othello Flashcards

(30 cards)

1
Q

What is parallelism?

A

Similarity of structure in a pair or series of related words, phrases, or clauses

Emphasizes similarities and connections: BALANCE, RHYTHM, REPETITION

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2
Q

Define isocolon.

A

Stacatto(choppy), commas Use of parallel elements similar not only in structure but also in length

Contributes to the rhythm of sentences

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3
Q

What is antithesis?

A

Juxtaposition of contrasting ideas, often in parallel structure

Emphasizes dissimilarities and contraries; produces the quality of an aphorism

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4
Q

Explain anastrophe.

A

Yodaism: Inversion of the natural or usual word order

Effective for gaining attention and securing emphasis

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5
Q

parenthesis

A

Insertion of a verbal unit that interrupts the normal syntactical flow of a sentence

Allows the author’s voice to comment or editorialize

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6
Q

Define ellipsis.

A

Deliberate omission of a word or words readily implied by the context(…)

An artful means of securing economy of expression

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7
Q

What is asyndeton?

A

A list without conjunctions

Produces a hurried rhythm in the sentence

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8
Q

What is alliteration?

A

Repetition of initial or medial consonants in two or more adjacent words

Contributes to euphony and is sometimes used for humorous effect

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9
Q

Define anaphora.

A

Repetition of the same word or group of words at the beginnings of successive clauses

We shall not flag or fail.
We shall go on to the end.
We shall fight in France,

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10
Q

What is epistrophe?

A

Repetition of the same word or group of words at the ends of successive clauses

Sets up pronounced rhythm and secures special emphasis

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11
Q

Explain epanalepsis.

A

Repetition at the end of a clause of the word that occurred at the beginning of the clause

Gives language an appearance of emotional spontaneity

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12
Q

Polysyndeton

A

A lot of conjunctions:

the opposite of asyndeton: polysyndeton is the deliberate use of many conjunctions. Suggests flow or continuity in some instance, special emphasis in others:

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13
Q

Anadiplosis

A

repetition of the last word of one clause at the beginning of the following clause.

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14
Q

Climax

A

arrangement of words, phrases or clauses in an order of increasing importance:

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15
Q

Antimetable

A

repetition of words, in successive clauses, in reverse grammatical order. Produces the impressive turn of phrase typical of an aphorism:

Fair is foul and foul is fair.

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16
Q

Metaphor

A

an implied comparison between two things of unlike nature that yet have something in common; a comparison of two things without using the words

17
Q

Simile

A

an explicit comparison between two things of unlike nature that yet have something in common; comparison of two things using either “like” or “as”.

18
Q

Synechdoche

A

Opposite of metonymy:
a part is used to represent the whole, or the whole is used to represent a part. Here are some examples

19
Q

Metonymy

A

Opposite of Synecdoche, substitution of some attributive or suggestive word for what is actually meant:

20
Q

Hyperbole

A

the use of exaggerated terms for the purpose of emphasis or heightened effect. Hyperbole can be a serviceable figure of speech if we learn to use it with restraint and for a calculated effect. Under the stress of emotion, it will slip out naturally and seem appropriate. Original and unique hyperboles will produce the right note of emphasis:

21
Q

Puns

A

Puns- generic name of those figures which make a play on words.

22
Q

Paronomasia

A

(DIFF WORDS -SOUND ALIKE). use of words alike in sound but different in meaning: THINK Homophones

23
Q

Antanaclasis

A

(SAME WORD; DIFF MEANING) repetition of a word in two different senses:

24
Q

Periphrasis

A

substitution of a descriptive word or phrase for a phrase of a proper name or of a proper name for a quality associated with the name:

bro pulled a jeremy odel

25
Hyperbole
the use of exaggerated terms for the purpose of emphasis or heightened effect. Hyperbole can be a serviceable figure of speech if we learn to use it with restraint and for a calculated effect. Under the stress of emotion, it will slip out naturally and seem appropriate. Original and unique hyperboles will produce the right note of emphasis:
26
Litotes
(“THINK “NOT”) Deliberate use of understatement, not to deceive someone or minimize the importance of the situation but to enhance the impressiveness of what is stated: ## Footnote He’s not the friendliest person. It wasn’t a terrible trip. She’s not unkind. They aren’t unhappy with the presentation. Not too shabby!
27
Paradox
an apparently contradictory statement that nevertheless contains a measure of truth. Paradox is like oxymoron in that both are built on contradictories ## Footnote War is Peace. Love is Hate
28
verbal irony
sarcasm
29
Situational irony
Something happens that is unexpected.
30
Dramatic Irony
Audience knows, but characters don’t (R/J)