critical quotes Flashcards

(30 cards)

1
Q

Vaughan- Caliban in contrats to Stephano and Trinculo

A

‘in contrast to Stephano and Trinculo, seems to have an innate understanding of nature, of music and of how to achieve his goals’

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2
Q

Rex Gibson- calibans place as a slave

A

‘Caliban is a lonely, oppressed and dispossessed slave.’

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3
Q

MacDowell 1838- about pitying caliban

A

‘Caliban creates our pity more than our detestation’ 1838

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4
Q

Wilson 1873- caliban being human and animal

A

‘While on the one and caliban is human, he is also animal, at home amoung the sounds and scenes of living nature’ 1873,

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5
Q

Cherry- about what caliban symbolises
the play is structured around…

A

‘The play is[…] structured around the eminence of royal power and social hierarchy, which are both challenged by Caliban, who symbolises rebellion and disorder’

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6
Q

Gurr- who is the plays hero?

A

‘Who should we take to be the plays hero, Prospero or Caliban’

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7
Q

Rufo about calibans rebellion

A

‘Calibans rebellion, which is supported by drunken fools Trinculo and Stephano, provides a counter balance to prosperos autocratic regime and offers room for speculation that prosperos authority remains challengeble’

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8
Q

Valdiveiso about Mirandas role

A

‘Mirandas main role is to obey her father’

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9
Q

mike Brett about perfection

A

‘the act of calling someone perfect can be construed as an act of control’

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10
Q

Rex Gibson about Eurocentric colonialism

A

‘Shakespeare presents a Eurocentric view of colonisation in the tempest’

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11
Q

Taylor Sharpe about freedom

A

‘every character is driven by an internal cry for freedom’

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12
Q

Walton Beacham about Ariel and freedom

A

‘Areils ‘only request is for freedom’

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13
Q

David Lindley about the illusion of freedom

A

‘The play is often seen as a play about power and control but perhaps should rather be regarded as a play about the illusion of freedom’

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14
Q

Rufo about prospero and human nature

A

‘prospero has semed to have learnt very little about human nature’

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15
Q

miranda is the epitome

A

‘miranda is the epitome of purity, goodness and beauty’

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16
Q

miranda possersorship

A

‘miranda will remain a property that is passed from father to husband’

17
Q

Margreta de Grazia on prospero and sycorax

A

On Prospero and Sycorax: “Both sorceress and magician are driven by the same passion - anger”

18
Q

Paul brown , link between prospero and caliban

A

xProspero’s pronouncement on Caliban “This thing of darkness I/Acknowledge mine” is an ACKNOWLEDGEMENT OF A LINK BETWEEN HIMSELF AND CALIBAN. He may be suggesting that his cruelty caused Caliban’s bad behaviour, or that there is a core of evil in himself as well as in Caliban.

19
Q

BARRY BECK a tale of…

A

“a TALE of political power and social responsibility”

20
Q

Sean McEvoy , ariels humanity

A

“Though a spirit, Ariel’s humanity is greater than his master’s”.

21
Q

virginia mason, restored monarchy

A

‘the play is a celbration of restored monarchy and an affirmation that monarchy is the natural form of goverment’
‘his language is as hobgoblin as his person’ Caliban
Caliban presented as the missing link in the early 20th century - Darwinian ideas pn evolution

22
Q

McFarland , Gonzalo is a…

A

Gonzalo is a speaker of a certain truth

23
Q

Robert Langbaum , Gonzalos speech…

A

Gonzalos speech sums up the philosophy of the genre of tragicomedy’

24
Q

Roger Poole, Ferdinand has to…

A

Ferdinand ‘has to endure and cherish before he can possess. ‘

25
Traversi, Miranda and Ferdinand relationship is ...
'a symbolic ground for reconciliation'
26
Poole (Antonio and Sebastian, darkness)
Antonio and Sebastian "are the real things of darkness".
27
Grindlay (Clariben between ownership)
"Claribel is caught between the two men in her life that claim ownership of her."
28
Amanda Mallibard, Alonsos true regret..
It seems Alonso's true regret is that his betrayal of Prospero has resulted in the loss of his son, Ferdinand"
29
Tanner "The real monsters ...
"The real monsters of the island are Sebastian and Antonio"
30
Coleridge, Prospero, who has s...
Prospero, who has stage-managed everything"- Coleridge