Act 3 Flashcards

(34 cards)

1
Q

Cuckold references context?

A
  • Traces to Medieval Europe/ existed in Shakespeare time.
  • Cuckold: husband unaware of his wide cheating.
  • Wife’s chastisity part of men’s honour –> embarassing for men.
  • Man would wear “cuckold horns” if wife cheated.
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2
Q

Why does Cassio wish to speak to D in Act 3 Scene 1?

A
  • Wants D to put a good word in with Othello.
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3
Q

Cassio = Florentine.
Context of this place?

A
  • Place: Florence, Italy (at time play published.)
  • Associated with Renaissance, refinement.
  • Known for courtly manners.
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4
Q

Iago revealing his plans to audience in plain sight.

A
  • “draw the Moor out of the way” pg.58.
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5
Q

Desdeomona vs Emiliar juxtaposition sc.3.

A

**1.) Silent obedience vs independent! **
- D: “My Lord” –> worships/ respects/ obedience.
- E: “my husband” –> not same respect/ foreshadows calling out hubby at end of play.
2.) Emilia intelligence/ D naiievety.

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6
Q

Motif

D’s loyalty.

A
  • “rather lose my purse full of crusadoes” than handkerchief.
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7
Q

D foreshadowing own death?
Quote.

A
  • “solicitor shall rather die than give thy cause away.” (pg. 61)
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8
Q

Theme of Iago questioning throughout. Examples? Significance?

A
  • Example: pg. 61 “was that not Cassio parted from my wife?”
  • “did Cassio when you woo’d my lady know of your love?” pg.63
  • Allows characters to come to their own conclusions/ linguistic control.
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9
Q

Iago planting seeds.

A
  • “that he would steal away so guilty-like.” pg.61 ~ ref. Cassio.
  • Exits/ enters scenes in stealth manner.
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10
Q

D naiivety.

A
  • “I have no judgement in an honest face.”
  • “why then tommorrow night, or Tuesday morn or Tuesday noon….”
  • “are you not well?”
  • “why do you speak so rash?”
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11
Q

Appearance vs reality theme.

A
  • Iago’s continued deciet –> double-nature.
  • “I am your own forever” (Iago) pg. 78.
  • “Men should be what they seem” ~ Pg. 65 (Iago)
  • “my manhood, honesty, wisdom” ~ pg. 66: triplet.
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12
Q

Motif

Repeated positive phrase Othello uses to D ?

A

- SWEET
- “sweet Desdemona.”
- “tasted her sweet body.”
- “fresh as Dian’s visage” –> virgin Godess, Greek myth

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13
Q

D’s obedience throughout.

A
  • “My Lord.”
  • “Here I kneel…”
  • “whatever you be, I am obedient.”
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14
Q

Motif

Religious imagery

A
  • “Perdition catch my soul” (let me be damned if I don’t love you)
  • Their love = salvation for him.
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15
Q

Othello feelings towards D after Iago revelation?

A

**- Juxtaposition **
- Between nice talk and deep hate.
- Examples: “sweet Desdemona”/ “excellent wretch!” (oxymoronic)/ “chuck.”
- Asides exemplify this!! pg. 80

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16
Q

Syntax of Iago speech.

A
  • Cut off.
  • Hyphenated.
  • Subtle hints, allowing full ideas to be formulated by Othello himself.
  • “My noble Lord -“/ “Nothing my Lord or if - “
  • Trying to seem innocent.
17
Q

Structure of Iago’s speech.

A
  • Questioning.
  • Mirrors language of Othello: “Indeed” –> “Indeed?”
  • “Honest” —> “Honest my lord?”
  • Mirrors Emilia language. “what handkerchief?”/ “what handkerchief?”
  • Simple phrases poison Othello’s mind. Tragedy of it all.
18
Q

Othello: “chaos is come again” pg. 63. Elizabethean belief?

A
  • Elizabetheans believed end of world will have chaos that existed before creation.
19
Q

Conversation between Iago/ Othello structure when Iago convinves Othello of wife cheating.

A
  • Stichonmythia.
  • Conversation going back and forth.
20
Q

Jealousy motif

Green-eyed monster idea.

A
  • “O monstrous” –> repeated throughout!
  • “jealousy… is the green-eyes monster.” ~ pg. 65.
  • “monster” pg.86. repeated word
21
Q

Othello ref. Iago.

A
  • “Honest Iago.” THROUGHOUT!
  • “thou’rt full of love and honesty.” pg. 64.
22
Q

Othello’s broken syntax.

A
  • Contradictory statments ie. “I am bound”/ “I am not bound” within 1 line.
  • Believes D honest then changes his mind in space of 1 line. pg. 69.
  • “O misery!” Repetition of “O!”
  • Exclamatories.
23
Q

Reputation motif continued…

A
  • “Good name.” pg.66.
  • “fliched from me my good name”/”robs me.” ~Iago
  • Robbery motif.
  • Iago, urging Othello to view D in same way.
24
Q

Othello defending D Act 3 Sc 3.

A
  • “my wife is fair, sings, plays and dances well.”
  • Virtuous wive.
  • Adhering to Jacobean standards.
25
Iago repeated reference to Othello?
- "noble" Othello. - Sweet talk into Othello believing him.
26
Othello insecurity.
- "for she had eyes and chose me." ~ pg.68. Eye imagery ie. "green-eyed monster." - "for I am black.. have not soft parts in conversation." - "He kneels" --> stage directions, he's weak!!
27
Sexual liberty Venice.
- "In Venice, they do let God see pranks they dare show their husbands."
28
Link to Brabantio telling O. that D may decieve him as she decieved her own father.
- Iago: "sealed her fathers' eyes up as oak" ~ eye imagery.
29
Handkerchief Ref.
- "proofs of holy writ." - Religious imagery. - Symbolises honour, fidelity.
30
Iago response to Othello's anger.
- Appearance vs reality. - "Are you a man? Have you a soul? Or sense." - "eaten up with passion."
31
Sexual imagery.
**Iago**: - "behold her topped." pg. 75. **- Othello ** - "this hand is hot,hot and moist" - Hand --> used by Iago previously as symbol of male genetelia. - Moist palm believed to indicate youth, sexual ardour. - Repetition, broken syntax.
32
Othello anger.
- "arise black venegence from hollow cell!" - "I'll tear her to pieces." - Conforming to hot-headed black man rep.
33
Emilia role throughout. Evidence?
- Voice of reason/ justice. - Men are "but stomachs and we but food." - Sexual gratification.
34
What does Desdemona say about Othello's jealousy? Context.
- "I think the sun where he is from drew such humours from him." - Geohumouralism: Reinassance pseudoscience stated that temperent is depdendent on geographical origin.