DRACULA QUOTES Flashcards

(97 cards)

1
Q

‘when I found out…’

A

‘When I found out I was a prisoner a sort of wild feeling came over me. I rushed up and down trying every door…helpless I sat down

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2
Q

I fear I am

A

“I fear I am myself the only living soul in the place” - Jonathan is a Damsel held captive my Dracula

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3
Q

the emasculation of men into female modesty

A

I feel impotent, and in the dark,

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4
Q

Jonathan is willing to die to kill the count

A

He might kill me, but death now seemed the happier choice of evils’

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4
Q

a wild desire

A

‘Then a wild desire took me to obtain the key at any risk,and I determined then and there to scale the wall again

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5
Q

a terrible desire

A

‘a terrible desire came upon me to rid the world of such a monster. There was no lethal weapon at hand, but i seized a shovel…and lifting it high struck, with the edge downward, at the hateful face’

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6
Q

‘He (Jonathan) in uncommonly

A

‘He (Jonathan) in uncommonly clever, if one can judge from his face, and full of energy…. he is also a man of great nerve’

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7
Q

‘Jonathan’s impetuosity

A

‘Jonathan’s impetuosity and the manifest singleness of his purpose, seemed to overawe those in front of him; instinctively they cowered aside

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8
Q

how does Mina reference the abbey at Whitby?

A

‘sacked by the Danes’ - shows her wide range of knowledge (sacked of the Danes happened 867 – 870)

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9
Q

mans brain

A

‘a man’s brain…. A brain that a man should have were he much gifted…and a woman’s heart’ - connotations of male superiority through ‘man’s brain’, but Mina proves herself to be much smarter than her fellow men

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10
Q

Minas opinion on the new woman

A

;she will do the proposing herself. And a nice job she will make of it, too!’ - does not oppose the idea of the new woman

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11
Q

mina as a martyr

A

‘Her eyes shone with the devotion of a martyr’

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12
Q

Minas ‘soul wail’

A

‘God be thanked, that soul-wail of my dear madam mina had not died out of my ears’ - protecting him from the vampiric influence – helping him maintain his purity
- gender role reversal - she is keeping HIM pure + protecting his sexuality from the vampires open sexuality

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13
Q

minas bare feet

A

‘in case we should meet anyone should notice my bare feet’ – a new woman character would not be worried that anyone would see her bare feet – clearly has traditional values

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14
Q

pearl

A

‘pearl among women’

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15
Q

Minas maternal instinct

A

‘We woman have something of the mother in us that makes us rise above smaller matters when the mother-spirit is invoked’ + ‘i stroked his hair as though he were my own child’

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16
Q

‘I am so glad she consented…’

A

‘I am so glad she consented to hold back and let us men do the work’ - antifeminist view of Victorian society – consented = significant word choice – most actions towards/against women = unconsentual

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17
Q

‘How can women help loving…’

A

‘How can women help loving men when they are so earnest, and so true, and so brave!’

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18
Q

‘She with all her goodness…’

A

‘She with all her goodness and purity and faith was outcast from God’ - the vampiric curse overrides all faith as it is so bad
- punishment for sexuality

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19
Q

Unclean

A

“Unclean! Unclean! Even the Almighty shuns my polluted flesh!

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20
Q

Dracula crawling down the castle wall

A

‘I saw the whole man emerge from the window and begin to crawl down the castle wall over that dreadful abyss, face down with his cloak spreading out around him like great wings’

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21
Q

Dracula described as a snake

A

‘The eyes fell upon me, with all their blaze of basilisk horror’ - snake-like

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22
Q

Dracula as liminal - not human/beast

A

‘…this Thing is not human- not even beast’ - The count is worse than a beast – under a Marxist view his foreign heritage is what renders him such

