In the twentieth century, a long-entrenched story posited esoteric storytelling, ______, as the cutting edge of literary value. The ambitious work, seeking to expose new aspects of the world and complex states of mind, needed techniques more complex than traditional methods. The thousands of other novels, short stories, and plays were genre pieces, mass literature, or “lowbrow” art.
most evident in High Modernism of the 1920s
In the twentieth century, a long-entrenched story posited esoteric storytelling, most evident in High Modernism of the 1920s, as ______. The ambitious work, seeking to expose new aspects of the world and complex states of mind, needed techniques more complex than traditional methods. The thousands of other novels, short stories, and plays were genre pieces, mass literature, or “lowbrow” art.
the cutting edge of literary value
In the twentieth century, a long-entrenched story posited esoteric storytelling, most evident in High Modernism of the 1920s, as the cutting edge of literary value. ______, seeking to expose new aspects of the world and complex states of mind, needed techniques more complex than traditional methods. The thousands of other novels, short stories, and plays were genre pieces, mass literature, or “lowbrow” art.
The ambitious work
In the twentieth century, a long-entrenched story posited esoteric storytelling, most evident in High Modernism of the 1920s, as the cutting edge of literary value. The ambitious work, ______ new aspects of the world and complex states of mind, needed techniques more complex than traditional methods. The thousands of other novels, short stories, and plays were genre pieces, mass literature, or “lowbrow” art.
seeking to expose
In the twentieth century, a long-entrenched story posited esoteric storytelling, most evident in High Modernism of the 1920s, as the cutting edge of literary value. The ambitious work, seeking to expose ______ and complex states of mind, needed techniques more complex than traditional methods. The thousands of other novels, short stories, and plays were genre pieces, mass literature, or “lowbrow” art.
new aspects of the world
In the twentieth century, a long-entrenched story posited esoteric storytelling, most evident in High Modernism of the 1920s, as the cutting edge of literary value. The ambitious work, seeking to expose new aspects of the world and ______, needed techniques more complex than traditional methods. The thousands of other novels, short stories, and plays were genre pieces, mass literature, or “lowbrow” art.
complex states of mind
In the twentieth century, a long-entrenched story posited esoteric storytelling, most evident in High Modernism of the 1920s, as the cutting edge of literary value. The ambitious work, seeking to expose new aspects of the world and complex states of mind, ______ more complex than traditional methods. The thousands of other novels, short stories, and plays were genre pieces, mass literature, or “lowbrow” art.
needed techniques
In the twentieth century, a long-entrenched story posited esoteric storytelling, most evident in High Modernism of the 1920s, as the cutting edge of literary value. The ambitious work, seeking to expose new aspects of the world and complex states of mind, needed techniques ______. The thousands of other novels, short stories, and plays were genre pieces, mass literature, or “lowbrow” art.
more complex than traditional methods
In the twentieth century, a long-entrenched story posited esoteric storytelling, most evident in High Modernism of the 1920s, as the cutting edge of literary value. The ambitious work, seeking to expose new aspects of the world and complex states of mind, needed techniques more complex than traditional methods. The thousands of other novels, short stories, and plays were ______, mass literature, or “lowbrow” art.
genre pieces
In the twentieth century, a long-entrenched story posited esoteric storytelling, most evident in High Modernism of the 1920s, as the cutting edge of literary value. The ambitious work, seeking to expose new aspects of the world and complex states of mind, needed techniques more complex than traditional methods. The thousands of other novels, short stories, and plays were genre pieces, ______, or “lowbrow” art.
mass literature
In the twentieth century, a long-entrenched story posited esoteric storytelling, most evident in High Modernism of the 1920s, as the cutting edge of literary value. The ambitious work, seeking to expose new aspects of the world and complex states of mind, needed techniques more complex than traditional methods. The thousands of other novels, short stories, and plays were genre pieces, mass literature, or ______.
“lowbrow” art
In ______, it’s the split between arthouse films and multiplex fare: The Three Colors: Blue (1993) versus Jaws (1975).
cinema
In cinema, it’s the split between ______ and multiplex fare: The Three Colors: Blue (1993) versus Jaws (1975).
arthouse films
In cinema, it’s the split between arthouse films and ______: The Three Colors: Blue (1993) versus Jaws (1975).
multiplex fare
If [critics] paused to examine ______, they usually focused on its social signifiance, as a reflection of cultural attitudes or anxieties. Form and style went unexamined or were ritually denounced as pat formulas.
an exoteric novel or play or film
If [critics] paused to examine an exoteric novel or play or film, they usually focused on ______, as a reflection of cultural attitudes or anxieties. Form and style went unexamined or were ritually denounced as pat formulas.
its social signifiance
If [critics] paused to examine an exoteric novel or play or film, they usually focused on its social signifiance, ______. Form and style went unexamined or were ritually denounced as pat formulas.
as a reflection of cultural attitudes or anxieties
If [critics] paused to examine an exoteric novel or play or film, they usually focused on its social signifiance, as a reflection of cultural attitudes or anxieties. ______ went unexamined or were ritually denounced as pat formulas.
Form and style
If [critics] paused to examine an exoteric novel or play or film, they usually focused on its social signifiance, as a reflection of cultural attitudes or anxieties. Form and style ______ or were ritually denounced as pat formulas.
went unexamined
If [critics] paused to examine an exoteric novel or play or film, they usually focused on its social signifiance, as a reflection of cultural attitudes or anxieties. Form and style went unexamined or ______.
were ritually denounced as pat formulas
