Miles Davis - Trumpet
Wayne Shorter - Tenor Sax
Herbie Hancock - Piano
Ron Carter - Bass
Tony Williams - Drums
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3
Q
Form
A
A complex elastic waltz form - stretching or compressing during a solo.
Certain structural harmonies signal the soloist and the listener and guide the flow of music
There are two major phrases in the piece
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4
Q
Phrase 1
A
Consists of 10 bars
Opening on the harmonic D Minor, a transitory middle, and a rise to C (usually Major)
Dm opening, Bb Eb D B Transition, C closing
The chords of the transition may vary
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5
Q
Phrase 2
A
Consists of 8 - 20 + Bars
The first statement of this phrase is twelve bars long and has three main traits: a rising pattern (G-G# - A) that falls to F, a section that cadences to D, and a final two measures that provide a turn around (E-A) to the beginning D.
The piece circles over and over, with each complete pattern being different to the last
FIRST TIME: G G# A F opening, A D Middle to D, B for two bars, then E A turn around
SECOND TIME: G G# A F opening, A D Middle to D, G F Bb, Then E A
To obscure the form even further wayne shorter starts his tenor solo immediately after Davis ends his in the middle of the second phrase.