critic 2 Flashcards

(47 cards)

1
Q

Ania Loomba / Emilia

A

Emilia is a voice of rebellion against the patriarchal status quo in the play

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2
Q

E’s alliance with Des offers a model of female solidarity that stands stark contrast to the male betrayals that surround them

A

Ania Loomba / E&D

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3
Q

Elise Walter / male destruction

A

male friendship is an agent of destruction

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4
Q

Emilia’s friendship represents a lifeline for Des

A

Elise Walter / E&D

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5
Q

othello isn’t regarded through the …of …

A

prism of race / A.C Bradley

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6
Q

there is no tragic …-…..

A

self discovery / F.R Leavis

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7
Q

Iago enjoys a …… sense of power

A

god-like / honigman

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8
Q

Iago’s strategem works so well because it reflects his …. own …..

A

victim’s own beliefs, Kiernan Ryan

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9
Q

othello is …. to not be …. by the great world

A

anxious to not be misjudged, A.C Bradley

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10
Q

othello dies …. to the world of ….

A

belonging, action - F.R Leavis

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11
Q

Othello is a tragedy of a cautionary tale against giving foreigners power

A

Ania loomba OF

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12
Q

Othello is always acting

A

F. R. Leavis O

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13
Q

Othello is a victim of Iago’s irresistible force

A

A.C. Bradley O&I

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14
Q

Iago is driven by motiveless malignity

A

Coleridge

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15
Q

Emilia privileges the loyalty of true friendship over her own safety

A

Eamon Greenman E loyalty

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16
Q

O’s fate effects the welfare of the whole nation

A

AC Bradley / O welfare

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17
Q

The voice of women occupy a pivotal role in the plays moral world

A

Eamon Grennan Women’s voice

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18
Q

Iago deliberately defiles cassio’s image of desdemona

A

honnigman

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19
Q

othello’s love of desdemona is the love of possession. she is a prize, a spoil of war

20
Q

how to phrase:

A

commented
says
interprets
remarks
states
observes
judges

21
Q

othello is a man of action, not a thinker

A

phyllips O ‘man of’

22
Q

othello feels constantly threatened and profoundly insecure

A

phyllips O insecure

23
Q

lisa jardine on desdemona

A

desdemona becomes a stereotype of female passivity

24
Q

the handkerchief acts as a minituare of nuptial linens

25
Emilia is a voice of rebellion against the patriarchal status quo in the play
Ania Loomba//Emilia
26
Ania Loomba E&D
E's alliance with Des offers a model of female solidarity that stands stark contrast to the male betrayals that surround them
27
male friendship is an agent of destruction
Elise Walter male destruction
28
Elise Walter E&D
Emilia's friendship represents a lifeline for Des
29
prism of race, A.C Bradley
othello isn't regarded through the ...of ...
30
self discovery, F.R Leavis
there is no tragic ...-.....
31
god-like, honigman
Iago enjoys a ...... sense of power
32
victim's, beliefs, Kiernan Ryan
Iago's strategem works so well because it reflects his .... own .....
33
anxious to not be misjudged, A.C Bradley
othello is .... to not be .... by the great world
34
belonging, action - F.R Leavis
othello dies .... to the world of ....
35
Ania loomba O caution
Othello is a tragedy of a cautionary tale against giving foreigners power
36
F. R. Leavis O acting
Othello is always acting
37
A.C. Bradley O, I, force
Othello is a victim of Iago's irresistible force
38
Coleridge MM
Iago is driven by motiveless malignity
39
Eamon Greenman E loyalty
Emilia privileges the loyalty of true friendship over her own safety
40
AC Bradley O welfare
O's fate effects the welfare of the whole nation
41
Eamon Grennan women's voice
The voice of women occupy a pivotal role in the play's moral world
42
honnigman cassio
Iago deliberately defiles cassio's image of desdemona
43
Phyllips / possession
othello's love of desdemona is the love of possession. she is a prize, a spoil of war
44
phyllips / O 'man of'
othello is a man of action, not a thinker
45
phyllips / insecure
othello feels constantly threatened and profoundly insecure
46
desdemona becomes a stereotype of female passivity
lisa jardine / desdemona
47
callaghan
the handkerchief acts as a minituare of nuptial linens