MT Qs Flashcards

(28 cards)

1
Q

What is the title of your 1st song? PRE 1960

A

The black hills of Dakota

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2
Q

Who is the lyricist of this first song?

A

Paul Francis Webster

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3
Q

Who is the composer of this first song?

A

Sammy Fain

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4
Q

What is the name of the character who is singing and what is the show of this first song?

A

Calamity Jane

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5
Q

What is the context of the song? Why is this song being performed? First song

A

• Written to express Calamity Jane’s deep-seated love and connection to the region
• Sang twice, once at act 1 to build a finale with the cast and again at the end to emphasise the characters love for their home region

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6
Q

Can you write an introduction to
your 1st song choice?

A

• My first song is called ‘Black Hills Of Dakota’, written by Paul Webster and composed by Sammy Fain
• It is from the musical ‘Calamity Jane’ and is sung by the main character ‘Calamity Jane herself
• The song is sung twice, first at the end of Act I to build up a finale with the cast as well as to express their love for their home region of South Dakota
• Then it is sung as a reprise at the end of the musical to further emphasise their love for their hometown

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7
Q

Title of second song

A

As Long As He Needs Me

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8
Q

Lyricist of second song

A

Lionel Bart

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9
Q

Composer of second song

A

Lionel Bart

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10
Q

What is the name of the character who is singing and what is the show of this second song?

A

Nancy and Oliver!

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11
Q

What is the context of the song? Why is this song being performed? Second song

A

• Nancy sings this song after being hit by her gang member boyfriend Bill Sykes
• She performs it to express her enduring, yet problematic, love for Bill. • Despite his mistreatment, Nancy chooses to stay with him, showing her unwavering loyalty and self-sacrificing nature, even in the face of danger.

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12
Q

Intro for second song

A

• This song is called ‘As Long As He Needs Me’ written AND composed by Lionel Bart
• It’s from the musical Oliver! and is sung by the female character Nancy who is heavily involved in local gangs
• This song is sung after Nancy is hit by her gang member boyfriend Bill Sikes as a way of declaring her unwavering loyalty towards him despite his abusive nature and ultimately showing us her fear of being alone

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13
Q

Name of third song

A

Id Rather Be Me

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14
Q

Composer of last song

A

Jeff Richmond

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15
Q

What is the name of the character who is singing and what is the show of this last song?

A

Janis and Mean Girls the musical

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16
Q

What is the context of the song? Why is this song being performed? Last song

A

• This song is sung towards the end of Act II as an act of defiance by Janis who is fed up of the school social hierarchy and stereotypes put on women

• Through this song Janis makes a bold stand for self-acceptance and calling out social injustice - not just for herself, but for everyone who’s been hurt by the high school social hierarchy

17
Q

Intro for last song

A

• This song is called ‘I’d Rather Be Me’ written by Nell Benjamin and composed by Jeff Richmond
• It is from the musical ‘Mean Girls’ and is sung by Janis who is a social outcast at her school
• She sings it towards the end of Act II as an act of defiance against the school social hierarchy and the stereotypes put on women
• Through the song she makes a bold statement of self acceptance not just for herself but for all those who have been wronged by their school and peers

18
Q

Give an explanation of the processes
involved in developing ‘Black Hills Of Dakota’ for performance

(Calamity)

A

• Throughout Calamity is quite head-strong and tough however when she sings Black Hills we see more of a vulnerable side of her than usual as she expresses her admiration for her hometown and I want to get this across in my performance through the emotions I used to

• I interpret this song as having fond memories of Dakota and therefore wanted to show her happiness when remembering it

• With this song we start to see how Calamity is beginning to realise what truly matters to her, home and peace, as opposed to rather than constant action and desire for more

• The key was perfect for my range as it doesn’t stray too far from the same area and allows for focus on conveying emotions

19
Q

Processes involved in developing the three songs for performance (Nancy)

A

•Researched Victorian London and Nancy’s background in poverty and abuse
•Focused on emotional conflict - love vs. self-preservation
•Used sustained breath support and chest resonance for depth and sincerity -> breath work for long notes particularly at the end
•Practised soft onsets and dynamic build to reflect vulnerability -> holding on notes
•Rehearsed emotional journey from dialogue into song to ensure smooth transition

20
Q

Processes involved in developing the three songs for performance (Calamity)

A

• Researched the Wild West setting and Calamity’s real-life background.
• Focused on stillness and emotional warmth - contrast to her usual loud persona.
• Used a relaxed, head-dominant mix with gentle vibrato.
• Practised legato phrasing and emotional breath control.
• Refined physical stillness and facial expression to match nostalgic tone.