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23
Q

20 men

A

he has the strength of twenty men

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24
‘...his eyes flamed red...'
‘...his eyes flamed red with devilish passion, the great nostrils of the aquiline nose opened wide and quivered at the edge; and the sharp white teeth, behind the full lips of the blood-dripping mouth, champed together like those of a wild beast’ - lips red + full of blood = what happens when sexually aroused + nostrils quivering = what happens when an animal smells something it likes – in this case it is blood – antisemitic description Parallel to the monster when kills William – a grin -> focus on Dracula's appearance – doesn't fit in – antisemitic -darwinian de-evolution
25
Dracula described animalistically
‘a horrible sort of snarl passed over his face, showing the eye-teeth long and pointed, but the evil smile as quickly passed into a cold stare of lion-like distain’ - described here as very animalistic in both his movement and appearance – more animal than human
26
Dracula as embodying satan
‘It would be impossible to describe the expression of hate and baffled malignity – of anger and hellish rage – which came over the count’s face. - lots and lots of red – anger/hell/passion - yellow skin – like the monster -> Marxist gaze = the foreigner. Contrast between white + red. Miltonic expression – fall of Satan from heaven
27
“But the Count! Never did I imagine'
“But the Count! Never did I imagine such wrath and fury, even to the demons of the pit. His eyes were positively blazing. The red light in them was lurid, as if the flames of hell fire blazed behind them.
28
count as charismatic
‘I trust you will find all as you wish. When you are ready come into the other room, where you will find your super prepared’
29
the counts heritage
'in our veins flows the blood of many brave races…who was it but one of my own race who beat the Turk on his own ground…was it not this Dracula indeed!'
30
‘Everything had been carefully..' - the counts intelligence
‘Everything had been carefully thought out, and done systematically and with precision.
31
‘’He must, indeed, have been...'
‘’He must, indeed, have been that Voivode Dracula who won his name against the Turk.... was he no common man... he was spoken of as the cleverest and the most cunning, as well as the bravest of the sons of ‘the land beyond the forest’
32
‘Soldier, statesman, and alchemist...'
‘Soldier, statesman, and alchemist.... He had a mighy brain, a learning beyond compare, and a heart that knew no fear and no remorse
33
Dracula's control over the ocean
‘The waves rose in growing fury, each overtopping its fellow, till in a few minutes the lately glassy sea was like a roaring and devouring monster’ - has the power to control the elements like God
34
‘The vampire can live on...'
‘The vampire can live on, and cannot die by the mere passing of the time; he can flourish when he can fatten on the blood of the living’ - Gods intentions for human mortality are opposed
35
‘... this evil thing is rooted deep...'
‘... this evil thing is rooted deep in all good; in soil barren of holy memories it cannot rest’
36
the smell at Carfax
‘it (the smell) was composed of all the ills or mortality and with the pungent, acrid smell of blood
36
Dracula mocks the bible
‘And you, their best beloved one, are now to me, flesh of my flesh, blood of my blood, kin of my kin’ - mockery of the bible
37
'your girls...'
‘Your girls that you love are mine already; and through them you and others shall yet be mine'
38
blood as religious
‘…we are about to perform what we call a transfusion of blood- to transfer from full veins which pine for him’ - Could be an allusion to transubstantiation and need for Christ’s blood for one’s betterment.
39
blood as a life force - 4 quotes
‘she wants blood, and blood she must have or die’ ‘...the full lips of the blood-dripping mouth, champed together like those of a wild beast' ‘He had been taking the life out of her’ ‘As the transfusion went on something like life seemed to come back to poor Lucy’s cheeks'
40
blood as corrupting - purity of her robe
‘....we could see that the lips were crimson with fresh blood, and that the stream had trickled over her chin and stained the purity of her lawn death-robe'
41
‘Perhaps I may gain more...' marxist
‘Perhaps I may gain more knowledge out of the folly of a madman than I shall from the teaching of the most wise’
42
‘The professors' actions...' marxist
‘The professors' actions were certainly odd, and not to be found in any pharmacopoeia that i ever heard of' - foreigners not as advanced/developed therefore not using proper medical techniques
43
defilement of Lucys body - marxist
I want to cut off her head and take out her heart’
44
Van Heslings methods working - marxist
‘He must have been right, for I feel comfort from them already’
45
