: Total Art: Wagner and German Romantic Opera
Singspiel,
Music drama,
Leitmotif
3  cards
Chapter 47: Exotic Allure: Puccini and the Italian Verismo Tradition
Post romanticism,
Exoticism,
Verismo
6  cards
Chapter 49: Mythical Impressions: Program Music at the End of the Nineteenth Century
Impressionism,
Ninth chord
2  cards
Chapter 50: Jubilees and Jubilation: The African American Spiritual Tradition
Camp meeting,
Ring shout,
Spiritual
5  cards
Chapter 51: A Good Beat: American Vernacular Music at the Close of the Nineteenth Century
Ragtime,
Strain,
Piano roll
3  cards
Chapter 52: Anything Goes: Schoenberg and Musical Expressionism
Expressionism,
Atonality,
Sprechstimme
3  cards
Chapter 53: Calculated Shock: Stravinsky and Modernist Multimedia
Polyrhythm,
Changing meter
2  cards
Chapter 55: War is Hell: Berg and Expressionist Opera
Serialism,
Tone row,
Transposition
6  cards
Chapter 56: American Intersections: Jazz and Blues Traditions
Jazz,
Blues,
Work song
13  cards
Chapter 57: Modern America: Still and Musical Modernism in the United States
0  cards
Chapter 58: Modern Experiments: Gershwin and "Cultivated Jazz"
0  cards
Chapter 59: Sounds American: Ives, Copland, and Musical Nationalism
0  cards
Chapter 62: New Sound Palettes: Mid-Twentieth Century American Experimentalists
0  cards
Chapter 63: Staged Sentiment: American Music Theater
0  cards
Chapter 64: Less is More: Reich and Minimalist Music
0  cards
Chapter 66: Returning with Interest: Bowie, Blass, and Postmodern Elaboration
0  cards
Chapter 67: Neo-Romantic Evocations: Higdon and Program Music Into the Twenty-First Century
0  cards
Chapter 68: Underscoring Meaning: Williams and Music for Film
0  cards
Chapter 70: Reality Shows: Adams and Contemporary Opera
0  cards
Chapter 22: Performing Grief: Purcell and Early Opera
Opera,
Recitative,
Aria
9  cards

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MUS 110 Music Appreciation

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