Bach movement 8 Flashcards

(28 cards)

1
Q

Melody (BWV 80, Movement 8)

A

Melody in Movement 8 ; Chorale melody in soprano, largely conjunct movement, syllabic setting of text

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2
Q

Texture (BWV 80, Movement 8)

A

Texture in Movement 8 ; Homophonic texture, melody-dominated homophony, SATB chorale setting

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3
Q

Harmony (BWV 80, Movement 8)

A

Harmony in Movement 8 ; Functional tonal harmony, use of cadences, occasional suspensions

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4
Q

Structure (BWV 80, Movement 8)

A

Structure in Movement 8 ; Strophic chorale form, phrase-based structure, regular phrasing

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5
Q

Tonality (BWV 80, Movement 8)

A

Tonality in Movement 8 ; Clear tonal centre, mainly diatonic, modulations to closely related keys

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6
Q

Sonority (BWV 80, Movement 8)

A

Sonority in Movement 8 ; SATB choir, instruments doubling voices (colla parte), continuo support

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7
Q

Rhythm (BWV 80, Movement 8)

A

Rhythm in Movement 8 ; Mostly homorhythmic, simple note values, steady and regular pulse

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8
Q

Chorale melody in soprano – effect + wider listening

A

Effect of chorale melody ; Clear and prominent, easy for congregation to follow. Similar to Jesu, Joy of Man’s Desiring by Johann Sebastian Bach

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9
Q

Conjunct melodic movement – effect + wider listening

A

Effect of conjunct melody ; Smooth and singable. Similar to Ave Verum Corpus by Wolfgang Amadeus Mozart

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10
Q

Syllabic setting – effect + wider listening

A

Effect of syllabic setting ; Clear text delivery. Similar to O Haupt voll Blut und Wunden

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11
Q

Homophonic texture – effect + wider listening

A

Effect of homophony ; Clarity and unity of voices. Similar to Hallelujah Chorus by George Frideric Handel

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12
Q

Melody-dominated homophony – effect + wider listening

A

Effect of melody dominance ; Focus on soprano line. Similar to Four Hymns

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13
Q

SATB chorale texture – effect + wider listening

A

Effect of SATB ; Balanced choral sound. Similar to Spem in alium by Thomas Tallis

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14
Q

Functional harmony – effect + wider listening

A

Effect of harmony ; Strong sense of resolution. Similar to Water Music

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15
Q

Use of cadences – effect + wider listening

A

Effect of cadences ; Clearly defines phrases. Similar to The Creation by Joseph Haydn

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16
Q

Suspensions – effect + wider listening

A

Effect of suspensions ; Adds expressive tension. Similar to Dido and Aeneas by Henry Purcell

17
Q

Strophic chorale form – effect + wider listening

A

Effect of strophic form ; Repetition reinforces text. Similar to Lutheran Chorales

18
Q

Phrase-based structure – effect + wider listening

A

Effect of phrasing ; Clear musical sentences. Similar to Eine kleine Nachtmusik

19
Q

Regular phrasing – effect + wider listening

A

Effect of regular phrases ; Predictable and balanced. Similar to Symphony No. 94 Surprise

20
Q

Clear tonal centre – effect + wider listening

A

Effect of tonality ; Stability and clarity. Similar to Canon in D by Johann Pachelbel

21
Q

Diatonic harmony – effect + wider listening

A

Effect of diatonicism ; Simplicity and accessibility. Similar to Ave Verum Corpus

22
Q

Modulation to related keys – effect + wider listening

A

Effect of modulation ; Adds interest while remaining stable. Similar to Symphony No. 40

23
Q

SATB choir – effect + wider listening

A

Effect of choir ; Full and balanced sound. Similar to Messiah

24
Q

Instruments doubling voices (colla parte) – effect + wider listening

A

Effect of doubling ; Strengthens vocal lines. Similar to St Matthew Passion

25
Continuo support – effect + wider listening
Effect of continuo ; Provides harmonic foundation. Similar to Trio Sonatas Op. 5 by Arcangelo Corelli
26
Homorhythmic movement – effect + wider listening
Effect of homorhythm ; Unity and clarity of text. Similar to Hallelujah Chorus
27
Simple note values – effect + wider listening
Effect of simple rhythm ; Easy to follow and perform. Similar to Traditional Hymns
28
Steady pulse – effect + wider listening
Effect of pulse ; Stability and control. Similar to Canon in D