Texture essay Flashcards

(19 cards)

1
Q

Early Classical - main texture

A

Melody dominated homophony (MDH)

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2
Q

Early Classical - work that uses unison

A

CPE Bach E minor - epfindsamerstil

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3
Q

Early Classical - Mannheim techniques in Stamtiz opus 3

A

Hammerstroke - chordal
Roller - repeating ascending melody over pedal and crescendo

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4
Q

Early Classical - example of antiphonal texture

A

Haydn no.22 between cor anglais and horns

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5
Q

Late Classical - texture at mvt 1 intro in Haydn 104

A

Unison

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6
Q

Late Classical - Mozart 41 finale

A

5 themes overlapping at once - polyphonic writing in symphonic works

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7
Q

Late Classical - texture at beginning of recap S2 Haydn 104

A

Imitative

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8
Q

Beethoven - fugal variation on mvt 4 of which work?

A

Eroica, Beethoven 3

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9
Q

Beethoven - how did the orchestra change?

A

Larger orchestra - unison textures powerful

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10
Q

Beethoven - Fugal section in mvt3 in trio of the scherzo

A

Beethoven 5

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11
Q

Early Romantic - Introduction of development texture in Italian symphony

A

Fugal

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12
Q

Early Romantic - Symphonie Fantastique mvt 5 witches’ round dance

A

Polyphonic, aids in storytelling

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13
Q

Late Romantic - textures experimented with were both

A

complex and sparse

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14
Q

Late Romantic - Tchaik 4 opening

A

Full powerful fanfare playing in unison

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15
Q

Late Romantic - Finale holds a Passacaglia

A

Brahms 4th

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16
Q

Late Romantic - how does Tchaik 4 movement 2 contrast?

A

Solo oboe with simple string accompaniment

17
Q

Early Classical - Farewell symphony textural interest

A

Parts drop out one by one at the end

18
Q

Early Romantic - Orchestra expanded e.g.

A

Symphony Fantastique

19
Q

Late Romantic Mahler 2 - Orchestra size was massive e.g., but then monophonic line played by _ which opens up to a _ section

A

Quadruple woodwind, off stage brass, 7 percussionists
Monophonic line played by double bass - frere Jacques theme
opens to Fugal section