contrapunctal
b 1-11
with imititative entries, rising from cello to Violin I
cello enters
first in monophony
uses the DSCH motif
viola entry
2 bars later, with the DSCH motif a 5th higher
violin II entry
one bar after the viola
with the motif starting on D, like the cello
violin II repeats
violin I music from b 50 in b 52
homorhythmic
b 23-27
helps to define the structure of the movement
drones
b 28-45
viola and cello on C
Violin II on G
countermelody
b 55 violin I has a countermelody based on the passage from the Fifth Symphony
b 11-13
violins play in octaves to each other
b 14-16
the cello and viola are in parallel 10ths
two part counterpoint
bars 19-22