Talking about Language - Context
Arrangement:
- how many fronts
- what are they
What are the patterns of form?
–Patterns of sound (spoken language)
–Patterns of visual marks (written language)
–Patterns of hand positions etc. (sign language)
What did Charles Hockett (1960) come up with?
Duality of patterning
Charles Hockett (1960)
What is the purpose?
communication, in a very broad sense
– Communicating information
– Social interaction- including “doing things with words” (e.g. “I promise….”)
Linguistics
1- the study of?
2- what are complex?
3- What do the relations between them allow?
4- What are these relations?
1- The study of language and languages- (searches for things that are common for languages)
2- The ”arrangements” or structures in both parts are complex
–The sounds, visual patterns, hand positions
–And the Meanings
3- The relations between them (forms and patterns) allow languages to express meaning
4- These relations are (for the most part) arbitrary
Linguistics and Psychology:
1- languages are?
2- use of languages?
3- what does the the ability to use language depend on?
4- and?
1- Languages are complex systems
2- We know languages and use them all the time in our everyday lives
3- This ability to use language must depend on information stored in the mind/brain and used when were talking/ listening to other people
4- And mechanisms to put that information to use, rapidly on-the-fly
Arbitrariness: Emphasised by ……
Ferdinand de Saussure
Founder of semiotics (study of signs and meaning)
Arbitrariness: de Saussure
Explain his theory
By a sign he meant the arbitrary relationship between signifier (bit or language- a word like dog) and signified (the thing out there in the world it stands for).
For dog- there is a relationship in english between spoken sound dog and things out there in the world that are dogs.
Main theory: Connection between signifier and signified is fundamentally arbitrary, and different in different languages
Hund, inu, koira, chien… (German, Japanese, Finnish, French)
What is an example of non-arbitrariness?
Sound symbolism
Explain sound symbolism in English, other languages and other evidence
Sound symbolism in English:
Slime, slip, slide, slick, sleek, slither…
Gleam, glitter, glamour, glance, glow…
(words beginning with sl have one type of meaning and words beginning with gl have another type of meaning)
Non-arbitrary connection between types of concept and types of word
Other evidence:
– Imai et al. (2008): children learn sound-symbolic verbs more easily
–Klink (2000): sound symbolism in brand names (“Which brand of ketchup seems thicker? Nidax or Nodax”)*
Linguistics describes language at several levels:
List these
Speech sounds:
1- different from?
2- phones vs phonemes
1- Different from other types of sounds that humans make (coughs, whistles, etc.)
2-
phones= the sounds of speech
phonemes= sounds that make up speech
A phoneme is a group of phones that are essentially equivalent in a given language, even though they are not exactly the same sound (e.g. the aspirated /p/ in ”pin” and the unaspirated /p/ in ”spin”)
–If you change one phoneme, you change the meaning – “pin” vs “bin”
Speech Sounds – Further Aspects
“Written” Language
1- what is it?
2- how is it displayed?
3- what do letters correspond to? (what do other systems use)
4- what is included?
1- Derived from and dependent upon spoken language
2- Written or printed marks on paper, computer screens
3- Letters (in alphabetic languages) corresponding to phonemes (though not always one-to-one, especially in English – other languages have much more regular correspondence, e.g. Spanish, Finnish)
–Other systems use syllabaries (Japanese, Cherokee, Linear B) or logographs (Chinese, Mayan, Cuneiform)
4- Rules for what strings of letters (or other symbols) are allowed and include punctuation
Sign Languages
- what do they have?
- as well as?
- BUT
Arrangements (structures) above words
Word group hierarchically into phrases and larger units:
as you move down descriptions become more specific
But, for example, “polished the big” is not a group, nor is “the big brown”
HIERARCHICAL STRUCTURE AS AN (UPSIDE-DOWN) TREE
What does the structure look like?
Sentence
| |
Verb phrase Noun phrase- name - Stanley
| |
Noun phrase Verb - polished
| | | |
Article-the Adjective-big Adjective-brown Noun- table
HIERARCHICAL STRUCTURE AS AN (UPSIDE-DOWN) TREE
Explain
Although ‘the big brown table’ occurs in the final one, theres nothing that just groups those together.
Theres nothing that groups ‘polished the big’ together. The ‘the’ phrases form groups that have meanings of certain kinds. The reason we group them together in the form side is to associate certain types of meaning so we can convey complicated messages to other people.
Above the Sentence:
Cause-effect relationship
Putting because at the front indicates a causal relationship
Above the Sentence:
Are there structures for different types of text?
– Propp (Morphology of the Folktale, 1928/1968)
– the Monomyth or Hero’s Journey: Campbell (1949, The Hero with a Thousand Faces)
– three-act analysis of plays and films (setup, confrontation, resolution, sometimes satirized as beginning, middle and end)
– Story grammars? (Rumelhart, Mandler, Stein, etc.)
Arrangement – on the meaning side
- what have meanings?
- what don’t have meanings?
- what can words have?
Morphemes
- what are they?
- what are the types of morphemes?
1) Free morphemes – can be words by themselves
Cat, table, justice, red, fast etc. etc. etc.
2) Bound morphemes
–Inflectional – add grammatical information, produce a word of the same category (e.g. plural –s for nouns, third person singular present tense –s for verbs, -ed for past tense)
–Derivational – change the meaning and/or the word category (e.g. “un-”, “-ness”, “-ly”, and many more)
Meaning beyond the word:
- what does the meaning of a complex phase depend on?
- when does structure matter?
- what is this idea known as?
This idea is known as:
The Principle of Compositionality