King Claudius’ Deceit
‘Bear our hearts in grief, and our whole kingdom to be contracted in one brow of woe.’
‘Impious stubbornness, tis unmanly grief’ (Alternatively, Hamlet the only character in black)
Hamlet’s response to Gertrude’s comment on his grief in A1 S2
“Seems, madam! Nay, it is; I know not ‘seems’.”
- initial rejection that his grief is a mere performance
Hamlet’s reaction to the players
“What’s Hecuba to him, or he to Hecuba, / That he should weep for her?”
disgusted that players can display more emotion than he can, performance can seem more real than reality
Performance used as a means of exposure
“The play’s the thing / Wherein I’ll catch the conscience of the King.” (Act 2, Scene 2)
“Suit the action to the word, the word to the action.” (Act 3, Scene 2)
Polonius using acting to find things out when he sends reynaldo
“By indirections find directions out.”
KC Deceives (AO5)
Hytner, National Theatre 2010 - National Broadcast, plethora of servants, makeup artists, countdown. Portrait with lilies.
Polonius telling ophelia to act
“Read on this book, / That show of such an exercise may colour / Your loneliness.” (Act 3, Scene 1)
Good vs. Bad Kings (critic)
Mumford Jones: “Hamlet is tender minded, Claudius is tough minded’
Mad Hamlet Seeks Attention (AO5)
Icke 2017: Hamlet screams / slaps his own face, looks around, camera zooms out to show his madness talking to himself.
Lusty Gertrude (Critic)
•Smith: “pleasing men is Gertrude’s main interest”
The Moustrap & Hamlet’s Reaction
The Sleeper Betrayed ‘pours poison in the sleepers ear.’ ‘Frighted with false fire?’ ‘O good Horatio, I’ll take the ghost’s word for a thousand pound’
Foul Poision vs. Foul Murderer (AO5)
[2025 TNT - entire bucket of black liquid] 2010 TNT Camera zooms on into Claudius during Serpent scene
Claudius as Evil (Critic)
Stockton: ‘clearly the antagonist’