History Flashcards

(17 cards)

1
Q

What poem does “History” link to?

A
  • The Map Woman.
  • Woman’s skin is her story/here, women’s experiences = her story.
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2
Q

Sig of title.

A
  • HIS story.
  • Poem provides HER story; female perspective of historical events. Critique of lack of this?
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3
Q

“… woke up at last, alone, bones in a bed, not a tooth in her head, half dead….” Sig.

A
  • “dead”/ “bed”: cross-rhyme.
  • Commas accentuate isolation.
  • “bones in bed”: alliteration; harsh reality of woman’s experience.
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4
Q

Weakness/ neglect of personified “History” woman.

A
  • “limped downstairs.”
  • “rag of nightdress smelling of pee.”
  • “pulled on coat” indoors –> no heating/ poverty.
  • No health/ financial aid.
  • Women’s perspectives in history been ignored?
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5
Q

What role does woman play in this poem?

A
  • History personified as this woman.
  • “She was History”: declarative.
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6
Q

Personified History’s bordemn/ complacency characterised.

A
  • “slurped tea, stared”
  • “dozed, snored.”
  • “been there”: coloquialism –> been there, done that.
  • Bored of men’s narrative of History?/
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7
Q

Passiveness of personified female History.

A
  • “been there,”
  • “seen”/ “watched”/ “witnessed”/ “she’d heard.”
  • Witnessed all of history but couldn’t do/ say anyhting to change it –> weakness of women in past.
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8
Q

Religious events/ imagery “History” attended.

A
  • “From the cross , his mother gasping…”
  • “Jerusalem, Constantinpole, Sicily.”: all religious conflicts.
  • “martyrs.”
  • “basilicas”: special Catholic Church.
  • Duffy Catholic upbringing –> also. “Virgin’s Memo.”
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9
Q

Sig of description of witnessing “ease him down from Cross.”

A
  • Crucifixion.
  • ” his mother gasping for breath…. “
  • Focussing on women in history rather than Jesus –> rewriting narrative.
  • “soldiers spitting spears in earth”: Sibiliance –>Jesus combatting evil/ devil? Idea of destroying nature; link to “Work.”
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10
Q

“She’d heard the last words of martyrs burnt at stake…” sig?

A
  • Patron saint of women.
  • Providing them with support in war/ listening to them.
  • Link to: The Long Queen.
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11
Q

Hitler Imagery.

A
  • Sibilance: “seen”/ “spat”/ “strutting” –> devillish nature of Hitler.
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12
Q

WW2 imagery.

A
  • Evacuees: sent to protect next generation –> cycle of “History.”
  • “children waved their little hands from trains.” Female perspective: this is what mothers saw –> children being taken away from them.
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13
Q

Sig of “she woke again, cold, in the dark,”

A
  • Cyclical structure to poem: just like History repeats itself.
  • Enjamebement to next stanza –> continuation of History. Continuation of rejecting female perception of History/ female repression.
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14
Q

Abusive/ violent imagery last stanza.

A
  • “bricks through the window.”
  • “grafitti sprayed.”
  • “shit wrapped in a newspaper on the floor”: mistreatment of women’s narrative throughout history/ mistreatment of women.
  • “shit”: modern vernacular, profanity, for past mistreatment.
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15
Q

Critiquing?

A
  • Mistreatment of women in history.
  • Disregard of female perspective/ narrative throughot History.
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16
Q

Purpose of last stanza?

A
  • Shows humanity treats each other in abusive manner? Abusive towards women’s narrative/ general mistreatment of women?
  • Abuse leads to war/ battles mentioned throughout.
  • Poem = cyclical structure –> society never learns from “History.”
17
Q

Context.

Wars mentioned in poem.

A
  • “Passchendaele”: WW1; infamous for number of casualties.
  • “Bannockburn”: Scottish war of Indepdence
  • Vietnam: being North and South.