lit terms Flashcards

(101 cards)

1
Q

allegory

A

the device of using character and/or story elements symbolically to represent an abstraction in addition to the literal meaning(moral truth or generalization about human existence)
ex). an author intends the characters to personify an abstraction (hope, freedom).

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2
Q

alliteration

A

repetition of sounds (mainly consonant with 2+ neighboring words)
-reinforces meaning, unify ideas, give musical sound, or echo sense of passage
ex). sally sells seashells

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3
Q

allusion

A

direct or indirect reference to smth which is presumably common knowledge (event/book/myth) can be historical, religious, mythical

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4
Q

ambiguity

A

multiple meanings (intentional or not) of words, phrases, sentence

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5
Q

analogy

A

comparison/similarity btwn 2 different things or relationship btwn them
- can explain smth unfamiliar

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6
Q

anaphora

A

a sub-type or parallelism, when exact repetition of words or phrases at the beginning of successive lines or sentences
ex) ‘I have a dream speech”

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7
Q

antecedent

A

the word, phrase, or clause referred to by a pronoun

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8
Q

antithesis

A

the opposition or contrast of ideas expressed in grammatically balanced statements
ex) Shakespeare’s Macbeth? “fair is foul, but foul is fair

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9
Q

aphorism

A

a terse statement of known authorship which expresses a general truth or a moral principle

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10
Q

apostrophe

A

a figure of speech that directly address an absent or imaginary person or a personified abstraction (liberty or love)
-imply a personification of the object addressed (addressing smth that can’t answer)

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11
Q

argumentative appeals

A

key ways in which writers and speakers can appeal to their audiences in arguments

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12
Q

argumentative appeal: ethos

A

argumentative technique deals with “presentations of self.” The development of credibility or similar ethics. A rhetorical device that establishes the credibility or character of the author or a narrator to persuade the audience

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13
Q

argumentative appeals: logos

A

argumentative technique that appeals to logic. A rhetorical device that appeals to an audience’s sense of reason, logic, and rationality. The presentation of facts, stats, and credible testimony to support an argument

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14
Q

argumentative appeals: pathos

A

argumentative techniques that generate emotions (fear, anger, pity, etc.). It is an element that evokes feelings and makes characters’ experiences relatable, thereby enhancing the emotional impact of a story and their disposition to receive the author’s claim; uses literary devices

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15
Q

atmosphere

A

the overall emotional feeling or mood of a work, created by the author through setting, tone, and descriptive language. It’s the emotional landscape that shapes how a reader perceives the story and its characters, and it can evoke a specific feeling like dread, joy, or tension

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16
Q

cacophony

A

a literary device that uses a harsh, discordant mixture of sounds to create a jarring and unpleasant auditory experience

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17
Q

caricature

A

a character or personality portrayed with exaggerated and simplified features, often to create a humorous or satirical effect

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18
Q

catharsis

A

the emotional release or purification of emotions, especially pity and fear, that the audience experiences after witnessing a tragedy

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19
Q

clause

A

a group of words containing both a subject and a predicate (verb). Clauses are the fundamental building blocks of sentences and can be either independent (a complete thought that can stand alone) or dependent (a group of words that does not express a complete thought and must be attached to an independent clause).

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20
Q

colloquial/colloquialism

A

the use of slang or informalities in speech or writing. A word or phrase that is not formal or literary, typically one used in ordinary or familiar conversation

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21
Q

conceit

A

an elaborate, extended metaphor that creates a surprising and witty comparison between two very different things, revealing deeper meaning

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22
Q

connotation

A

the non-literal associative meaning of a word; the implied, suggested meaning. May involved emotions, ideas, or attitudes. Writers use connotations to add layers of meaning, evoke feelings, and create specific imagery or tones that might be positive, negative, or neutral, influencing the reader’s perception and interpretation
ex). “home” literally means a dwelling, but connotes warmth

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23
Q

denotation

A

the literal, dictionary definition of a word, stripped of any emotional associations or cultural context. It is the foundational, explicit meaning that writers use for clear communication, serving as a baseline from which other figurative language can build

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24
Q

diction

A

the author’s specific word choice, or the vocabulary they use, which powerfully shapes style, tone, mood, and character, revealing things like a character’s background, social status, or the setting’s time period

