Drum Kit Flashcards

(57 cards)

1
Q

How were drums used in the early to mid 19th century?

A

Marching bands and musical theatre groups used individual hand percussion instruments.

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2
Q

Who developed the first foot pedal for the bass drum, and when?

A

William Ludwig Sr. in 1909, allowing drummers to play the kick drum while still using snare and cymbals.

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3
Q

What was the “low boy” cymbal pair?

A

Developed in the 1920s, it was a predecessor to the modern hi-hat.

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4
Q

Who started the first cymbal manufacturing company in the USA, and when?

A

Avedis Zildjian III, a Turkish immigrant, in 1929, continuing a family tradition from Constantinople.

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5
Q

What is the historical significance of Avedis Zildjian III?

A

He introduced cymbal manufacturing in the USA, bringing centuries of Turkish cymbal-making tradition to American drummers.

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6
Q

Why is good drum tuning important when recording?

A

Drums can be tuned to harmonic elements of the song, making them more musical than simple atonal percussion.

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7
Q

How does microphone angle affect drum sound?

A

Parallel to drumhead: more of the fundamental tone captured

Angled: more overtones and harmonic content captured

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8
Q

How does mic distance from the drum affect sound?

A

Closer: more bass/low end

Further: less bass

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9
Q

What is the standard modern method for micing a drum kit?

A

Close mics on all drums

Overhead stereo pair for cymbals and overall stereo image

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10
Q

Will every close mic on a drum kit always be used in the mix?

A

Not necessarily — some mics may not be prominent or even used at all in the final mix.

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11
Q

Which microphones are commonly used for kick and snare?

A

Shure SM series and Beta series.

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12
Q

What is the polar pattern difference between SM and Beta series mics?

A

SM series = cardioid, Beta series = supercardioid.

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13
Q

What are some advantages of Beta series mics over SM series?

A

3–5 dB higher output

Tougher grill

Wider frequency response (extends lower and higher than SM)

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14
Q

What types of microphones are typically used as drum overheads?

A

Small or large diaphragm condensers, such as NT5, NT2a, NT1, M5, or NT4.

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15
Q

What is the main purpose of overhead microphones in drum recording?

A

To capture the cymbals and the overall stereo image of the drum kit.

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16
Q

What is the AB spaced pair technique for drum overheads?

A

Two microphones spaced apart to capture a wide stereo image through time and phase differences.

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17
Q

How does mic placement affect sound in an AB pair setup?

A

Lower: emphasises cymbals

Higher: more balanced sound

Further apart: wider stereo image

Closer together: more realistic stereo image

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18
Q

What should you ensure when positioning AB overheads?

A

Mics must be equidistant from the snare for phase alignment.

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19
Q

What is a good starting point for AB spaced pair overhead placement?

A

1.5 m height, 1 m apart, centred over the drum kit.

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20
Q

What is the XY coincident pair overhead technique?

A

Two mics (e.g. NT4) placed at the same point and angled apart, capturing stereo via level differences.

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21
Q

What are the key features of XY overhead placement?

A

Phase correct stereo image

Mounted directly over the snare

High enough to avoid cymbal interference

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22
Q

What is the ORTF overhead technique?

A

Two small diaphragm condensers 17 cm apart, angled 110°, for a wide, phase-correct stereo image.

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23
Q

How should ORTF overheads be positioned over the drum kit?

A

Directly over the snare, high enough to avoid cymbal movement.

24
Q

How many microphones can be used on a kick drum?

A

One, two, or three — typically front inside, front outside, and beater side.

25
Why is the inside of a kick drum often dampened?
To control resonance and reduce overtones, using towels, small rugs, or pillows.
26
What’s the purpose of the port/hole in the front skin of a kick drum?
It improves projection, attack, and brightness, and allows mic placement inside the drum.
27
Why might you remove the front skin of a kick drum?
For easier mic access and more control over tone and mic positioning.
28
What are good microphone choices for inside the kick drum?
Large dynamics like the Shure Beta 52 or Electro-Voice RE20.
29
What does a mic inside the kick drum capture?
A strong attack from the beater.
30
How does mic placement affect tone inside the kick drum?
Centre: weak sound Edge (~2 cm): more bass and body Closer to beater: more attack Further back: more low end
31
What are good mic choices for outside the kick drum?
Large diaphragm condensers like NT2A or NT1.
32
What kind of sound does an outside mic capture?
Less clicky attack, more bottom end and room tone.
33
How should you position an outside kick mic?
Start 5–10 cm from the centre of the drum head, facing toward the middle.
34
Should the outside mic be used alone?
No — it’s usually used with an inside dynamic for a full kick sound.
35
What type of mic works best for a single front mic setup?
A large diaphragm dynamic mic.
36
Where can you position a single mic on a kick drum?
Just outside or inside the port hole.
37
What’s the tradeoff of using only one kick mic?
You get both click and body, but less control over their ratio.
38
What mics can be used on the beater side?
Dynamics like Beyer M69, Shure SM57, Beta 56, or small condensers like M5.
39
What does the beater side mic add to the mix?
High-frequency click and definition to the attack.
40
How should a beater side mic be positioned?
At the edge of the drum, angled toward the centre, 2–5 cm away.
41
What is a potential limitation of using a beater side mic?
There might not be enough space to place it near the pedal.
42
What are common top mic choices for snare drum?
Shure SM57 and Shure Beta 57 (standard dynamics).
43
How many mics can be used on a snare drum?
Two — one on top, one on bottom.
44
What is the starting position for the top snare mic?
3.5 cm above and 4 cm in from the edge, angled towards the centre.
45
How does mic placement affect snare tone?
Closer to drum: more body Toward edge: more rim sound Toward centre: more snap and brightness
46
What are typical bottom snare mic options?
Dynamics or condensers such as SM57, Beta 56, NT5, M5, NT2A, or NT1.
47
What’s the starting position for the bottom snare mic?
About 10 cm away from the centre of the snares, positioned at the edge, pointing towards the centre.
48
What happens when you move the bottom snare mic closer?
It picks up more wire sound and less hi-hat spill.
49
What must be done to the bottom snare mic’s phase?
Invert it relative to the top mic.
50
What are common mic choices for toms?
Standard dynamics - Beta 56, MD421, SM57, Beta 57.
51
What additional mic options can be used for floor toms?
NT2A or NT1 (large diaphragm condensers).
52
What is often done to toms before recording?
Dampen the top head slightly using tape to reduce ringing.
53
What’s the starting position for a tom mic?
About 15 cm above the tom, pointing toward the centre.
54
How does tom mic direction affect tone?
Toward centre: more attack Toward edge: more ringing
55
What are typical mic choices for hi-hats?
Small diaphragm condensers like Rode M5, Rode NT5, or Neumann KM184.
56
What is the starting position for a hi-hat mic?
At the edge of the hi-hats, with enough clearance to open, pointing directly down.
57
How do you get a brighter, drier hi-hat sound?
Move the mic towards the middle of the hi-hats.