PE Flashcards

(47 cards)

1
Q

____ is described as any form of dance derived from popular hip-hop music combined with street dance and choreography or dance movements that jive with the beat. very energetic as dancers move freely and add their own personalities to the dance.

A

Hip-hop dance

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2
Q

This culture of hip-hop started in the early ____ when the youth experienced poverty, crime, and gang violence in the ____.

A

1970s
Bronx in New York City

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3
Q

teens of African-American and Latin created artistic art forms to escape from their everyday human struggles like discrimination and social injustice.

A

true

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4
Q

___ is danced on the streets and the moves were not choreographed like what you see in studios

A

Hip-hop

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5
Q

terms used in old school hiphop

A

breaking
top rock
up rock
down rock
b boy/girl
popping

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6
Q
  • aka breakdancing, b-boying, and b-girling. It originated in the Bronx that includes toprock and downrock steps
A

Breaking

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7
Q
  • This refers to a female breaker (dancer).
A

B-girl

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7
Q
  • It refers to a male break dancer who practices breaking or b-boying.
A

B-boy

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8
Q
  • These are dance steps that you do while standing that include kickstep, kickstep out, kickstep twist, kickstep cross, and knee jerking movement. introduction to a downrock.
A

Toprock

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9
Q

-aka power moves and sequences on the ground. It is more on acrobatic and gymnastics skills executing with the hands, arms, or any part of the body that has contact on the floor (CC or Corkscrew drop, kick out, swipe, etc.)

A

Downrock

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10
Q

This is a more competitive type of toprock that consists of foot shuffles, spins, turns, and creative movements.

A

Uprock -

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11
Q

This hip-hop dance step was created by Sam Solomon. have good body coordination to have smooth fluid motions using the arm and body wave movements

A

Popping -

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12
Q
  • It is the first form of popping. It is looser and shows smooth fluid motion. It incorporates isolated circular rolls of body parts like; your head, shoulders, hips, and knees as if you are moving without bones. This is done by starting at your neck going down and from the bottom and going up.
A

. Boogaloo

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13
Q
  • This shows the smooth fluid motion of your body parts, especially your arms literally imitating the waves in the ocean.
A

Waving

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14
Q
  • This style of dance originated in San Francisco. It shows popping or hitting angles from your limbs. It involves the walkout as well as the twist, and flex movements.
A

Strutting

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15
Q

These are the footwork techniques that create illusions of your body floating smoothly on the floor. One example of this is the moonwalk which was popularized by Michael Jackson that includes the backslide movement.

A

Floating, gliding, and sliding -

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16
Q

In this technique, you keep the rest of your body part quickly or slowly. Some of these movements are head, chest, and hip isolations.

A

Isolation -

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17
Q
  • This movement looks like you are imitating a puppet or scarecrow with strings attached to your joints.
A

Scarecrow

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18
Q
  • It is a style of popping that makes your body move and stop quickly to make it look like you are moving with a strobe light.
19
Q
  • It is like imitating the movement of a robot or mannequin by executing different popping techniques
A

the robot or botting.

20
Q
  • It is also known as “King Tut” derived from the Egyptian pharaoh “Tutankhamun.” This style of movement involves creating geometric shapes with right angles using your arms or hands. Movements also include finger tutting.
21
Q

Cheer Dance came from the words ___

A

cheer and dance

22
Q

To cheer is to yell created phrases or words that will uplift the confidence of a playing team to win the game. Cheer dance originated from cheerleading.

23
Q
  • This is one of the important features of cheer dance. It makes the whole routine of the cheer dance sharp and clean during the performance.
24
- Most of the basic hand motions are integrated with the movements in jumps, cheers, stunts, and even tumbling skills.
Arm/Hand Motion
25
techniques for executing the arm/hand motions
clap high/low v k motion t motion clasp jumps leg motion stunts torch/punch low touchdown
26
- With your hands in fists, extend your arms upward at a 45-degree angle from your head. Show your thumbs outward and keep your pinkies facing back
High V
27
- At a 45-degree angle, with your hands in fists extend your both arms downward. Keep your pinkies facing at the back while your thumbs bringing out in front
Low V
28
- With your hands in fists and fingers facing each other and your pinkies facing your body, straighten your both arms down in front of your legs. Maintain your thumbs facing the audience or crowd
Low Touchdown
29
- Raise your one arm in a High V motion and the other arm should cross your body diagonally downward. You can do this motion alternately either on the right or left side of your body.
K-Motion
30
- Try to extend one of your hands and straighten upward and the other hand is placed on your hips. Keep your hands in a fist with your elbow pointing to your side. This can be done alternately either on a right or left torch motion.
Torch/Punch
31
- At shoulder level, straighten your arms parallel to the ground with hands in fists, thumbs facing the crowd, and your pinkies facing the back.
.T-Motion
32
- Your elbows should bend and try to pull in and it should be pointing downward. Keep your hands below your chin and your palms touching each other. You must create sound when doing this motion.
.Clap
33
- The procedure of this motion is similar to clap. The only difference is that you should do this in silence without creating any sound
Clasp
34
- Similar to the hand motion these can be used in combination with the arms and hand motions to create a variety of movements.
Leg Motion
35
- Keep your legs and feet together and hands on your side.
Clean
36
- Your legs shoulder width apart.
2. Wide
37
Make your legs wide. One leg is bent with the knee directly over the ankle and the other leg straight. Your feet should be perpendicular to each other.
Side Lunge
38
- Step your one leg forward in front of your body and bent with your knee directly over your ankle. Keep your back leg straight, and your feet should be perpendicular to each other.
Front Lunge
39
- It is considered one of the hardest skills in cheer dance. In doing this skill, you should know the preparatory motions which are the arm and leg motions combined with jumps. Some examples of the jumps are tuck jump, herkie jump, toe touch, and stunts
Jumps
40
- Keep your knees together and bring them close to your chest while keeping your chest straight up avoid leaning forward and execute a High V motion.
Tuck Jump
41
- When doing this jump, clasp your arms closer to each other, clasp your hands in fists and close together and move in a High V motion, then bend your legs and swing and cross your arms in front of you. Moving your arms in T-motion, do the herkie jump (execute this by doing a straddle split while the other leg should be bending at your back)
.Herkie
42
- You can start doing this in a clasp motion and keeping your hands in fists closer to each other. Then execute a High V motion and bend your knees while swinging your arms. in a cross position. your legs should be in a straddle split position. Then move your arms in a T-motion with your hands in fists, landing with your legs in bend, and while your hands are on your side. Maintain that position, then gradually straighten out your legs.
Toe Touch
43
- Stunt sequences and pyramids are some of the most difficult and exciting features of cheer dance competitions. In this, the flyers are mostly raised and tossed in the air.
Stunts
44
- They are usually the cheerleaders who can do stunts while being held or thrown into the air
Flyers
45
- They are the ones who control the throw of the flyers into the air.
Bases or mounts
46
- people who stand at the back where they assist the bases or mounts when lifting and throwing the flyers and they stand either in front or at the back to support the flyers and prevent them from falling.
Spotters