Melody (BWV 80, Movement 2)
Melody in Movement 2 ; Ornate melismatic lines, imitative duet writing, conjunct diatonic movement
Texture (BWV 80, Movement 2)
Texture in Movement 2 ; Two-part vocal texture, imitative entries, accompanied texture (voices + continuo/instruments)
Harmony (BWV 80, Movement 2)
Harmony in Movement 2 ; Functional tonal harmony, use of suspensions, circle of fifths progressions
Structure (BWV 80, Movement 2)
Structure in Movement 2 ; Binary/da capo elements, alternation of vocal phrases, repetition of motifs
Tonality (BWV 80, Movement 2)
Tonality in Movement 2 ; Clear tonal centre, modulation to related keys, defined cadences
Sonority (BWV 80, Movement 2)
Sonority in Movement 2 ; Light Baroque instrumentation, basso continuo, contrasting vocal timbres (soprano vs bass)
Rhythm (BWV 80, Movement 2)
Rhythm in Movement 2 ; Flowing rhythmic movement, rhythmic imitation, steady pulse
Ornate, melismatic vocal lines – effect + wider listening
Effect of melisma ; Expressive and decorative, highlights text meaning. Similar to Messiah by George Frideric Handel (e.g. “Rejoice greatly”)
Imitative duet writing – effect + wider listening
Effect of imitation ; Creates dialogue between voices. Similar to Dido and Aeneas by Henry Purcell
Conjunct, diatonic melodies – effect + wider listening
Effect of conjunct melody ; Smooth and lyrical. Similar to Ave Verum Corpus by Wolfgang Amadeus Mozart
Two-part vocal texture – effect + wider listening
Effect of duet texture ; Intimate and conversational. Similar to Lakmé (Flower Duet) by Léo Delibes
Accompanied texture (voices + continuo/instruments) – effect + wider listening
Effect of accompaniment ; Supports voices harmonically. Similar to St Matthew Passion
Imitative entries – effect + wider listening
Effect of imitation ; Builds interaction and complexity. Similar to The Well-Tempered Clavier
Functional harmony – effect + wider listening
Effect of functional harmony ; Clear direction and resolution. Similar to Water Music
Use of suspensions – effect + wider listening
Effect of suspensions ; Creates expressive tension. Similar to Dido and Aeneas
Circle of fifths progressions – effect + wider listening
Effect of circle of fifths ; Drives harmonic movement. Similar to Canon in D by Johann Pachelbel
Binary/da capo elements – effect + wider listening
Effect of structure ; Balance and repetition. Similar to Lascia ch’io pianga
Alternation of vocal phrases – effect + wider listening
Effect of alternation ; Creates dialogue. Similar to Messiah
Repetition of motifs – effect + wider listening
Effect of repetition ; Reinforces ideas. Similar to The Four Seasons by Antonio Vivaldi
Clear tonal centre – effect + wider listening
Effect of tonality ; Stability and clarity. Similar to Eine kleine Nachtmusik
Modulation to related keys – effect + wider listening
Effect of modulation ; Adds contrast. Similar to Symphony No. 40
Use of cadences – effect + wider listening
Effect of cadences ; Defines phrases clearly. Similar to The Creation by Joseph Haydn
Light Baroque instrumentation – effect + wider listening
Effect of instrumentation ; Transparent texture. Similar to Brandenburg Concertos
Basso continuo – effect + wider listening
Effect of continuo ; Provides harmonic support. Similar to Trio Sonatas Op. 5 by Arcangelo Corelli