Van Hesling has favourable facial characteristics
The poise of the head strikes one at one as indicative of thought and power....big bushy eyebrows come down...the forehead is broad and fine' -
46
what was Lombroso's theory? how did he develop it?
Lombroso's theory of anthropological criminology essentially stated that criminality was inherited, and that someone "born criminal" could be identified by physical (congenital) defects, which confirmed a criminal as savage or atavistic. - facial features = devolved - antisemitic undertones - His research into the bodily characteristics of soldiers and asylum inmates became the foundation of his work on criminal anthropology
47
what was Lombroso's book on anthropological criminology called?
Criminal man
48
how is Platos philosophy shown in Dracula?
‘Your wit is bold; but you are too prejudiced. You do not let your eyes see nor let your ears hear, and that which is outside your daily life is not of account to you’ - to see beyond the shadows was Platos philosophy. Van Helsing almost takes on this philosophy, that the earth cannot be seen truly unless you force yourself to see.
49
Van Hesling as a hero
‘We find him even if we have to follow him to the jaws of Hell’ - the Crusader + hero
50
which quote says implies that science is not enough to defeat Dracula?
‘I sometimes think we must be all mad and that we shall wake to sanity in strait-waistcoats’ -- Fears the unknown and struggles to accept the supernatural elements invading society. Relies on science and has not ventured beyond into the unnatural.
51
punishment for treacherous in death
"I think, sir, his back is broken. See, both his right arm and leg and the whole side of his face are paralysed." - He has a bloody and painful death – fitting punishment for his treachery
52
Renfiled as mad - 'he was more like a wild beast...'
he was more like a wild beast than a man I never saw lunatic in such paroxysm of rage before under hope I shall not again
53
What does Euripides says about madmen
‘Those whom God wishes to destroy, he first makes them mad’
53
renfeilds desire for longer life
‘.... I tried to kill him (Dr Seward) for the purpose of strengthening my vital powers’
54
who says ‘Those whom God wishes to destroy, he first makes them mad’
Euripides
55
pet lunatic
'my own pet lunatic, the most pronounced of his type that I had ever met with, talking elemental philosophy, and with the manner of a polished gentleman'
55
who embodies the sacrificial lamb? give a quote
‘Mr Morris, who has sunk to the ground, leaned on his elbow holding his hand pressed to his side; the blood still gushed through his fingers….”It was worth this to die!”…And to our bitter grief, with a smile and in silence, he died a gallant gentleman.’
56
Lucys transformation into a vampire - ‘She was ghastly,....'
‘She was ghastly, chalkily pale; the red seemed to have gone even from her lips and gums and the bones of her face stood out prominently’
56
Lucy's staking
‘The things in the coffin writhed; and a hideous, blood curdling screech came from the opened red lips, the body shook and quivered and twisted in wild contortion; the sharp white teeth champed together till the lips were cut – lucy has become very animalistic – seems to have lost all control over her body - sexual
56
Lucy has a medicinal death
‘All Lucys’ loveliness had come back to her in death’
57
Lucy as anti-maternal
‘With a careless motion, she flung to the ground, callous as a devil, the child that up to now she had clutched strenuously to her breast, growling over it as a dog growls over a bone’ - anti-maternal – would have been repulsive -> womans purpose in Victorian era was to have children – disregard for this role = degrading/dehumanising (also through treatment of the child) - an obscenity .
58
how is Lucy transformed Ito sexuality?
'The sweetness was turned to adamantine, heartless cruelty, and the purity to voluptuous wantonness’
59
how is Lucy compared to Ophelia?
‘Lying like Ophelia in the play, with ‘virgin cranes and maiden strewments’ - in death lucy has become the female victimized figure of Ophelia
60
‘...Lucy as we had seen her in life' and the connotations of this
‘...Lucy as we had seen her in life, with her face of unequalled sweetness and purity’ - obsession with purity – want the women to themselves – not under control of the foreigner – will go so far as to mutilate her dead body to ensure this - objectified in death
61
‘Oceans of love and millions of kisses’
– delights in a romantic view of the world – sacrificial lamb - not intelligent enough to see the danger in the world --> why she is killed off? - cannot be a 'man' like Mina - no place for Lucy in a new world - women like her will not survive in it
62
eroticism of Lucys death
‘He looked like a figure of Thor as his untrembling arm rose and fell, driving deeper and deeper the mercy-bearing stake, whilst the blood from the pierced heart welled and spurted up around it.
