Intro Line 1
[Over-arching, general statement that answers the question and comments on embracing absurdity of the mundane]
Intro Line 2
Dylan Thomas’ lyrical radio play Under Milk Wood (Milkwood) presents Thomas’ search for his place in Welsh communities, as a Welsh man who did not spend much time in his home country.
Intro Line 3
Through his unconventional use of language and form, and elevation of commonly reduced characters, Thomas presents a vibrant kaleidoscope of a fictional Welsh town upon which he evokes the fervour and eccentricity of its inhabitants, creating a simulacrum of the quotidian that resonates as both surreal and profoundly authentic, reflecting a deep affection for humanity.
BP1 TS
Through his use of unities of time and place, Thomas presents Llareggub as a hyperreal simulacra of a Welsh town, similar to one he was born in, a microcosm upon which he rejects a grand narrative and instead focuses on daily occurrences, imploring the audience to contemplate… [ ]
BP1 ‘Ideas’
BP2 TS
Amidst religious conservatism, Thomas challenges traditional notions by uplifting Polly Garter above the typical harlot as a symbol of maternal love, showcasing the multiplicity of humans and our capacity to reject those we deem different
BP2 ‘Ideas’
Conclusion
Hence through the purposeful writing of Milkwood, Thomas provides a text through which the audience can revel in the polyphony of a small busy town and uncover tendencies of humans bound by communal beliefs, settings, moral codes and ideologies. Thus …