Who directed IDB and how was it produced + distributed?
Directed by Ken Loach who works for and started up Sixteen Films.
Sixteen Films then partnered up with a French company Why Not productions.
- Since 16 and WN are not vertically integrated eOne distributed and marketed IDB.
Who helped fund IDB?
BFI and BBC.
What is some context about Ken Loach?
Ken Loach is an award winning social realism director.
- Ken Loach was the reason Why Not Productions agreed to work with sixteen as the film would most likely be a success.
He is known for being left wing and anti-conservative.
What’s some economic context about IDB?
What is the BBC’s remit?
To inform, educate and entertain.
What are some risks of IDB?
What is guerilla marketing?
An advertising strategy that uses unconventional tactics to delight and attract customers. (can sometimes be illegal)
How was IDB marketed effectively?
What is featuring Ken Loach’s name in the trailers and posters an example of?
Hesmondhalgh’s Star based formatting.
What guerilla marketing techniques did e-One do and how did they attract audiences?
How can Curran & Seaton be applied to IDB?
C&S’s theory of media concentration limiting creativity and profit and power can be applied to IDB through the independent ownership of IDB. The ownership type may be the reason it’s more creative and less mainstream.
- Furthermore, IDB may not be about profit and power due to its educational message/agenda and also demonstarted by the offering of free screenings. However it is still partially about profit (Why Not only agreeing to assist in production due to Ken Loach’s high probability of success)
How was technology used/not used in IDB?
How was regulation difficult with IDB?
Regulation was harder due to the digital release as people can avoid age checks/restrictions.
- IDB was a 15 by the BBFC (British Board of Film Classification) due to the language and narrative of the film.
What is Livingstone and Lunt’s theory ?
Regulating media to protect citizens from harmful content can limit freedom of expression.
What is a digitally converged platform?
The ability to access a wide range of media content from the SAME DEVICE. (this is because of the digitisation of content)
What is some advantages of digital convergence/cinema in the film industry?
What is VOD and how is it relevent to IDB?
A distribution system that allows users to access videos outside of the constraints of a broadcast schedules.
- VOD allows global access - allows the educational message to be more widespread.
- Alternate revenue streams - digital purchases/rental
Technology uses in IDB?
What social and political issues/contexts are explored in I, Daniel Blake?
IDB addresses contemporary British social issues such as poverty, the welfare system and the Work Capability Assessment. The film portrays a group of traditionally underrepresented characters in Newcastle struggling in poverty to gain benefits and support.
How can Hesmondhalgh be applied to IDB in terms of maximising profit and minimising risk?
Hesmondhalgh argues that media products reduce risk by forging alliances and synergies with other media producers. IDB is an example of that dynamic by the relationship between Sixteen Films and the Daily Mirror where DM published an article written as if it were by Daniel Blake himself which created an enigma among readers.
What is meant by an independent film?
A film produced and distributed outside of a major film studio typically low budget
What is meant by a mainstream film?
A film produced by a large production company, typically high budget, featuring A-list actors, widely released in cinemas.
What are some economic context topics to talk about in Component 1?
Ownership, funding, exhibition, distribution, narrative themes and ideology, are distinctive to
independent films and as such shape the set product.
Eduqas examiners report on good ideas portrayed in IDB question about economic contexts?
Focusing on for example, how the lower budget influenced the more creative and innovative marketing strategies, whilst others explored the freedom independent films had to highlight political and social issues, for example poverty and the welfare system. There were some very good responses which also incorporated a discussion of the BBC’s role as a public service broadcaster and the co-funding of the film.