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25
didactic
From the Greek meaning: teaching. writing that is designed to teach, instruct, or impart moral, ethical, or religious lessons
26
digression
the use of material unrelated to the subject of the work. a temporary departure from the main narrative to discuss a related but separate topic. Writers use this technique to provide background information on characters or settings, etc.
27
denouement
the final stage in the plot structure in which the problem(s) is solved. the final part of a story after the climax, where plot threads are resolved, mysteries are explained, and the central conflicts are tied up, providing a sense of closure or final meaning for the reader, often revealing the ultimate fate of characters and themes
28
Deus Ex Machina
("God out of the machine") a literary device where a seemingly unsolvable problem is suddenly resolved b y an unexpected contrived event, person, object, or power
29
epiphany
In literature, an epiphany is a sudden, profound moment of revelation or insight that a character experiences, leading to a significant shift in their understanding, perspective, or self-awareness, often serving as a crucial turning point in their development or the narrative.
30
euphemism
from the Greek for "good speech" a word or phrase used to substitute a harsh, unpleasant, or taboo subject with a milder, more agreeable one. -"earthly remains" rather than "corpse"
31
extended metaphor
a literary device that develops a single comparison (metaphor) over several lines, paragraphs, or an entire work.
32
farce
a type of comedy that aims to entertain the audience through exaggerated, improbable, and absurd situations rather than through character development or a complex plot.
33
figurative language
writing or speech that is not intended to carry literal meaning and is usually meant to be imaginative and vivid
34
figure of speech
a device used to produce figurative language (metaphor, personification, simile, hyperbole, etc.
35
foil
a character, setting, or even a subplot that contrasts with another to highlight its specific traits
36
foreshadowing
a literary device where an author gives hints or clues about what will happen later in the story
37
generic conventions
the recognizable patterns, elements, and rules (like character types, plot structures, settings, themes) that define a specific genre (e.g., romance, sci-fi, mystery), setting reader expectations and guiding authors
38
genre
a category or type of writing defined by shared conventions, style, tone, and subject matter, grouping works like romance, sci-fi, mystery, poetry, or drama
39
homily
means "sermon". a solemn, moralizing talk or writing, often a long or dull sermon. Any serious talk, speech, or lecture involving moral or spiritual advice
40
hyperbole
figure of speech that uses exaggeration for emphasis or emotional effect, and is not meant to be taken literally ex). it's boiling hot out
41
hubris
excessive pride or overconfidence that leads to a character's downfall
42
imagery
the use of descriptive and figurative language to appeal to the reader's five senses—sight, sound, smell, taste, and touch—to create mental pictures and evoke emotions
43
imperative
a type of sentence and a quality of extreme importance. The mood of a verb that gives a command/order
44
inference/infer
the process of drawing a conclusion based on evidence and reasoning rather than on explicit statements. On the exam when asked to make an inference about a passage the most direct, reasonable inference is the safest. Not the answer that is directly said from the text
45
invective
abusive, insulting, or vitriolic language used to denounce or blame a person or thing. It is a form of denunciation that can appear in various genres
46
irony/ironic
a figure of speech in which words or events are used to have an opposite meaning from what is expected.
47
verbal irony
a figure of speech where a speaker says one thing but means the opposite, creating a contrast between the literal words and the intended meaning, often for humorous or critical effect ex). "What lovely weather!" said during a heavy rainstorm
48
situational irony
a literary device where the outcome of a situation is the opposite of what is expected. It is a contradiction between what is anticipated and what actually happens, often creating a surprising or thought-provoking effect that can highlight a theme.
49
dramatic irony
a narrative device where the audience or reader knows crucial information that a character in the story does not, creating tension, suspense, humor, or pity as we watch them act unknowingly towards a known outcome
50
jargon
the specialized, technical language used by a particular group (like doctors, lawyers, or techies) that's often hard for outsiders to understand, serving to build in-group identity but potentially confusing others, or it can mean pretentious, obscure, or unintelligible language, making communication difficult
51
juxstaposition
the technique of placing two or more elements side by side to highlight their differences or similarities, often to create contrast and new meaning
52
litotes
a literary device where a positive statement is expressed by negating its opposite, creating an ironic or understated effect. Instead of directly stating something, it's described as being "not bad," "not unhappy," or "hardly unattractive"
53
lose sentence/non-periodic sentence
a sentence structure where the main independent clause comes first, followed by one or more modifying phrases or clauses. This structure places the essential information at the beginning and adds details as the sentence continues, creating a flowing, conversational, and descriptive style. ex). ¨I arrived in San Diego after a long, bumpy ride, and multiple delays¨ -can stop at ¨I arrived in San Diego¨
