Classicism
Ancient Greek or Roman architectural (and other cultural) forms and features, or the revivals of such in later periods
Orthogonal Planning
Urban design based on rectilinear forms, usually with perpendicular intersections (including grid plans, Hippodamian planning, per strigas, etc.)
Per Strigas
(“By bands”) a gridding system of land division using a small number of east-west avenues to divide a site into long bands, which were then subdivided using narrow north-south streets
Hippodamian Planning
Urban development schema using orthogonal grids devised by Hippodamus of Miletus (fifth century BCE). Such planning formally employed a grid, but also social theory, in which society was divided into religious, public and private zones
Agora
In ancient Greece, a public, open gathering space used for assemblies and participatory government. In Athens, it is also the site of the bouleuterion, the main communal governmental building, as well as courts, temples, fountains, and stoas (weather-protected meeting spaces)
Stoa
Covered walkway or colonnade that was usually designed for public use; used as a framing device too, for the agora’s open public space
Polychromy
The use of multiple colors in architecture and art. Classical Greek buildings and their sculpted ornaments were usually painted in bright colors, which has now faded or has been purposefully removed
Doric order
Stoutest and least decorated of the classical Greek orders. Plain capital, fluted shaft, and no base. The entablature is ornamented with alternating triglyphs–panels with three vertical grooves–and metopes–square panels often decorated with figural sculpture
Ionic order
Columns have a base, slender shafts (fluted or smooth) and capitals are decorated with volutes–scrolls–at sides
Corinthian order
Columns have a base, slender shafts (fluted or smooth) and capitals are decorated with acanthus leaves
Triglyphs
Only found in DORIC orders, and there are three rectangular extruded surfaces on the Doric frieze
Metopes
Only found in DORIC orders, and goes hand-in-hand with triglyphs. They are square tablets after triglyphs, and are usually decorated with some sort of figural sculpture
Greek Optical “refinements”
Very slight curvatures /distortions used to make Greek temples appear more harmonious in appearance overall (includes straightening what eye perceives, etc.)
Entasis
Slight convex swell from about the center of the column shaft upwards to offset the optical illusion that, when seen at distance, it gets thinner at its middle
Peripteral
Having a screen of freestanding columns/colonnade at all sides
Pericles
Leader of ATHENS in the mid-fifth century BCE
Acropolis
Highest point in any city (many cities have an acropolis, but only ATHENS has THE Acropolis)
Panathenaia
The city (ATHENS)’s main, yearly religious festival, celebrating Athena as the patron of the polis (city-state); all citizens (free men) participated
Panathenaic games
Athletic and cultural competition held every four years as part of the Greater Panathenaia, similar to the Olympic Games
Votives
Offerings, gifts, that were offered to Athena Polias at the outdoor alter during the Panathenaic Procession
Athena Polias
The original, olive-wood cult statue of Athena, set up as the guardian of the city
Athena Parthenos
Virgin goddess/moral model. Parthenos means “virgin” in Greek, so it means Athena the Virgin
Panathenaic Procession
Started outside the city, entered at the Dipylon Gate, across to Agora, and up the Acropolis hill to offer votives (ritual gifts) to Athena on her alter
Parthenon Frieze
Shows members of society bringing votives to offer to Athena in thanks, such as the bull to be sacrificed (left), and the peplos, a dress made new each year by the daughters of elite Athenian families; it was used to dress the statue of Athena Polias, which was carried in the Panathenaic Procession. Marble was brightly painted in antiquity, which also made figures more legible from below