AO5 Flashcards

(58 cards)

1
Q

Johnson - “Hamlet is rather an…

A

instrument than an agent”

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2
Q

Hawkes - “The ghost…

A

dominates even in his absence”

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3
Q

Webster - “Flattering…

A

sycophants”

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4
Q

Webster - “Poison near the head…

A

death and disease through the whole land spread”

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5
Q

Webster - “From decayed…

A

fortunes, every flatterer shrinks, men cease to build when the foundation sinks”

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6
Q

Hytner - “Surveillance…

A

state”

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7
Q

Branagh - “People…

A

forever being watched”

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8
Q

Poe - “The death of…

A

a beautiful woman is the most poetical topic in the world”

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9
Q

Collier - “The depiction…

A

of Ophelia is lewd and unreasonable”

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10
Q

Hammer - “Hamlet’s conduct is…

A

cruel…There is something very bloody in it, so inhuman, so unworthy of a hero”

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11
Q

Voltaire - “A…

A

vulgar and barbarous drama”

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12
Q

Hazlitt- “Hamlet is so incapable…

A

of deliberate action”

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13
Q

Traub - “Male power…

A

is restored through the vilification of women”

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14
Q

Freud - “Hamlet is literally…

A

no better than the sinner whom he is to punish”

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15
Q

Bradley - “Melancholia…

A

is at the root of Hamlet’s problems”

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16
Q

Bradley - “There is no tragedy in…

A

it’s expulsion of evil, the tragedy is that it involves the waste of good”

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17
Q

Dusinberre - “Ophelia has no chance to…

A

develop an individual conscience, so stifled is she by the authority of the male world”

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18
Q

Eliot - “The play is…

A

an artistic failure”

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19
Q

Lawrence - “The soliloquies of Hamlet…

A

are as deep as the soul of man can go”

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20
Q

Wilson- “Hamlet (play) is the most successful…

A

piece of dramatic illusion the world has ever known”

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21
Q

Levin - “Hamlet (play) is the most..

A

problematic play ever written”

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22
Q

Smith - “Gertrude is a…

A

caring and nurturing maternal presence”

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23
Q

Hawkes - “Claudius is no…

A

simple villain, but a complex, compelling figure”

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24
Q

Holderness - “Hamlet is intensely…

A

aware of himself as an actor”

25
Neely - "Hamlet is presented as fashionably...
introspective and melancholy, whilst Ophelia becomes alienated, acting out the madness Hamlet only plays at"
26
Greenblatt - "The ghost...
initiates a nightmare"
27
Ingam - "The Ophelia figure was a...
feminine ideal: totally passive, sexualised and defined only by her romantic relationships"
28
McEvoy - "The medieval conception of madness...
as divine or demonic possession was being replaced by the idea that insanity was a medical condition"
29
McEvoy - "He cannot kill Claudius...
because he identifies with him, for Claudius has done the very things he wishes to do himself- this is, kill his father and have sex with Hamlet's mother"
30
Brydon - "The perfect tragedy...
for an unfinished hero"
31
Walton - "Scarlet..
woman"
32
Redvine - "The...
self-absorbed Danish court"
33
Jude Law - "A sharing
of ones sorrow"
34
Tennant - "Monarchy
madness, murder and suicide"
35
Greenblatt - "The ghost becomes
the engine of the play"
36
(Greenblatt) Nature of a revenge play - "A terrible
fate will befall the avenger"
37
Doran (A1S2) - Hamlet speaks to the audience in his 1st soliloquy
emotional reactions from audience to take his side. 'Poor, defenseless, isolated man, whose father has just died, whilst the court "moves on absurdly quickly" (Tennant)
38
Bates - "Layer upon
layer of surveillance"
38
Bates - "Hamlet becomes profoundly
personal to us"
39
(Champion) The ghost could be: Tennant plays into the wandering soul.
the devil, the imposter, the wandering soul or the projection of ones imagination - Act 1 = the devil or the wandering soul - Act 3 = possibility of Hamlet's delusions - Gertrude cannot see the ghost (A3S3)
40
Doran - "Psychologically
it was a thriller"
41
Dobson - "Hamlet is mother Olivier - Hamlet kisses Gertrude on the lips in A3S3
fixated"
42
Tennant - "On the path to
his own self-destruction"
43
Doran - Yorrick's skull was an actual skull (A5S1) Jude Law - "Tackles the fundamental
intensifies the confrontation with death/mortality. MOMENTO MORI - Reduced to bones/remains it raises the wuestion 'what is the point in life?' themes of life"
44
Tennant - depicted "the rest is silence" as
death offering peace, quiet and release from constraints in life. Freedom.
45
Tennant - "Grief is a
ghastly, unbearable thing"
46
Olivier - the ghost leads Hamlet to the cliffside (filmic metaphor)
Actual interpretation of "what if it lead you toward the cliffside my lord"
47
Doran - no Fortinbras
Amplifies Horatios loneliness - tragedy. No one to tell Hamlets story to
48
Saville - Caine played into queer theory - homoerotic relationship
49
Godwin - tattoo of old hamlet on his chest -
Reflects the overwhelming burden of the duty forced on him
50
Godwin - colour to reflect hamlets madness
The more colourful, the more mad he is - chaotic
51
Godwin - skull painted on his back
Painted by him - reflects his knowledge that death/mortality is the equalizer and fate that befalls all
52
Icke - Scott plays Hamlet as "mad from the start"
No progression in soliloquies - repetitive like his inaction = constant buildup but no violent climax until the end
53
Goode - use of time throughout
Reflects the countdown until the end where everyone dies
54
Goode - throws bodies off ship immediately
No lamenting or honouring them - "bear Hamlet like a soldier to the stage... take up the bodies"
55
Greenblatt - "Hamlet is a
Dead man from act 1"
56
(Atwood 'Gertude talks back, 1993') - "Any little shock could
push her right over the edge"
57
(Atwood 'Gertude talks back, 1993') - "It wasn't Claudius
darling, it was me"