54
lyrical
writing (especially poetry) that is emotional, personal, musical, and expressive, focusing on the speaker's inner feelings (joy, sorrow, love) rather than telling a story
55
metaphor
a figure of speech directly stating one thing is another, unrelated thing to highlight shared qualities, creating vivid imagery and deeper meaning without using "like" or "as" ex). "Her eyes are diamonds," "The world is a stage," or "Time is a thief"
56
metonymy
a figure of speech in literature where a word or phrase is replaced by another that is closely associated with it, ex). "the pen" for writing, or "the crown" for the monarchy
57
mood
the atmosphere or emotional setting an author creates to make the reader feel a certain way ex). suspenseful, joyful, gloomy
58
motif
a recurring image, idea, sound, symbol, or pattern that repeats throughout a story, acting as a clue that reinforces the larger, abstract theme, adds depth, and connects different parts of the narrative ex). the color green in The Great Gatsby or light/darkness in Romeo and Juliet
59
narrative
the telling of a story or an account of an event or series of events
60
onomatopoeia
a literary device where a word imitates the sound it represents, used in literature to create vivid sensory experiences and enhance the reader's imagination. ex). buzz, hiss, sizzle, and bang
61
oxymoron
a figure of speech that combines two contradictory terms to create a new, deeper meaning ex). "brawling love," "loving hate," and "sweet sorrow", or the phrase "deafening silence".
62
parable
a short, simple story using everyday human situations to teach a deeper moral, ethical, or spiritual lesson ex). Aesop's "Boy Who Cried Wolf" (honesty/consequences)
63
paradox
a statement, situation, or idea that seems self-contradictory but, upon closer examination, reveals a deeper truth, meaning, or insight, prompting critical thinking and deeper engagement with the text's themes ex). "Less is more", "I must be cruel, only to be kind"
64
parallelism
a rhetorical device where writers use similar grammatical structures, words, phrases, or clauses to create rhythm, balance, emphasis, and clarity, often repeating patterns to link ideas ex). "I have a dream" or "We came, we saw, we conquered,"
65
parody
a composition that imitates the style and characteristic features of a specific author, literary work, or genre, deliberately exaggerating them for a humorous or satirical effect. the primary purpose is often a critique or commentary on the original work, its creator, or the societal norms it represents, rather than mere imitation ex). SNL
66
pastoral
a rural or natural setting
67
pedantic
an adjective that describes words, phrases, or general tone that are overly scholarly, academic, or bookish. (language that might be described as how offy"; usin big words for the sake of using big words)
68
periodic sentence
opposite of loose sentence. a complex sentence that delays the main clause or point until the end, after a series of introductory subordinate clauses or phrases. This structure builds suspense and emphasizes the final part of the sentence by creating a sense of anticipation as the reader waits for the complete idea to be revealed. ex). After a long, bumpy flight, and multiple delays, I arrived in San Diego
69
personification
a literary device that gives human qualities, actions, or emotions to inanimate objects, animals, or abstract ideas ex). the wind whispered
70
point of view
the perspective from which a story is told, determining who narrates and how much they know, shaping the reader's understanding of events and characters through specific pronouns
71
first person narrator
a character in a story who tells it from their own perspective using pronouns like "I" or "we"
72
third person narrator
is a storytelling perspective where the narrator is outside the story, referring to characters as "he," "she," or "they," ---> third person omniscient: narrator is an all-knowing, outside voice that can access and reveal the thoughts, feelings, and motivations of any character in the story ---> third person limited omniscient: one specific character's thoughts, feelings, and perspective, acting as a filter for the entire story, offering depth and intimacy while restricting reader knowledge to only what that character knows
73
précis
a concise, accurate summary of a longer text, capturing its main idea, supporting points, author's purpose, and method of development, while maintaining the original's tone and proportions, usually around one-fourth to one-sixth the original length, using your own words but without personal opinion
74
prose
one of the major divisions of genre, prose refers to fiction and nonfiction, including all its forms. In prose, the printer determines the length of the line; in poetry, the poet determines the length of the line
75
repetition
a device where words, phrases, sounds, or full sentences are used multiple times to emphasize key points, create rhythm and musicality, evoke emotions, or reinforce a theme
76
rhetoric
the art of using language effectively to persuade, inform, or influence an audience
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rhetorical modes
fundamental patterns or organizational strategies writers use to achieve a specific purpose
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rhetorical mode: exposition
to explain and analyze info by giving ideas, relevant evidence and appropriate discussion
