Infra Flashcards

(40 cards)

1
Q

Who choreographed Infra?

A

Wayne McGregor

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2
Q

What is the dance style of Wayne McGregor’s choreography?

A

Contemporary ballet

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3
Q

What is distinctive about McGregor’s dance style?

A

Speed and energy with dynamic, angular, sinuous, and hyperextended movements

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4
Q

What are the three methods McGregor uses to generate movement vocabulary?

A
  • SHOW a phrase to dancers
  • MAKE a phrase on target dancers
  • TASK to set a choreographic problem
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5
Q

What does the title ‘Infra’ mean in Latin?

A

‘Below’

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6
Q

What is the main theme of the ballet Infra?

A

A portrait of life beneath the surface of the city

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7
Q

How many dancers perform in Infra?

A

12 dancers (6 male / 6 female)

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8
Q

What is the duration of Infra?

A

28 minutes

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9
Q

Who composed the music for Infra?

A

Max Richter

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10
Q

What type of design does Julian Opie provide for the set of Infra?

A

An 18m LED screen with electronic walking figures

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11
Q

What is the lighting design for Infra known for?

A

Focusing downstage and using shafts of light

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12
Q

What type of setting does Infra use for its performance environment?

A

Proscenium arch/theatrical setting

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13
Q

What type of clothing do dancers wear in Infra?

A
  • Fitted shorts
  • Vests
  • T-shirts in flesh, black, white, grey
  • One female dancer wears a short wrap-around skirt
  • One male dancer wears long trousers
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14
Q

True or False: Infra has a crowd that crosses the stage.

A

True

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15
Q

What is one of McGregor’s choreographic aims in Infra?

A

Help the audience’s eye in watching a complex structure

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16
Q

What year was The Royal Ballet’s name granted by Royal Charter?

A

1956

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17
Q

Who was the founder of The Royal Ballet?

A

Dame Ninette de Valois

18
Q

Fill in the blank: The Royal Ballet is based at the _______.

A

Royal Opera House

19
Q

What does the choreography in Infra imply about human relationships?

A

It infers particular types of relationships and emotional content

20
Q

What type of music elements are mixed in the score for Infra?

A
  • Melancholy string melodies
  • Electronic sounds
  • Everyday sounds
21
Q

What is the initial stimulus for the choreography of Infra?

A

The idea of ‘Vide Infra’, exploring what lies below the surface of a city and individuals

The context of the 2007 London bombings influenced the themes of empathy and humanity.

22
Q

What resources does the choreographer primarily use for research?

A

The internet for foraging information and images

This helps build an imagination for the work, preparing the choreographer for studio sessions.

23
Q

What is the subject matter of Infra?

A

Exploration of emotional territories and internal lives of individuals

Focuses on revealing aspects of human subject matter and emotional content.

24
Q

How does the choreographer develop ideas in the studio?

A

By working with dancers’ self-expression and collaborative movement generation

This includes teaching material, improvisational tasks, and exploring movements together.

25
What key qualities does the choreographer look for in dancers?
Curiosity and willingness to experiment ## Footnote A mix of experienced and younger dancers is preferred to foster collaboration.
26
What type of movement language is emphasized in **Infra**?
A prosaic, pedestrian language derived from normal actions like walking and running ## Footnote This contrasts with traditional ballet to create an interesting tension.
27
What is the structure of **Infra** based on?
A series of vignettes that accumulate in rhythm and complexity ## Footnote This structure helps the audience understand relationships and motifs over time.
28
What influenced the decisions about lighting, set, and costume design in **Infra**?
Collaboration with visual artist Julian Opie and composer Max Richter ## Footnote The design aims to reflect a pedestrian street scene and evoke emotional memories.
29
How does the choreographer describe their relationship with lighting designer Lucy Carter?
A long-term collaboration based on instinctive design ## Footnote Carter has lit all of the choreographer's ballets over 24 years.
30
What is the significance of using pedestrian movement in **Infra**?
It creates a relatable and poetic contrast to intimate moments ## Footnote This amplifies the emotional experience for the audience.
31
Fill in the blank: The idea for **Infra** came from the Latin phrase ‘_______’, meaning ‘See Below’.
Vide Infra ## Footnote This concept influenced the exploration of deeper emotional themes.
32
Who is mentioned as a **designer** that works well with dancers' bodies?
Moritz Junge ## Footnote He is noted for his ability to create costumes that enhance the performance of dancers.
33
What is the role of a **choreographer** in relation to dancers' costumes?
To release the best performance from a dancer ## Footnote The clothing worn by dancers significantly affects their comfort and performance.
34
What does the **style** of the work 'Infra' combine?
* Classical language * Pushed language ## Footnote This combination explores the potential of trained ballet dancers and their physical capabilities.
35
What has improved the performance of ballet dancers today compared to 50 years ago?
* Better nutrition * Improved understanding of biomechanics * Sports science knowledge ## Footnote These factors contribute to enhanced physical abilities and creative capacities in ballet.
36
What does the choreographer aim to explore in ballet movements?
* Degrees of freedom * Complex co-ordinations ## Footnote The goal is to push the boundaries of traditional ballet movements and explore new expressions.
37
What is the purpose of art according to the choreographer?
* To provoke debate * To stimulate imagination * To promote thinking ## Footnote Art should engage the audience beyond mere enjoyment.
38
What should the audience focus on when watching 'Infra'?
What do you see? ## Footnote The audience is encouraged to observe and construct meaning from their experiences rather than seeking a predetermined interpretation.
39
True or false: The choreographer believes that enjoyment is the only purpose of art.
FALSE ## Footnote Enjoyment is part of the experience, but the choreographer emphasizes deeper engagement and reflection.
40
What does the choreographer want the audience to leave with after watching the performance?
* Images in their head * A sense of movement in their body ## Footnote The aim is for the audience to carry the experience with them beyond the performance.