What does Jonathon Dillimore identify in Renaissance theatre?
Dual direction - could both be seen to express power by controlling audiences, but also could be used to critique power by displaying it
What does Steven Greenblatt call theatricality?
‘one of power’s central modes’
What does Steven Greenblatt identify as the ‘very condition of pwoer’?
‘the production of subversion is…the very condition of power’ - necessity for challenge to enable power (though contained)
What does Graham Holderness argue about ‘cultural intervention’ regarding Shakespeare@
the ‘most promising space for cultural intervention remains…that of education’ rather than film or TV adaptations of Shakespeare