World Wars Effect Overall
Time between the two world wars were extremely unstable
WWI was a shock to Western culture
8.5 million deaths and trench warfare/chemical weapons
League of Nations failed after WWI
Use of nuclear weapons by the end of WWII
World Wars Effect Theatre
Theatre became turbulent and reflected the political, social, economic ideologies that were driving nationalistic movements
Ex: rise of totalitarianism in Europe
Expressionism
spiritual realm is the highest form of reality
reality is disorted to reflect inner feelings of the artist or character
visual had it first - Germany started it in literature first
Expressionism Charateristics
characters are often representative types
more interested in spiritual truths than materialistic facades
Expressionism Purpose
Revolt of WWI - hated war
playwrights felt they were surrounded by machines made to kill - the wrold started reverting to the ideal of “machines are better than man”
teh word robot was invented in a play
Georg Kaiser
Earky German expressionic playwright
“From Man to Midnight”
Everyman seaches for the meaning of life but becomes a martyr to calusness and greed
Ernst Toller
Early German expressionist
“Transfiguration”
wrote in jail for protesting war
a patriotic soilder turns into a anti-war activist that fights the oppresive regime
“Machinal”
Sophie Treadwell
big expressionist play in the U.S.
young woman works in an office where people are enslaved to their machines so she gets married to her boss so she can quit her job, but now she hates her life. she cheats on her husband, kills him, put on trial, and her lover testifies against her
she is executed - bassed on a true story
Futurism
originated in Italy in 1909 - leader was Filippo Martinetti
plays were short and illogical
audiences were confronted and even antagonized - broke 4th wall
wanted to incorporate slides
mixed the various arts borrowing heavily from popular entertainments
Futurism Ideals
almost the antithesis of expressionism
idealized machines and war
attacked the artistic ideals of the past
called for a new “synthetic” theatre
Dada
founded in 1916 in Switzerland
leader was Tristan Tzara - wrote a whole series of manifests
short-lived movement
surrealism grew out of this
plays were short. nonsensical and irrational
put coffee houses on with multiple disciplines
borrowed from popular entertainment
Dada Ideals
believed WWI was a reflection of the madness in the world
Dadaists hated muesum arts and tried to confuse thehir audiences
pacifists
Surrealism Origin
An off-short of Dada that emerged in 1924
leader was André Breton (French)
Guillaume Apollinaire (French playwright) firsst used the the term to describe his play “The Breasts of Tiresias
Surrealism
highest for, of reality is unconsious mind, plays attempted to represent a dream world - a mixture of recgonizable characters, places, objects, and events with the illogical and the fantastic
Jean Cocteau was the most famous playwright (filmaker)
Jean Cocteau
French surrealist playwright and filmaker
most famous
experimented with camera work
Antigobe, Orpheus, The Infernal Machine
One of the creators of the Parade with Picasso and Satie, staged by the Ballests Russes
Antonin Artaud
French theorist
started out as a surrealist playwright and actor
began writing essays callinf for a new kind of tehatre he called “Theatre of Cruelty”
against the notion of literary drama - plays od the past cannot speack to us today as they once did (no more masterpieces)
he was in and out of aslums while writing this
Theatre of Cruelty
Artaud wanted to create new modern myths
Cruelty lies in the conviction of the audience, shocking them into revelation to cure themselves of their flaws
thought thetare could save the world
Epic Theatre
term coined by German director Erwin Piscator, who wanted to create a socialist, “proletarian theatre”
very political and meant to bring about social change - refrences to current events to make you think during the performance
Erwin Piscator
named director of Volksbühne Theatre
not afraid to change a text to suit his purposes
his productions were highly stylized and he made great use of multi-media
experiemnted with actor-audience relationship
Erwin Piscator
Most famous producction
most famous production was “The Good Soilder” by Czech writer Jaroslav Hasek
Piscator used a conveyor belt that Sheweik walked along to show his journey through life
used picturesque scen and characters
Walter Gropius
Designed a theatrre for Piscator, but it was never built
theatre would;very much been adjustable so that it could be proscenium, thrust, or arena
Gropius was the leader of art movement called Bouhaus, practical art and art should be practical
Bertalt Brecht
German playwright, director, and theorist
most famous person associated with Epic Theatre, but he preferred the term “dialectical theatre” later
started out as an expressinisistic playwright
he wrote with the purpose of instructing his audience
like Piscator, he was a socialist
valued entertainment value
several short plays he called his Lehrstüke
hated plays written solely for commerical theatre
theatre should engage its audience intellectually
“Verfremdungseffekt”
the idea that theatre should force the audience to remain emotionally detached through often called the “alienation effecct”
kinda translates into making strange effect” - so that you don’t seperate this world
meant to break the dramatic illusion and make to worlds
makes audience think about what they are seeing
ex: narrators, refusing to mask/hide the stage machinary and lights, multi-media projections, actors avoiding internal commitment to make the audience aware of them acting and are able to cmment on the charecterfs through actor interpretations (50-50)
Historification
using historical events to comment on contemporary events
Mother Courage and Her Children