Early Classical - main texture
Melody dominated homophony (MDH)
Early Classical - work that uses unison
CPE Bach E minor - epfindsamerstil
Early Classical - Mannheim techniques in Stamtiz opus 3
Hammerstroke - chordal
Roller - repeating ascending melody over pedal and crescendo
Early Classical - example of antiphonal texture
Haydn no.22 between cor anglais and horns
Late Classical - texture at mvt 1 intro in Haydn 104
Unison
Late Classical - Mozart 41 finale
5 themes overlapping at once - polyphonic writing in symphonic works
Late Classical - texture at beginning of recap S2 Haydn 104
Imitative
Beethoven - fugal variation on mvt 4 of which work?
Eroica, Beethoven 3
Beethoven - how did the orchestra change?
Larger orchestra - unison textures powerful
Beethoven - Fugal section in mvt3 in trio of the scherzo
Beethoven 5
Early Romantic - Introduction of development texture in Italian symphony
Fugal
Early Romantic - Symphonie Fantastique mvt 5 witches’ round dance
Polyphonic, aids in storytelling
Late Romantic - textures experimented with were both
complex and sparse
Late Romantic - Tchaik 4 opening
Full powerful fanfare playing in unison
Late Romantic - Finale holds a Passacaglia
Brahms 4th
Late Romantic - how does Tchaik 4 movement 2 contrast?
Solo oboe with simple string accompaniment
Early Classical - Farewell symphony textural interest
Parts drop out one by one at the end
Early Romantic - Orchestra expanded e.g.
Symphony Fantastique
Late Romantic Mahler 2 - Orchestra size was massive e.g., but then monophonic line played by _ which opens up to a _ section
Quadruple woodwind, off stage brass, 7 percussionists
Monophonic line played by double bass - frere Jacques theme
opens to Fugal section