Describe the acoustic era
involved speaking tubes, horns, trumpets.. at most these can result in an increase of around 10-15dB in the mid-frequencies Reasonable BGN reduction Popular in the 1800s
Describe the Electric-Carbon Era
1899 first started Diaphragm compressed carbon granules which changed voltage Suitable for mild-moderate hearing losses Poor quality sound, little control over frequency response
Describe the Vacuum Tube Era
1920, first wearable model 1934 Three components A) Ear receiver B) Microphone,Amplifier C) Batteries
Describe the Transistor Era
First in 1952 Hearing aids could now be much smaller than before and slightly less power hungry
Describe the digital era
The incoming voltage or current from the mic is an analogue signal (variations in voltage are analogous to variations in the sound source), we can sample that incoming signal at discrete time intervals converting it into a set of binary (number) representations. We can then perform all sorts of mathematical operations to try to get the signal to come out the way we want it. Hearing aids are almost all digital these days
Basic Terminology: Gain
Amplification at each frequency We can apply different gains in different channels or bands
Basic Terminology: Linear Amplification
Apply the same amount of gain regardless of the input level
Basic Terminology: Compression/Non-Linear Amplification
Different levels of gain for different input levels
Basic Terminology: Input/Output Diagram
Typical way of describing how much amplification
Basic Terminology: Average Gain
Gain averaged over several frequencies
Basic Terminoloy: Frequency Response
Shape of gain curve (gain plotted against frequency)
Usually shown graphically
Sometimes called the gain curve or gain frequency response
Important to specify measurement conditions and input level
To fully describe the gain of a linear amplifier it is necessary to state its gain at every frequency within the freq range of interest - that is the gain freq response
Basic Terminology: Saturation SPL
All amplifiers become non-linear when the input or output signals exceed a certain level.
The highest value of SPL that can be produced is called the Saturation Sound Pressure Level, or SSPL. As with gain, the SSPL varies with frequency, and a useful measure is the SSPL response curve.
Terms closely related to SSPL are Output Sound Pressure Level for a 90 dB SPL input level (OSPL90), and Maximum Power Output (MPO)
SSPL90 is the SSPL measured with a 90dBSPL input, we assume that an input of 90dB is enough to cause any aid to saturate
Problems faced by hearing impaired people and how hearing aids can help
Inaudibility of sounds
Reduced Dynamic Range and Recruitment
Reduced Frequency Discrimination
Reduced Temporal Discrimination
Overlapping/Masking of Noise
All these problems means someone could have a perfectly fitted hearing aid and still have difficulty understanding speech
Difference between bilateral and unilater vs. binaural and monaural
Monaural = sound presented to one ear Unilateral = fitting is the fitting of only one aid Binaural = sound presented to both ears Bilateral = fitting is the fitting of two hearing aids
Advantages of Binaural Hearing
Localisation
Head Shadow Effect
Binaural Squelch
Binaural Redundancy
Loudness summation
Advantages of Bilateral Fitting
Disadvantages of Bilateral Fitting and Advantages of Unilateral Hearing
Disadvantages of bilateral fittings
Advantages of unilateral fitting
If fitting unilaterally, which ear do you fit?
The audiogram
Medical factors
Client preference
Speech discrimination ability