Subject matter
Composition
Three-dimensionality
Any conscious reference to three-dimensionality is avoided even though the layers of paint create the effect of depth through the overlapping of marks and colour areas.
Shapes
The shapes created on the canvas are meant to be interpreted as brushstrokes, drips or geometric surfaces of colour divided by smaller geometric surfaces of other colours. It does not refer to anything recognisable except for paint on canvas.
Application
ACTION PAINTER application of paint was gestural and aggressive.
COLOURFIELD PAINTER works were not as gestural even though the textures of brushstrokes were visible.
Colour
Use of colour generally did not refer to visual reality.
COLOURFIELD PAINTER saw the non-figurative colour surfaces as expressions of the ideas of transcendence and the infinite.