1984 Flashcards

(59 cards)

1
Q

Actor, Winston

A

Michael Whalley

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2
Q

Actor, Julia

A

Chloe Bayliss

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3
Q

Actor, O’Brien

A

Tony Cogin / David Whitney

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4
Q

Actor, Parsons

A

Steven Rooke

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5
Q

Actor, Syme

A

Abhilash Kaimal

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6
Q

Video designer

A

Craig Wilkinson

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7
Q

Sound designer

A

Guy Webster

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8
Q

Lighting designer

A

Jason Glenwright

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9
Q

Set and costume designer

A

Josh McIntosh

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10
Q

Director

A

Michael Futcher

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11
Q

Adaptors

A

Nick Skubij, Nelle Lee

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12
Q

Evaluative words – Winston

A

Voice weak, Movement lagging, Gesture understated, Facial expression compelling, Verbal & non hesitant, Stillness tense, Focus introverted

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13
Q

Evaluative words – Julia

A

Voice expressive, Movement provocative, Gesture seductive, Facial expression evocative, Verbal & non assertive, Stillness awaiting, Focus intense

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14
Q

Evaluative words – O’Brien

A

Voice conversational, Movement controlled, Gesture restrained, Facial expression paternal, Verbal & non sharp, Stillness imposing, Focus direct

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15
Q

Winston – objective

A

To seek truth and freedom in a society built on lies and oppression.

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16
Q

Winston – motivation

A

Driven by hatred of the Party and desire for individuality, love, and reality.

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17
Q

Winston – function/purpose

A

Acts as lens for audience to experience totalitarian horrors; shows futility of resistance.

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18
Q

Winston – traits

A

Curious, rebellious, introspective, anxious, intelligent, vulnerable.

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19
Q

Winston – status

A

Outer Party member, later broken into obedience.

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20
Q

Julia – objective

A

To enjoy personal freedom and pleasure under Party rule.

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21
Q

Julia – motivation

A

Rebels against sexual and personal restrictions.

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22
Q

Julia – function/purpose

A

Represents pragmatic rebellion; instinct vs Winston’s ideology.

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23
Q

Julia – traits

A

Rebellious, pragmatic, confident, sensual, secretive, resourceful.

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24
Q

Julia – status

A

Junior Anti-Sex League, Fiction Department worker; outwardly loyal, secretly defiant.

25
O’Brien – objective
To manipulate Winston into full submission.
26
O’Brien – motivation
Driven by loyalty to Party ideology.
27
O’Brien – function/purpose
Mentor-turned-tormentor; embodies Party’s psychological dominance.
28
O’Brien – traits
Intelligent, calm, persuasive, cruel beneath sophistication.
29
O’Brien – status
High-ranking Inner Party member.
30
Define – Ministry of Truth
Controls falsification of history, promotes Newspeak.
31
Define – Ministry of Love
Runs torture and brainwashing (Room 101).
32
Define – Ministry of Peace
Controls armed forces and war.
33
Define – Ministry of Plenty
Manages rations and the economy.
34
Epic Theatre conventions (used in 1984)
Projections, direct address, narration, alienation, exposed mechanics, multi-roling.
35
Historical context
Orwell’s Cold War fears of fascism/communism reframed to modern concerns about surveillance and misinformation.
36
Contemporary relevance
Links to fake news, government surveillance, social media data tracking.
37
Theme – Surveillance & Control
Big Brother, telescreens, projections made audience feel watched.
38
Theme – Truth & Reality
History rewritten, slogans contradict logic.
39
Theme – Rebellion vs Conformity
Winston/Julia’s intimacy vs Party oppression.
40
Theme – Language & Thought
Newspeak restricts ideas, controls expression.
41
Theme – Love & Betrayal
Relationship destroyed by Party, O’Brien’s manipulation.
42
Quote – Big Brother is watching you
Surveillance & Control.
43
Quote – Freedom is slavery
Manipulation of truth through paradox.
44
Quote – Who controls the past controls the future
Truth and historical control.
45
Quote – A boot stamping on a human face forever
Vision of eternal oppression.
46
Set design analysis
Panels and grey structures created claustrophobia; shifting walls blurred public/private spaces; symbolised surveillance.
47
Lighting analysis
Floodlights stripped privacy, strobes exposed torture, dim states suggested secrecy of rebellion.
48
Sound design analysis
Propaganda broadcasts and drones overwhelmed characters and audience, mirroring Party control.
49
Video design analysis
Projections of slogans, faces, and telescreens reinforced omnipresence of the Party.
50
Motion (MAPPPFS) in 1984
Ensemble moved in strict patterns showing conformity; Winston’s irregularity showed rebellion.
51
Rhythm (RPTT) in 1984
Slow tempo stretched tension in torture; rapid scene shifts disoriented audience.
52
Variation (CUTIES) in 1984
Conflict in Winston vs Party; Use of space through shifting set; Tension in silence; Intensity in sound/light; Energy shifts in ensemble; Shape of movements mirrored oppression.
53
Emphasis (FIP) in 1984
Spotlights isolated Winston; Party messages enlarged by projections; Big Brother’s face made prominent.
54
Contrast in 1984
Warm intimacy of Winston/Julia contrasted with cold torture design, highlighting futility of love.
55
Cohesion in 1984
Lighting, sound, set, and projections worked together to reinforce surveillance and control.
56
How did acting and design combine to interpret the script?
Naturalistic intimacy between Winston/Julia clashed with oppressive design, emphasising vulnerability and futility of rebellion.
57
How did Shake & Stir use Epic Theatre?
Projections, slogans, alienation effects forced critical reflection instead of emotional immersion.
58
How did Shake & Stir use Physical Theatre?
Ensemble synchronised to represent conformity; mass movement showed erasure of individuality.
59
How did the ending create impact?
Flood of light and distorted sound stripped Winston’s identity; silence left audience in shock.