Name three exotic scales used in this piece?
Whole tone, modal, pentatonic melodies
Name one thing about the harmony that is expected and one that is unexpected
-expected chords
-unexpected moduations
How can the harmony be described overall?
mostly functional with some chromaticism
Name two words to describe the harmony that end with ‘harmony’ and two ways to describe a harmonic accompaniment
-quartal harmony
-parallel harmony
-pedal notes/drones
-rolled chords
Name four rhythmic features
-Rubato
-cross rhythms
-long sustained notes but filigree decoration at the end
-mainly quavers and semiquavers
What is the structure
-ABA feel
-the central section has elements of the first one
-each section has a number of subsections
Japanese gamelan is clear in….
The prominent use of the pentatonic scale, the conjunct melody and the low ‘gong’ sounds imitated by the bass notes of the piano
How is the gong sound created in the opening two bars?
Low-pitched open fifths
The key signature suggests……but…..
B major or G# minor but neither are properly established
B is a tonal centre at the beginning rather than a key
Where does the A section start and end?
Bars 1-32
When does the B section start and end?
Bars 33-52
Name the ways in which the B section draws on the A section
-the two note syncopated chords from the end of the A section continue as a link
-new version of the melody from bar 11
When does the A section ‘return’ (varied)
Bar 53-end
When is the coda?
78-98
What ‘keys’ does the B section go through?
B major-G# minor-B major
What keys does the returning A section go through?
B major - G# minor - D sharp minor
What key is the coda in?
B major
give four ways to describe the texture
-pedal notes/drones
-melodies and countermelodies
-polyphonic/contrapuntal
-melody dominated homophony
give four ways to describe the melody
-mostly diatonic
-mixture of conjunct and disjunct
-scalic arch melody in the left hand
-whole tone melody in the B section