Characteristics of Medieval Era
Dominated by vocal music. Sacred Music: Gregorian Chant and Masses. Secular Music: for dance and entertainment (Troubadours/Trouvères)
Gregorian Chant
melodies that were free flowing with no distinct meter, melismatic, largely monophonic, and sung by unaccompanied voice or choir
Organum
an early form of polyphony in which voices are sung in parallel motion
Masses
important religious ritual and featured non-imitative polyphony
Motet
polyphonic music that was both sacred and secular; major musical form of the Medieval and Renaissance periods that emerged from medieval organum and clausulae.
Secular Music (Troubadours and Trouvères)
drone accompaniment, regular meter, syncopations, polyphony, and harmony; by the end of Medieval era became the driving force of musical development
Musical Importance of the Mass
one of the most important services of the Roman Catholic Church; driving force of musical development in the Medieval and Renaissance eras. The liturgy of the Ordinary was most often set to music. By the Renaissance era; polyphony was common, musical notation had been refined, and complete masses were written by a single composer (e.g. Machaut’s Mess de Notre Dame). By the twentieth century the genre declined.
The Sections within the Ordinary of a Mass
Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Dei