Who was the series produced by?
The series was produced by Haut Et Court with Canal+
When and where was it aired?
What is Channel 4?
Channel 4 is a commercially funded but non-profit channel that has a PSB remit to produce informative, educational, diverse, alternative, TV with new talent - which explains why they bought the rights to a foreign drama
What is Canal+?
Canal+ is a French premium television channel launched in 1984. It is owned by the Canal+ Group, which in turn is owned by Vivendi. Although Vivendi is a conglomerate it has niche programming which means it has to get funding. Vivendi is both horizontally and Vertically integrated.
How was the series funded?
The funding for the series came partly from Vivendi as well as two small French charities which fund films and dramas that show regional France which meant it had to be shot rurally and show French culture.
What is SundanceTV?
SundanceTV is an American pay television channel owned by AMC networks which focused on alternative and independent films and programming
What affected the distribution?
Channel 4’s website and All4 allow online streaming globally but the series was only available for a short time reflecting its nche nature. It was also later adapted for an American audience in 2015. The subtitled format makes it difficult to distribute it globally.
Who was the show created by?
Fabrice Gobert
What was the series based on?
The 2004 French film They Came Back (Les Revenants), directed by Robin Campillo.
How was the series marketed?
How was synergy used?
Through the Scottish post-rock band Mogwai’s soundtrack being released alongside the series which would attract a similar niche audience.
What did the writers and directors intend the show to be an allegory for?
The refugee system in France
Who regulates British TV?
OFCOM regulates British TV and has to ensure that the series meets Channel 4’s remit.
How might regulation differ between countries?
Countries like France have slightly different laws so the sex scene between Lena and Fredric would seem less taboo in France. However, this makes it more difficult to distribute it globally.
What social/cultural context has influenced the series?
How can Todorov’s narrative theory be applied to The Returned?
How can Neale’s genre theory be applied to The Returned?
How can Levi-Strauss’ theory be applied to The Returned?
Binary oppositions:
Could reflect how immigrants are treated in society
How can Hall’s theory of representation be applied to The Returned?
How can hook’s theory be applied to The Returned?
There are no ethnic minorities in The Returned but this may be to the rural French settings. However, it is later revealed that Julie and Laure are lesbians.
How can Van Zoonen’s theory be applied to The Returned?
How can Livingstone and Lunt’s theory be applied to The Returned?
Technology has made The Returned harder to regulate as TV is now on demand which makes the watershed redundant. All4 has little regulation and can be accessed by everyone.
How can Hesmondhalgh’s theory be applied to The Returned?
Producers have tried to minimise risk and maximise audience through:
- Basing it on an already existing film
- Turning it into a franchise with a second and third season and the US remake
- Turning it into a book adaptation
- ‘Hiding’ the foreign language in the trailers
- Marketing it as a supernatural drama which is popular
- Companies like Canal+ are vertically integrated
HOWEVER still risk through no stars, foreign language and unique filming style
What award did the series win?
In 2013, the first season won an International Emmy for Best Drama Series.