Definitions Flashcards

(166 cards)

1
Q

Passage that does not state the principal subject

A

Episode

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2
Q

Section where subjects are announced

A

Exposition

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3
Q

Subject is answered or repeated by several parts

A

Fugue

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4
Q

Splitting a melodic line between two voices

A

Hocket

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5
Q

Musical motive associated with a person, thing, emotion, or idea

A

Leitmotif

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6
Q

Accompanied solo song

A

Monody

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7
Q

Polyphonic vocal composition with sacred text

A

Motet

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8
Q

Pattern of pitches that are a foundation for harmony

A

Passacaglia

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9
Q

Single variation of a theme

A

Partita

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10
Q

Section where exposition is reviewed

A

Recapitulation

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11
Q

1450-1600; Secular music

A

Renaissance

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12
Q

Tutti as opposed to solo

A

Ripieno

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13
Q

ABaAabAB

A

Rondeau

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14
Q

Slow dance in triple meter

A

Sarabande

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15
Q

One or more instruments; Several movements

A

Sonata

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16
Q

Exposition; Development; Recapitulation

A

Sonata Form

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17
Q

Imitation of a subject at a close time interval

A

Stretto

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18
Q

Set of four pitches

A

Tetrachord

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19
Q

Introductory improvised instrumental piece

A

Toccata

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20
Q

Second part in early polyphony

A

Triplum

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21
Q

First melody is sung twice and the remainder is sung once

A

Abgesang (Bar Form)

