0
Q
Jaws
A
m2
1
Q
Unison
A
P1
2
Q
Happy birthday
A
M2
3
Q
Lullaby
A
m3
4
Q
Oh when the saints
A
M3
5
Q
Here comes the bride
A
P4
6
Q
Maria
A
TT
7
Q
Twinkle twinkle
A
P5
8
Q
Bashona
A
m6
9
Q
My Bonnie
A
M6
10
Q
There’s a place for us
A
m7
11
Q
Leading tone
A
M7
12
Q
Octave
A
P8
13
Q
Authentic cadence
A
V-I
14
Q
Plagal cadence
A
IV-I
15
Q
Half cadence
A
I-V
IV-V
ii-V
vi-V
16
Q
Deceptive cadence
A
V-vi
17
Q
Scale degree names
A
Tonic Super tonic Mediant Subdominant Dominant Submediant Leading tone Tonic
18
Q
7 degree name in minor scale
A
Subtonic
19
Q
Primary triads
A
I IV V VIII
20
Q
What makes up a major triad
A
M3 P5
21
Q
What makes up a minor triad
A
m3 P5
22
Q
What makes up a diminished triad
A
m3 dim5
23
Q
What makes up an augmented triad
A
M3 P5
24
Minor chord qualities
m dim M m m M M m
| No accidentals
25
Harmonic minor chord qualities
Sharp all 7
26
Melodic minor chord qualities
Sharp all 6&7
27
Soprano range
Middle c- high g
28
Alto range
Low f (three lines below staff) to c on staff
29
Tenor range
C on bass clef to g (3 lines above)
30
Bass range
F-c
31
V↔️I or IV↔️I part writing rules
1. Double the root in both chords
2. 2 pitches moves up or down 1 step
3. One common tone
32
IV-V part writing rules
1. Root is doubled
| 2. Top 3 parts move contrary to bass
33
Maria chord quality
Diminished
34
Bashana chord quality
Augmented
Music Theory
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