62
‘You need not snub.....'
‘You need not snub that so charming nose, or I shall point out to my friend Arthur what woes he may have to endure in seeing so much beauty that he so loves so much distort’
63
about Dracula in london
‘What an awful thing if that man, that monster, be really in London’
64
‘Brave men have killed...'
‘Brave men have killed their wives and womankind, to keep them from falling into the hands of the enemy’ - would rather kill Mina than have her owned by the foreigner/other
65
child thought
‘The count’s child-thought see nothing; therefore, he speak so free’ - saying that the count (foreigner) is like a child in his ways – stupid + ignorant – makes the same mistakes over and over like a child – not as developed/mature/advanced intellectually as the English
66
'....waste of desolation’
‘The castle stood as before, reared high above a waste of desolation’
67
'It is a lovely country...'
It is a lovely country; full of beauties of all imaginable kinds, and the people are brave, and strong
68
Sadism after Arthur kills lucy
‘The great drops of sweat sprang from his forehead, and his breath came in broken gasps’ - after killing Lucy
69
'On the bed beside the window...'
On the bed beside the window lay Jonathan Harker, his face flushed, and breathing heavily as though in a stupor’
70
'she arched...'
she arched her neck; she actually licked her lips like an animal…I
71
Dracula making Mina drink
his right hand gripped her by the back of the neck, forcing her face down on his bosom’
72
'...Van Helsing sprang forward..'
...Van Helsing sprang forward and held between them his little golden crucifix. She recoiled from it, with a suddenly distorted face, full of rage’ - rejection of the crucifix + God – satanic + obscene in an era when religion was so highly regarded
73
Draculas castle as imprisoning
'Then there was the sound of rattling chains and clanking of massive bolts being drawn back…’
74
Draculas castle as antiquarian
‘The table service is of gold and so beautifully wrought that it must be of immense value. ‘The castle is a veritable prison and I am a prisoner.’
74
Draculas castle showing a crumbling aristocracy
‘a vast ruined castle, from whose tall black windows came no ray of light, and whose broken battlements showed a jagged line against the sky’ - crumbling aristocracy - ‘ruined castle’ -> castle = male bastions of power
75
Draculas castle as aristocratic
‘We saw it in all its grandeur, perched a thousand feet on the summit of a sheer precipice
76
‘Before us lay a green sloping..'
‘Before us lay a green sloping land full of forests and woods…which here and there ran down the hillside like tongues of flames
77
how does setting show the perceived negative influence of foreigners?
‘Windows were encrusted With dust an the shutters Were up’ - house has become squalid under Draculas control - also use the carfax quote
78
describe the westernra tomb
‘...the flowers hung lank and dead, their whites turning to rust' - decay and death
79
‘The country gets wilder..'
‘The country gets wilder as we go, and that great spurs of the Carpathians... now seem to gather around us and tower Infront’ - sublime power
79
how is Draculas influence shown coming ti the UK through setting?
“Lashed to the helm was a corpse
79
'We saw it in all its grandeur..'
'We saw it in all its grandeur, perched a thousand feet on the summit of a precipice..there was something wild and uncanny about the place'
80
'All three had brilliant...'
'All three had brilliant white teeth that shone like pearls against the ruby of their voluptuous lips…I felt in my heart a wicked burning desire that they would kiss me with those red lips.’
80
'two were dark and had high...'
'two were dark and had high aquiline noses…great piercing eyes…the other was fair with great masses of golden hair....’
81
‘I knew the swaying...'
‘I knew the swaying round forms, the bright hard eyes, the white teeth, the ruddy colour, the voluptuous lips’
82
'so radiantly beautiful...'
'so radiantly beautiful, so exquisitely voluptuous, that the very instinct of man in me, which calls some of my sex to love and protect one of her, made my head swirl with new emotion
83
enhancing her loveliness
‘...how beautiful she was. Every hour seemed to be enhancing her loveliness’
84
‘...Lucys’ eyes unclean...'
‘...Lucys’ eyes unclean and full of hellfire, instead of the pure, gentle orbs we knew’ + ‘...her eyes blazed with unholy light’ - again, vampiric curse takes the innocence – corrupts sexually – idea of damnation (for being sexual as a woman) - ‘hellfire’ --> rebellion against God + blasphemy
85
Lucy as an animal
‘...she (Lucy) drew back with an angry snarl, such as a cat gives when taken unawares’
86
Draculas death
I shrieked as I saw it shear through the throat; whilst at the same moment Mr Morris’s bowie knife plunged into the heart…there was in the face a look of peace.’