Introduction
- TV products are defined by representations of gender, class, race and power dynamics
- representations are constructed through narrative, character development and visual codes
- they reflect and shape cultural norms: gender,, power, identity etc..
- they shape audiences perceptions of social realities by reinforcing or challenging dominant ideologies
Traditional Femininity - Grace (conforming)
Conforms:
- positioned as sexual object
- “too pretty” (harry says this)
- objectified in male-dominated environment (The Garrison)
- green dress, heels (long shot of walking away from camera, framed alone)
Traditional Femininity - Grace (subverting)
Subverts:
- determination to get the job at The Garrison
- requests to sing for the men (complex and autonomous)
- powerful and independent
shows the tension between traditional femininity and the subversion of these norms
Traditional Femininity - Polly
Traditional:
- takes on maternal responsibilities regarding all the boys in the family and Ada
- sometimes caring and empathetic
Post-Femininity/Androgyny - Polly
Post-Femininity/Androgyny:
- matriarchal role
- assumes a position of power (took over business when boys were fighting in ww1)
- ruthless leader
- low angle shots, slapping john
- assertive and tough
Breaks form historical gender representations
Traditional Masculinity - Tommy (conforming)
Conforms:
- sharp suits, flat caps, carrying gun
- occasionally violent
- dominant and aggressive
Typical archetypal, working-class gangster
Traditional Masculinity - Tommy (subverting)
Subverts:
- vulnerability and emotion (PTSD from fighting in ww1)
- not easily provoked to be violent
Critiques traditional masculinity (inner turmoil and trauma)
Challenges glorification of violence (adds nuance to the character and narrative)
Conclusion
- gendered representations are used to reflect and challenge societal norms
- complex interplay between traditional masculinity and subversive femininity
- women can be both empowered and marginalised within patriarchal structures
- TV can reflect contemporary ideologies about gender, power and identity whilst offering space for subversion
