Module 1B - 2 Flashcards

(47 cards)

1
Q

What is the critical and philosophical term, derived from the Ancient Greek $\mu\iota\mu\epsilon\tilde\iota\sigma\theta\alpha\iota$, that means imitation, representation, or mimicry?

A

Mimesis.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

According to Aristotle, mimesis is the perfection and imitation of what?

A

Nature.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

In Aristotle’s view, art is not only imitation but also the use of mathematical ideas and symmetry in the search for the perfect and _____.

A

timeless

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

What did Aristotle identify as the ‘first formal cause’ in nature?

A

A blueprint or an immortal idea.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

In Aristotle’s theory of four causes, what does the ‘material cause’ refer to?

A

What a thing is made out of.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

What is the ‘third cause’ in Aristotle’s framework, involving the artist or creator?

A

The process and the agent.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

What is the fourth cause in Aristotle’s philosophy, also known as ‘telos’?

A

The purpose and end of a thing.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

In contrast to Plato, Aristotle stated that human beings are mimetic beings, feeling an urge to create art that does what?

A

Reflects and represents reality.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

According to Aristotle, why is distance between the work of art and life important for tragedy?

A

Without distance, tragedy could not give rise to catharsis.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Aristotle believed that for a text to touch an audience, the audience must _____ with the characters and events.

A

identify

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

According to Aristotle, how is catharsis achieved in a tragedy?

A

By seeing something that is both recognizable and distant.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Why did Aristotle consider literature a more interesting means of learning than history?

A

Literature deals with what could or ought to have taken place, whereas history deals with specific, contingent facts.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

How did Aristotle define drama in relation to action?

A

As an imitation of an action.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

In Aristotle’s view, how do the characters in tragedy and comedy compare to the average human being?

A

Tragedy characters are better than average, while comedy characters are worse.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

The literary technique that shows rather than tells through directly represented action is called _____.

A

mimesis

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

What is the term for the telling of a story by a narrator, where action is described indirectly?

A

Diegesis.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

What is the term developed by Aristotle in his ‘Poetics’ for a character’s flaw or error?

A

Hamartia.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

The word ‘hamartia’ is rooted in the Greek notion of ‘hamartanein’, which means what?

A

Missing the mark.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

In ‘Nicomachean Ethics,’ how does Aristotle describe an injury committed in ignorance?

A

As a form of hamartia.

20
Q

Isabel Hyde clarifies that Aristotle did not describe hamartia as an error of character, but as a what?

A

A moral mistake or ignorant error.

21
Q

According to Isabel Hyde, what was the true hamartia of Oedipus?

A

His ignorance of his true parentage.

22
Q

In some interpretations of Greek tragedy, a character’s hamartia is seen as a ‘forced error’ predestined by whom?

23
Q

In Sophocles’ ‘Antigone’, the true hamartia or error rests on which character?

24
Q

What specific error in judgment constitutes Creon’s hamartia in ‘Antigone’?

A

Ordering the burial of Polynices before releasing Antigone, leading to her death.

25
What is 'peripeteia'?
A reversal of circumstances or turning point in a work of literature.
26
Aristotle defines peripeteia as 'a change by which the action veers round to its _____, subject always to our rule of probability or necessity.'
opposite
27
According to Aristotle, which two plot elements are most powerful for creating emotional interest in tragedy?
Peripeteia (reversal) and anagnorisis (recognition).
28
The experience of pity and fear in a tragedy is most effectively produced through which two plot devices?
Reversal (peripeteia) and recognition (anagnorisis).
29
How is a character learning something they were previously ignorant of typically distinguished from peripeteia?
It is called anagnorisis or discovery.
30
Aristotle considered the combination of anagnorisis leading to peripeteia to be the mark of a _____.
superior tragedy
31
In Sophocles' 'Oedipus Rex,' what event constitutes the peripeteia?
The Messenger's arrival with news intended to comfort Oedipus, which instead reveals his true parentage.
32
In 'Othello,' the peripety occurs when Othello is corrupted by Iago's rhetoric and exclaims what?
"Why did I marry? This honest creature doubtless / Sees and knows more, much more, than he unfolds."
33
What moment marks the peripeteia in Shakespeare's 'Hamlet'?
When Hamlet hesitates to kill the praying Claudius, mistakenly believing it would send him to heaven.
34
What is the irony of Hamlet's decision not to kill Claudius while he is praying?
Claudius reveals he is unable to truly pray for forgiveness because he still possesses the rewards of his crime.
35
What is 'anagnorisis'?
A moment in a play or other work when a character makes a critical discovery.
36
Anagnorisis originally meant recognition in its Greek context, not only of a person but also of what?
What that person stood for.
37
In 'Poetics,' Aristotle defined anagnorisis as 'a change from _____ to _____, producing love or hate between the persons destined by the poet for good or bad fortune.'
ignorance, knowledge
38
Which play did Aristotle identify as the principal work demonstrating peripety and anagnorisis?
Oedipus the King.
39
In Aeschylus's 'The Choephoroi,' what three pieces of evidence lead Electra to her anagnorisis of her brother Orestes?
A lock of his hair, his footprints by the grave, and a piece of weaving she embroidered.
40
What is 'hubris' in the context of ancient Greece?
Actions that shamed and humiliated a victim for the pleasure or gratification of the abuser.
41
In Greek tragedy, hubris often describes actions of those who challenged what, leading to their downfall?
The gods or their laws.
42
The action performed by a hero, usually because of hubris, that leads to their downfall is known as _____.
atë
43
The fatal retribution that often resulted from an act of hubris is known as what?
Nemesis.
44
What is Aristotle's definition of hubris?
Shaming a victim merely for one's own gratification, not as revenge for past injuries.
45
The ancient Greek concept of honor, akin to a zero-sum game, was known as _____.
timē ($τ\iota\mu\etá$)
46
What act of hubris does Odysseus commit after escaping from the cyclops Polyphemos?
He tells Polyphemos his true name.
47
According to Herodotus's passage, God loves to bring down everything that _____ itself.
exalts