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22
Q

Details of execution left up to performer

A

Ad Libitum

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23
Q

Unordered set of pitch classes

A

Aggregate

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24
Q

French art song with lute or violin

A

Air

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25
French monodic song
Air de Cour
26
Leaving choice of pitches or rhythmic values up to chance
Aleatory
27
Pitch range of mode or plainchant
Ambitus
28
One group answers the other
Antiphonal
29
Lute with extra peg box
Archlute
30
Songful monologue or duet in opera
Aria
31
1600-1750; Bizarre
Baroque
32
Dances whose music was set over tenor cantus firmus
Basse Dance
33
Improvised passage just before the end of a piece
Cadenza
34
Intellectuals and amateurs of arts that met in Florence
Camerata
35
Composition for solo voice with recitatives and arias
Cantata
36
Organ playing chorale before singing
Chorale Prelude
37
1750-1825
Classical
38
Ensemble with a few solo instruments
Concertino
39
Full orchestra in a concerto
Concerto Grosso
40
Artful combination of 2+ simultaneous melodic lines
Counterpoint
41
Fluent dance in moderate triple meter
Courante
42
Subject is taken apart and reworked
Development
43
Polyphony in which voices move at the same speed
Discant
44
Composition with 12 tone rows
Dodecaphonic
45
Voice part in early polyphony set against a tenor
Duplum
46
A complete musical thought
Phrase
47
Bow is thrown on the string
Jete
48
Short bouncing of the bow
Spiccato
49
Hammer bow on the string
Martele
50
Short separate strokes
Staccato
51
Legato stroke
Loure
52
Basic stroke on all bowed instruments
Detache
53
C4-C6
Soprano
54
A4-A6
Mezzo Soprano
55
F3-F5
Contra Alto
56
C3-C5
Tenor
57
F2-F4
Baritone
58
E2-E4
Bass
59
Glissando in vocal music
Portamento
60
E
Trombone Position VII
61
F
Trombone Position VI
62
Gb
Trombone Position V
63
G
Trombone Position IV
64
Ab
Trombone Position III
65
A
Trombone Position II
66
Bb
Trombone Position I
67
1.5 steps
Trumpet 3rd Valve
68
1/2 step
Trumpet 2nd Valve
69
2.5 steps
Trumpet 4th Valve
70
1 step
Trumpet 1st Valve
71
I
Tonic
72
ii
Supertonic
73
iii
Mediant
74
IV
Subdominant
75
V
Dominant
76
vi
Submediant
77
vii
Leading Tone
78
1 ~ Preparation 2 ~ Ictus 3 ~ Rebound 4 ~ Penultimate beat placement 5 ~ Final beat placement
Steps of Conducting
79
Decorative; Few dynamics
Baroque Characteristics
80
Vivaldi; Handel; Bach
Baroque Composers
81
Reserved; Intellectual; Controlled
Classical Characteristics
82
Mozart; Beethoven
Classical Composers
83
1825-1900
Romantic
84
Feeling; Nationalistic
Romantic Characteristics
85
Chopin; Brahms
Romantic Composers
86
1900-Present
Modern
87
Unconventional inspiration; Broken molds
Modern Characteristics
88
Debussy; Copland
Modern Composers
89
Gardner; Differentiates intelligence into modalities
Theory of Multiple Intelligences
90
Preparation; Presentation; Practice; Execution
General Music Teaching Sequence
91
Philosophy of Music Education: Aesthetic Education
Bennett Reimer
92
8va P5 P4 M3 m3 m3 M2
Overtone Series
93
Unaccompanied melody
Monophonic
94
Two or more lines of melody
Polyphonic
95
Harmony is chordal and no distinctive lines
Homophonic
96
Same melody performed simultaneously
Heterophony
97
Omnidirectional; Cardoid
Polar Patterns
98
Single harmonic movement divided by design
Continuous Binary Form
99
AB or AA'
Continuous Binary Form Sample
100
AB I I A'
Continuous Rounded Binary Form Sample
101
AA'
Continuous Balanced Binary Form
102
Two complete harmonic movements
Sectional Binary Form
103
A-B or A-A'
Sectional Binary Form Sample
104
A-B-A
Sectional Rounded Binary Form Sample
105
A A B
Sectional Barform Binary Form Sample
106
A-BA
Sectional Ternary Form Sample
107
A B A
Full Sectional Ternary Form Sample
108
A B I I A'
Continuous Ternary Form Sample
109
A-BA-B'
Sectional Four Part Form Sample
110
A BA CA
Sectional Five Part Form Sample
111
ABACAB'A
Classical Rondo Form
112
V-I
Perfect Authentic Cadence
113
V-I; but with an inverted chord
Imperfect Authentic Cadence
114
Ending on V
Half Cadence
115
IV-I
Plagal Cadence
116
Substitutes another chord for I
Deceptive Cadence
117
+6 and the Tonic
It +6
118
Augmented 6th interval; Tonic; Submediant
Fr +6
119
Augmented 6th; Tonic; Lowered 3rd
Ger +6
120
500 BC - 500 AD
Antiquity
121
500-1400
Medieval
122
1400-1600
Renaissance
123
1600-1750
Baroque
124
1750-1825
Classical
125
1825-1900
Romantic
126
1900-Present
Modern
127
French Baroque dance in fast duple meter
Bouree
128
Baroque composition using sacred texts
Cantata
129
French polyphonic song
Chanson
130
Baroque Protestant hymn melody
Chorale
131
Organ plays before congregation sings
Choral Prelude
132
Composition for orchestra with one or more solo instrument
Concerto
133
Chamber Music
Divertimento
134
Study piece for development of technique
Etude
135
Loud brass instruments playing major triad
Fanfare
136
Imitative polyphonic composition
Fugue
137
French peasant dance
Gavotte
138
Popular Baroque dance
Gigue
139
Secular song for 2 or 3 unaccompanied voices
Madrigal
140
Polyphonic composition with sacred text without accompaniment
Motet
141
Musical dramatic work
Opera
142
Plain chant with note against note counterpoint
Organum
143
Variatoin on ground bass
Passacaglia
144
Spoken song
Recitative
145
French lyrical poem
Rondeau
146
Slow dance in triple meter
Sarabande
147
One or more solo instruments; 3 or 4 independent movements
Sonata
148
2 violins, viola, and cello
String Quartet
149
Instrumental composition with a series of varying movements
Suite
150
Orchestral form
Symphonic Poem
151
Keyboard piece that is free in form
Toccata
152
1 loud hit on drum
Rim shot
153
1 beat preceding 1 beat on drum
Flam
154
2 beats preceding 1 beat on drum
Drag
155
Fast drumming technique
Paradiddle
156
Simple melodies; Alberti bass
Classical characteristics
157
Monophonic; Plain chant
Medieval Characteristics
158
Polyphonic; No instruments
Renaissance Characteristics
159
Small orchestras with basso continuo
Baroque Characteristics
160
Gradually getting faster
Accelerando
161
Pick up note
Anacrusis
162
Melody in longer note values; Twice as slow
Augmentation
163
Notes are shortened by half
Diminution
164
Marked; Emphatic
Marcato
165
Perform freely
Rubato
166