…how ______ has found ways to engage us in nonlinear storytelling. Time juggling and shifting viewpoints and replayed scenes have long been associated with literary modernism and the avant-garde.
popular cinema
…how popular cinema ______ to engage us in nonlinear storytelling. Time juggling and shifting viewpoints and replayed scenes have long been associated with literary modernism and the avant-garde.
has found ways
…how popular cinema has found ways ______. Time juggling and shifting viewpoints and replayed scenes have long been associated with literary modernism and the avant-garde.
to engage us in nonlinear storytelling
…how popular cinema has found ways to engage us in nonlinear storytelling. ______ and shifting viewpoints and replayed scenes have long been associated with literary modernism and the avant-garde.
Time juggling
…how popular cinema has found ways to engage us in nonlinear storytelling. Time juggling and ______ and replayed scenes have long been associated with literary modernism and the avant-garde.
shifting viewpoints
…how popular cinema has found ways to engage us in nonlinear storytelling. Time juggling and shifting viewpoints and ______ have long been associated with literary modernism and the avant-garde.
replayed scenes
…how popular cinema has found ways to engage us in nonlinear storytelling. Time juggling and shifting viewpoints and replayed scenes have long ______ literary modernism and the avant-garde.
been associated with
…how popular cinema has found ways to engage us in nonlinear storytelling. Time juggling and shifting viewpoints and replayed scenes have long been associated with ______.
literary modernism and the avant-garde
…______ have tried in their own ways to push storytelling off the linear path for several centuries. One task of this book is to show that writers and filmmakers haven’t shrunk from the search for unpredictable ways to satisfy our narrative appetites.
mass-market narratives
…mass-market narratives ______ to push storytelling off the linear path for several centuries. One task of this book is to show that writers and filmmakers haven’t shrunk from the search for unpredictable ways to satisfy our narrative appetites.
have tried in their own ways
…mass-market narratives have tried in their own ways ______ for several centuries. One task of this book is to show that writers and filmmakers haven’t shrunk from the search for unpredictable ways to satisfy our narrative appetites.
to push storytelling off the linear path
…mass-market narratives have tried in their own ways to push storytelling off the linear path ______. One task of this book is to show that writers and filmmakers haven’t shrunk from the search for unpredictable ways to satisfy our narrative appetites.
for several centuries
…mass-market narratives have tried in their own ways to push storytelling off the linear path for several centuries. One task of this book is to show that writers and filmmakers haven’t shrunk from ______ to satisfy our narrative appetites.
the search for unpredictable ways
…mass-market narratives have tried in their own ways to push storytelling off the linear path for several centuries. One task of this book is to show that writers and filmmakers haven’t shrunk from the search for unpredictable ways ______.
to satisfy our narrative appetites
______ won’t aim at the severity, the downright difficulty, that we associate with High Modernism.
Popular narrative
Popular narrative ______, that we associate with High Modernism.
won’t aim at the severity, the downright difficulty
Popular narrative won’t aim at the severity, the downright difficulty, ______.
that we associate with High Modernism
…______ through formal ingenuity.
an effort to surprise us
…an effort to surprise us ______.
through formal ingenuity
…how ______ in the twentieth and twenty-first centuries have coaxed audiences into collaborating with them in filling out form in unusual ways.
storytellers
…how storytellers ______ have coaxed audiences into collaborating with them in filling out form in unusual ways.
in the twentieth and twenty-first centuries
…how storytellers in the twentieth and twenty-first centuries ______ into collaborating with them in filling out form in unusual ways.
have coaxed audiences
…how storytellers in the twentieth and twenty-first centuries have coaxed audiences ______ in filling out form in unusual ways.
into collaborating with them
…how storytellers in the twentieth and twenty-first centuries have coaxed audiences into collaborating with them ______.
in filling out form in unusual ways