21
Q

Processes involved in developing the three songs for performance (Janis)

A

• Chose a lower key to suit my range better -> reduce straining
• Explored Janis’s anger, sarcasm, and rejection of conformity.
• Practised speech-like, punchy delivery to suit pop-rock style.
• Belted with forward placement and twang for brightness.
• Emphasised clear articulation and rhythm to match fast-paced lyrics.
• Used confident gestures and strong physicality to match her bold personality -> moving about a lot, using the middle finger

22
Q

How spoken dialogue was selected and developed (Nancy)

A

• Chose scene where Nancy defends Bill but reveals inner turmoil.
• Shows her trying to justify her love despite abuse.
• Used controlled Cockney accent with emotional shifts.
• Developed pacing and pauses to show internal struggle.
• Dialogue transitions naturally into the emotional tone of the song.

23
Q

How spoken dialogue was selected and developed (Calamity)

A

• Selected calm, reflective lines where she misses the Black Hills.
• Shows rare vulnerability and depth.
• Used gentle tone and slowed pacing to contrast her usual energy.
• Helped set emotional foundation for the song’s nostalgia.
• Dialogue smoothly leads into the song’s melodic serenity.

24
Q

How spoken dialogue was selected and developed (Janis)

A

• Chose lines based on her confrontation with the Plastics.
• Dialogue shows betrayal, anger, and decision to be authentic.
• Delivered with sarcastic, sharp tone to match Janis’s style.
• Used quick tempo and expressive physicality to build energy into song.
• Helped establish the rebellious attitude that carries through the piece.

25
Give an explanation of the role of one of the characters portrayed, within the context of the musical or film musical as a whole (Nancy)
• Key emotional role - one of the only characters to show real love and compassion, especially toward Oliver. • Her relationship with Bill Sikes is central - emotionally abusive, but she’s devoted to him. • Represents themes of loyalty, love, and entrapment in toxic relationships. • Her song “As Long As He Needs Me” shows internal conflict - torn between love and self-respect. • Her actions drive the plot forward - protects Oliver, ultimately dies for him. • Her death is the emotional climax and leads to Bill’s downfall. • Adds depth, tragedy, and moral contrast to the musical.
26
Give an explanation of the role of one of the characters portrayed, within the context of the musical or film musical as a whole (Calamity)
• Brash, humorous, “one of the boys” - exaggerated front hides vulnerability. • Based on a real person, but made larger-than-life for entertainment. • “The Black Hills of Dakota” reveals her soft, nostalgic side. • Represents personal growth, femininity, and emotional honesty. • She learns she doesn’t have to “act like a man” to be strong or lovable. • Her arc is one of self-discovery and finding balance between toughness and tenderness. • Brings both comedy and warmth to the musical.
27
Give an explanation of the role of one of the characters portrayed, within the context of the musical or film musical as a whole (Janis)
• Outspoken, sarcastic outsider - contrasts the fake world of the Plastics. • Narrator and key plot driver - persuades Cady to infiltrate the Plastics. • Represents themes of authenticity, rebellion, and empowerment. • “I’d Rather Be Me” is a turning point - she fully rejects conformity and owns who she is. • Offers comic relief, emotional honesty, and ultimately learns from her own flaws. • Helps deliver the show’s main message: be true to yourself. • Catalyst for change - her actions indirectly help Cady grow too.
28
Summary of the influences on musical theatre of one chosen practitioner - Stephen Sondheim
• Known for redefining musical theatre with complex characters, mature themes, and innovative storytelling. • Lyrics are intelligent, layered, and emotionally honest - often explore ambiguity, irony, and psychological depth. • Composed music that matched character development, not just melody - songs often feel like mini scenes. • Avoided traditional verse-chorus structure - preferred through-composed and motif-driven pieces. • Tackled unusual or dark themes: e.g., revenge (Sweeney Todd), moral complexity (Into the Woods), emotional isolation (Company). • Believed in integrating story and song seamlessly - musical numbers advance plot and reveal inner thoughts. • Inspired a generation of modern composers (e.g., Jason Robert Brown, Lin-Manuel Miranda). • Elevated musical theatre into a more nuanced, literary, and emotionally truthful art form. • Also valued mentoring - helped develop talent in others and shaped the future of the genre.