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rhetorical mode: argumentation
prove the validity of an idea or pov by giving sound reasoning, discussion, and argument convinces the reader (persuasive writing a type of argumentation)
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rhetorical mode: description
recreate, invent, or visually present a person, place, event, or action so the reader can picture it
81
rhetorical mode: narration
to tell a story or narrate an event or series of events (uses descriptive writing)
82
rhetorical question
a question asked for effect not in the expectation of reply; the speaker's duty to answer
83
sarcasm
sharp and often bitter form of verbal irony in which a character or narrator says the opposite of what they actually mean, specifically to mock, ridicule, or convey contempt towards a person, situation, or social convention. Not all irony is sarcastic
84
satire
a genre or literary device that uses humor, irony, exaggeration, or ridicule to expose and criticize people's stupidity or vices, often with the aim of provoking social or political change. Its primary purpose goes beyond mere amusement; it is a form of social commentary that "holds a mirror" to society's flaws, encouraging readers to reflect on and potentially correct human behavior or institutional shortcomings ex). The Office (UK and US versions): Uses situational humor to critique modern office culture, corporate management, and the absurdities of everyday work life.
85
semantics
the study of meaning in words, symbols, and literary devices, exploring how authors use language's inherent meanings (denotation) and associations (connotation) to create deeper layers of understanding, tone, and impact, crucial for interpreting figurative language like metaphors, similes, and symbolism to grasp the text's full message beyond literal definitions
86
setting
the background of a story - the physical location of a play, story, or novel - involves time and place
87
simile
a comparison of two unlike objects using like or as or than
88
style
the unique way an author uses language, including their choice of words (diction), sentence structure (syntax), tone, and other techniques to convey meaning and create an effect. It encompasses elements like rhythm, figurative language, and the author's overall "voice," which together make their writing distinctive
89
subject complement
a word or phrase that follows a linking verb and provides more information about the subject of the sentence. It can be a noun, pronoun, or adjective --->Predicate Nominative: A noun or pronoun that renames or identifies the subject. ex). "She is a teacher." (Teacher renames "She"). ---> Predicate Adjective: An adjective that describes the subject. ex). "The cake is delicious." (Delicious describes "The cake").
90
subordinate clause
a clause, typically introduced by a conjunction, that forms part of and is dependent on a main clause ex). “when it rang” in “she answered the phone when it rang”
91
syllogism
a logical argument, originating in ancient Greek philosophy and fundamental to deductive reasoning, where a conclusion is inferred from two or more premises ex). Major premise: all men are mortal minor premise: Socrates Socrates is a man conclusion: therefore, Socrates is a mortal
92
synecdoche
a figure of speech where a part represents the whole, or the whole represents a part, creating concise imagery by naming a component to evoke the entire thing ex). "all hands on deck" for sailors), "the crown" for the monarchy ---> not metonymy where one thing is represented by another thing that is commonly physically associated with it (but not necessarily a PART of it)
93
symbol/symbolism
a person, object, situation, or action that has a literal meaning but also represents an abstract idea or concept. It goes beyond its surface-level meaning to suggest or stand for something else ex). A symbol has a concrete, literal meaning within the story (e.g., a dove is a bird) but also carries a deeper, abstract meaning (e.g., peace), the color red in "our missing hearts"
94
synesthesia
a rhetorical device that blends one sense into another to create a more vivid or impactful description. It is a metaphorical process where a writer describes something in terms of a sense it's not normally associated with, ex). "a bright sound" (sound described with sight) or "the silent sun" (sight described with sound)
95
syntax
the writer's deliberate arrangement of words, phrases, and sentence structures to create meaning, rhythm, emphasis, and tone
96
theme
the central, unifying idea or message in a literary work that explores a universal concept, such as love, family, or redemption
97
thesis
the main argument or controlling idea of a piece of writing, often presented as a concise thesis statement that introduces the topic and the author's position on it
98
tone
the author's attitude or feeling toward their subject, characters, or audience, conveyed through word choice (diction), sentence structure (syntax), imagery, and style
99
transition
a word, phrase, sentence, or structural shift that smoothly connects different ideas, scenes, characters, times, or locations, guiding the reader from one element to another, signaling changes in mood, time ex). (like "later that day"), place ("meanwhile, across town"), pov
100
understatement
a figure of speech where a writer or speaker deliberately downplays the significance of something, making it seem less important or serious than it actually is
101
wit
the ability to express ideas with ingenious compression and a swift, insightful perception of the incongruous, resulting in clever and often humorous remarks