LO3 Flashcards

(30 cards)

1
Q

Codes

A

The system of signs and symbols both technical and symbolic that create meaning.

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2
Q

Conventions

A

Expected practices within a genre

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3
Q

Genre

A

A style or category of art, music,or literature.

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4
Q

Todorov’s narrative theory

A

1) equilibrium
2) disruption
3) new equilibrium

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5
Q

Levi-Strauss narrative theory

A

Centres on binary opposition, the idea that all narratives are structured around fundamental,opposing concepts (light vs dark).

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6
Q

Denotation

A

What is shown.

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7
Q

Connotation

A

The emotional or implied meaning of a word beyond its literal dictionary definition.

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8
Q

Diegetic sound

A

Any sound source from within the world of the film that can be heard by characters.

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9
Q

Non-diegetic sound

A

Any auditory element in a film that characters cannot hear but is audible to the audience.

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10
Q

Mise-en-scene definition

A

The stage design and arrangement of actors in scenes for a theatre or film productions, both in the visual arts (through story boarding, visual themes, and cinematography) and narrative storytelling (through directions).

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11
Q

Elements of mise-en-scene

A

Settings, props, costumes, hair and make up, performance (body language), lighting and colour, character (proximity), and framing.

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12
Q

Extreme long shot

A

Used to show the subject from a distance, or the area in which the scene is taking place.

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13
Q

Long shot

A

Contains landscape but gives the viewer a more specific idea of setting. A long shot may show the viewers the building where the action will take place.

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14
Q

Two shot

A

Contains a complete view of the characters. From this shot, viewers can take in the costumes of characters and may also help to demonstrate the relationships between characters.

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15
Q

Over the shoulder

A

Contains a partial view of two characters. Used as a way to capture the characters perspective.

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16
Q

Mid shot

A

A mid shot contains the characters or a character from the waist up. From this shot,viewers can see the characters’ interaction with other characters.

17
Q

Close up

A

Contains just one characters face. This allows viewers to understand the actors emotions and also allows them to feel empathy for the character.

18
Q

Extreme close up

A

Contains one part of a characters face or other object. This technique is common in horror films. This type of shot creates an intense mood and provides interaction between the audience and the viewer.

19
Q

Birds Eye view

A

Makes the object photographed seem smaller, and less significant. The object or character often gets swallowed up by their setting - they become part of a wider picture.

20
Q

Eye level

A

The camera is positioned as though it is a human actually observing a scene.

21
Q

Low angle

A

Low angles help give a sense of confusion to a viewer, of powerlessness within the action of a scene. The added height of the object may make it inspire fear and insecurity in the viewer, who is psychologically dominated by the figure on the screen.

22
Q

Canted angle

A

Sometimes the camera is tilted to suggest imbalance, transition and instability. This technique is used to suggest Point-of-View shots.

23
Q

Pan

A

A movement which scans a scene horizontally. The camera is placed on a tripod, often to follow a moving object which is kept in the middle of the frame.

24
Q

Tilt

A

A movement which scans a scene vertically.

25
Tracking
The camera is placed on a moving vehicle and moves alongside the action.
26
Hand-held
Show a certain kind of gritty realism, and they can make the audience feel as though they are part of a scene.
27
Zoom
A video zoom lens can change the position of the audience, either very quickly or slowly, without moving the camera an inch.
28
Crane movement
A crane shot is a shot taken by a camera on a moving crane or jib.
29
Dolly zoom
A dolly zoom is an in-camera effect that appears to undermine normal visual perception. The effect is achieved by zooming a zoom lens to adjust the angle of view while the camera dollies toward or away from the subject in such a way as to keep the subject the same size in the frame throughout.
30
Aerial shot
An exciting variation of a crane shot, usually taken from a helicopter. This is often used at the beginning of a film, in order to establish setting and movement.