Critics Flashcards

(17 cards)

1
Q

Bowra, C.M
About Rossetti’s response to love. ‘In Christina, love released a…

A

melancholy desire for death.’

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2
Q

Anthony H. Harrsion
About Rossetti’s rejection of love and sex.
Her poems focus on ‘the apparently inevitable culmination…

A

of all compulsive amatory passions—renunciation.’

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3
Q

Anthony H. Harrsion
About love being futile if not for the art it inspires (in Rossetti)
‘the only true and permanent…

A

fulfilment of love is to be found in the art it gives birth to.’

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4
Q

Dolores Rosenblum
About the objectification of women and the dangers of women loosing their sense of identity. (Rossetti)

‘a woman inevitably experiences herself…

A

as object and other’ ‘a woman must make herself into or pretend to be an alluring object.’

Simone de Beauvoir “the very face itself becomes a mask”

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5
Q

Simon Avery
About Rossetti’s women being aware and resistant to oppressive patriarchy

Rossetti’s speakers demonstrate…

A

an awareness of, and resistance to, those social and political expectations which define acceptable roles for women and which potentially leave them powerless.

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6
Q

Dolores Rosenblum
About Rossetti’s speakers being traditional and passive

Her poetry has been valued… for…

A

its affirmations of female piety, passivity and submission’

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7
Q

Dolores Rosenblum
About transition in Rossetti’s poems

Her poems… often describe double…

A

or transitional states of being

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8
Q

Virginia Woolfe
Comments on her faith as a binding source of sadness in her poetry. (Rossetti)

The pressure of a tremendous faith…

A

circles and clamps together these little songs….they owe to it their sadness

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9
Q

Virginia Woolfe
The pain caused by her loyalty to God (Rossetti)

your God was a…

A

harsh God, your heavenly crown was set with thorns.

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10
Q

Virginia Woolfe
About passing beauty and the sin of vanity (Rossetti)

No sooner have you feasted on…

A

beauty with your eyes than your mind tells you that beauty is vain and beauty passes.

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11
Q

For Eleanor Marx Nora’s predicament was a metaphor for the exploitation and oppression of labour where “Women are the creatures…

A

of an organised tyranny of men” 1886

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12
Q

August Strindberg said that thanks to A Doll’s House, “marriage was revealed…

A

as being far from a divine institution…and divorce between incompatible parties came at last to be accepted as conceivably justifiable.”

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13
Q

Stephen Unwin on the misconceptions regarding Mrs Linde as a ‘New Woman’
“It’s a mistake to see Mrs Linde…

A

as a fully formed ‘New Woman’, free of ties and content with a room of her own.”

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14
Q

What did Ibsen famously say about his writing?

A

“I have never written any play to further a social purpose”

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15
Q

What did Ibsen say about women in contemporary society?

A

“A woman cannot be herself in contemporary society; it is an exclusively male society… with counsel and judges who judge feminine conduct from the male point of view.”

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16
Q

Review in Social Demokraten 1879 about Nora’s duty to leave Torvald

A

“It is this young woman’s duty to leave this husband, who slowly sacrifices her on the altar of his egotism, and who fails to understand her value as a human being”

17
Q

Michael Meyer about finding personal identity in A Doll’s House

A

‘The theme of A Doll’s House was the need of every individual to find out the kind of person he or she really is, and to strive to become that person.’