Haydn 104

Question 1

M1 Slow Introduction (1-16)

Answer 1

• b.3-7 : D minor
• b.7 : hint of F major
• b.6 : cadential 6-4 (extends cadence)
• b.15 : neapolitan 6th
• b.16 : 4-3 suspension -> cad. 6-4

Question 2

M1 First Subject (17-50)

Answer 2

• D major
• b.41: hint of B minor
• b.32-39 : based on I + IV
• b.42/3 : like interrupted cadence
• b.20 : syncopation = textural interest

Question 3

M1 Transition (50-64)

Answer 3

• b.52 : D -> G# major
• b.58 : E major
• b.53 : double suspensions
• b.54 : dim 7th
• b.54 : motif inversion

Question 4

M1 Second Subject (64-99)

Answer 4

• A major (dom)
• b.94/6 : polyphony
• b.80/2 : rhythmic displacemnt
• b.76/8 :circle of 5th
• b.80 : interrupted cadence

Question 5

M1 Codetta (99-123)

Answer 5

• A > F# > E > A major by b.112
• b.107 : dim7th on G#
• b.112 : I + IV + tonic pedal
• b.116/7 : rhythmic diminution

Question 6

M1 Development (124-192) TONALITY

Answer 6

• B minor
• b.139-141 : tonally unstable
• b.145 : C# minor
• b.179 : B minor

Question 7

M1 Development (124-192) HARMONY

Answer 7

• b.136 : dim7th
• b.150-5 : circle of 5ths (bassoon)
• b.172 : German augmented 6th
• b.178 : harmonic minor scale

Question 8

M1 Recapitulation (193-266)

Answer 8

• D major
• b.225 Amaj (1 bar)
• b.220-226 : circle of 5ths
• b.238-242 : dim chords
• ends with cad. 6-4

Question 9

M1 Codetta & Coda (266-277 / 277-end)

Answer 9

• D major
• b.274 : D# hints E minor
• b.278 : G# hints A major
• b.281 : D security
• b.277-282 : domination of motif ii

Question 10

M2 Section A (1-32)

Answer 10

• G major
• b.9-16 : Am, Dm, A, D
• b.31 : G major
• b.7-8 : cad. 6-4
• b.24 dim 7th

Question 11

M2 Codetta (32-37)

Answer 11

tonic pedal as tonal relief from dim chords

Question 12

M2 Middle Section 1 (38-56)

Answer 12

• G minor
• b.46 : Bb major
• b.41 : implied dim7th
• b.42 : adapted alberti bass
• b.54/55 : I-IV-I-V etc

Question 13

M2 Middle Section 2 (57-70)

Answer 13

• b.60-4 : circle of 5ths
• b.65/6 : clashes
• b.68-70 : dom prep to return to G maj

Question 14

M2 Linking Passage (71-73)

Answer 14

dom 7th broken chords as dom prep

Question 15

M2 Section A1 (74-141)

Answer 15

• G major
• then pass through LOADS of keys
• b.79 : dim7th
• b.105-115 : slow harmonic rate , tonally adventurous

Question 16

M2 Coda (141-end)

Answer 16

• G major
• I-V-I-V-I-I-I

Question 17

M3 Section A (1-8 + 9-16)

Answer 17

• D major
• based on I + IV
• b. 2 dim chords

Question 18

M3 Section B (17-26)

Answer 18

• D major
• b.19 : pc into B minor
• b.26 A major

Question 19

M3 Linking Passage (26-34)

Answer 19

• A major
• b.28 : neapolitan
• b.29 : dim 7th

Question 20

M3 Section A (32-42)

Answer 20

D major and ends with perfect cadence

Question 21

M3 Codetta (43-52)

Answer 21

G > Bm > D maj , 4 perfect cadences to end

Question 22

M3 Section C (53-64)

Answer 22

• D minor
• b.55 : Bb major
• b.58-60 : based on I + V

Question 23

M3 Section D (65-78)

Answer 23

Fm > Cm > Gm > G > Cm

Question 24

M3 Section C1 (79-94)

Answer 24

Bb > Eb > Gm > Bb

Question 25

M3 Link (94-104)

Answer 25

- major minor shifts - b.99 German aug 6th - b.100-4 phrygian cadence

Question 26

M4 Subject 1 (1-30)

Answer 26

- D major - between IV + I

Question 27

M4 Transition (31-54)

Answer 27

- D > Em > Am - b.47 Phrygian cadence - b.47-51 - tritone fluctuate between B and F

Question 28

M4 Transition (31-54)

Answer 28

- D > Em > Am - b.47 Phrygian cadence - b.47-51 - tritone fluctuate between B and F

Question 29

M4 Subject 2a (55-83)

Answer 29

A major ends on INTERRUPTED cadence to A minor

Question 30

M4 Subject 2b (84-101)

Answer 30

harmonic focus, dim7th and min 9th intervals

Question 31

M4 Codetta (102-118)

Answer 31

A major (1st time bar to D maj)

Question 32

M4 Development (118-194)

Answer 32

- Tonal circle of 5ths (start on A) - end F# minor then finally D (int. cad.) - b.154 German aug chord

Question 33

M4 Recapitulation (195-end)

Answer 33

- b.288 : G major - b.290 : D minor - ends with energised tonic pedal