PL & TDOM Critics Flashcards

(40 cards)

1
Q

‘Adam’s sin was less ignoble than Eve’s’

A

C. S. Lewis, 1942

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2
Q

‘Through giving Adam the fruit Eve commits “murder”’

A

C. S. Lewis, 1942

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3
Q

‘The tragedy is more his failure than hers’

A

Burden, 1967

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4
Q

‘The Miltonic problem of the fall [is] a specifically female dilemma’

A

Gilbert and Gubar, 1979

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5
Q

‘Eve takes and keeps the initiative’

A

Tillyard, 2005

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6
Q

‘Adam and Eve Must Give Account to the Lord’

A

Domenichino, 1626

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7
Q

‘Like Adam, I was apparently united by no link to any other being in existence’

A

Mary Shelley in Frankenstein, 1818

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8
Q

‘Adam fell by uxoriousness.’

A

C. S. Lewis, 1942

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9
Q

Creation of Adam Painting

A

Michaelangelo, 1512

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10
Q

[Milton was] ‘of the Devil’s party without knowing it’.

A

Blake, 1790

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11
Q

‘Milton’s Devil as a moral being is as far superior to his God’

A

Percy Shelley, 1821

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12
Q

‘Throughout the poem, [Satan] undergoes a progressive degradation from God’s 2nd in Command to a mere peeping Tom, leering and writhing in prurience’.

A

C. S. Lewis, 1942

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13
Q

‘The Satanic image is not simply an illusion but a perversion of true heroism’

A

Steadman, 1976

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14
Q

[Satan’s] ‘sense of Injured Merit is likely to cause Resentment’

A

Bloom, 2002

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15
Q

‘The God of Milton is always a father, a creator, a judge’

A

Voltaire, 1727

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16
Q

‘The material chaos of Paradise Lost is unmistakably opposed to God’

A

Chambers, 1963

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17
Q

‘The reason why the poem is so good is that it makes God so bad’

18
Q

‘[God’s punishment of Satan is] a display of sorcery rather than an act of divine justice’.

19
Q

‘For a widow would be the cause of a thousand woes’

A

Swetnam, 1615

20
Q

‘The Duchess is “good”… of her love for Antonio… “bad” in ignoring the wishes and welfare of her family’

A

Whitman, 1975

21
Q

‘[The Duchess] seeks private happiness at the expense of public stability.’

22
Q

‘The Duchess’ widowhood is not the cause but the context of her martyrdom’

23
Q

‘[The Duchess’] heroic stoicism in the face of persecution’

24
Q

[The Duchess] ‘Beauty determination and a sense of moral goodness’

A

2014 Dominic Dromgoole Production

25
‘Webster… has to arouse terror and pity, not thought’
Kingsley, 1890
26
‘It is Ferdinand who is unsure of himself’
Calderwood, 1962
27
‘The brother’s picture of the Duchess is a projection of the evil in their own minds
Brennan, 1963
28
Ferdinand played Micheal Williams highlighting sexual nature as Duchess was played by Judi Dench
1971 Clifford Williams Production
29
‘The Cardinal knows already that he is in Hell.’
Bradbrook, 1947
30
‘The Cardinal’s cool, unemotional detachment is more terrifying than Ferdinand’s impassioned raving’
Bliss, 1983
31
‘Critics have found little to like or admire in Antonio
Belton, 1967
32
‘Antonio can be no model of virtue: he too is like the equivocal Bosola’
Neill, 2015
33
‘The Duchess abandons her duties of ‘body politic’ for those of her ‘body natural’ and for this she has to die’
Jankowski, 1990
34
With Bosola, a ‘fatal lack of clearness ruins everything’.
Archer, 1893
35
‘The only character in the play who is not "fixed" at either extreme is Bosola.’
Giannetti, 1969
36
‘Satan’s malcontent status seduces readers into sympathising, mirroring the danger of sin’
Fish, 1967
37
‘In all other poems, love is presented as a vice; in Milton only it is a virtue.’
Voltaire, 1759
38
[Milton shows a] ‘contempt of females’ as ‘subordinate and inferior beings.’
Johnson, 1779
39
Satan is the hero because he defeats Adam
Dryden, 1697
40