‘the soft simplicity of Desdemona…her slowness to suspect that she can be suspected’
Johnson
‘motive hunting of motiveless malignanty’ Coleridge
‘the fiery openness of Othello… boundless in his confidence, ardent in his affection, inflexible in his resolution, and obdurate in his revenge’
Johnson
‘the cool malignity of Iago, silent in his resentment, subtle in his designs’
Johnson
‘is killed not only by Othello and Iago but by all those who see her humiliated and beaten in public, and fail to intervene’
Vanita
ardent with the courage and idealism of a saint’
A.C. Bradley
‘passionless character, all will in intellect’
Coleridge