If- Flashcards

(13 cards)

1
Q

Form

A
  • Didactic dramatic monologue - giving advice
  • Narrative from father to son
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2
Q

Rhyme scheme

A
  • ABABCDCD
  • This very simple rhyme scheme shows how the the challenges of life are unescapable, yet they should be met with stoic integrity
  • Masculine and feminine rhymes reflects the speaker’s desire for the listener to maintain a balance in life in order to be successful and the balance between extremes.

  • Masculine rhyme: one syllable rhyme.
  • Feminine rhyme: two-syllable rhyme.

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3
Q

Metre and stanzaic structure

A
  • Iambic pentameter with alternate feminine endings
  • Very regular stanzaic structure
  • Shows how inescapable life’s difficulties are, yet how they should be met with stoic integrity
  • The whole poem building to a climax shows that as long as you meet the requirements, you can have whatever you want
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4
Q

Perpetual Enjambment / One long sentence

A
  • The poem is written as one long sentence with lines flowing into the next.
  • The constant enjambment creates pace, urgency, and dynamism.
  • It makes the poem feel like the speaker is rushing to say something important that must be heard.
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5
Q

Use of second person

A
  • Shows how it is from father to son written like an instruction manual
  • However it also higlights the universality of his message
  • It was inspired by Kipling’s friend Leander Starr Jameson.
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6
Q

‘don’t deal in lies… don’t give way to hating… don’t look too good, nor talk too wise’

A
  • Repetition of imperatives - makes it emphatic
  • Emphasises the poems didactic nature - don’t be immoral by hating and lying, and don’t be too full of yourself and show off
  • Quiet stoicism is part of the stereotype of the imperial Victorian British gentleman who has a ‘stiff upper lip’
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7
Q

‘If you can dream - and not make dreams your master’ and ‘If you can think - and not make thoughts your aim’

A
  • Polyptoton
  • Dashes add emphasis to the words that follow - You can’t only do the first one, but must do the second one too
  • Part of the model of practical masculinity which formed the basis of the British Empire since actions are more important than aspirations.
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8
Q

‘If you can meet with Triumph and Disaster and treat those two imposters just the same’

Someone who pretends to be someone they are not in order to deceive you.

A
  • Capitalisation of Triumph and Disaster personifies them
  • While a real man is ambitious he must know how to deal with failiure
  • Success and failure are never really what you think they are; they both have hidden drawbacks which mean that we should neither be too excited or too disappointed by outcomes.
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9
Q

‘Or watch the things you gave your life to, broken,’

A
  • ‘Gave your life to’ is hyperbole
  • ‘broken’ ends on a feminine ending, which breaks the metre and is mimetic of the meaning of the word, emphasising it
  • The sentence highlights how it is inevitable that the things you devote yourself too may sometimes fall at the hands of others, but you must bear it
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10
Q

‘Except the Will which says to them: ‘Hold on!’’

A
  • Capitalisation personifies Will
  • This shows the importance of willpower and how it is always with you, you just need to learn to use it
  • The repetition of ‘Hold on’ end-focuses it to show the importance of will as it might be the only thing keeping you going
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11
Q

‘If all men count with you, but none too much’

A
  • Metaphor of ‘count’ drawn from mathematics.
  • Suggests a rational and measured approach to relationships where everyone is valued equally but no one is favoured excessively.
  • Develops the idea that a man should maintain emotional balance and independence.
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12
Q

‘Fill the unforgiving minute with sixty seconds’ worth of distance’

A
  • Extended metaphor of life as an ‘unforgiving minute’.
  • ‘Unforgiving’ personifies time as relentless and unstoppable, emphasising how short life is.
  • The imagery of ‘distance’ suggests constant action and progress, reinforcing the idea that a man must seize every moment and never waste time.
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13
Q

‘And - which is more - you’ll be a Man, ‘my son!’’

A
  • Parenthetical clause and capatalised word
  • Highlight the great, important reward of being a ‘Man’ - it is the real reward

  • Makes the moment very personal, as if we are eavesdropping on the conversation.
  • The exclamation mark shows strong emotion and pride.
  • The father feels triumphant and excited that his son will become a great British man.

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