Module 1B - Part 3 Flashcards

(52 cards)

1
Q

Which critic is considered the primary voice of the British neoclassical age?

A

Alexander Pope

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2
Q

What 1711 work established Alexander Pope as the ‘literary pope’ of England?

A

Essay on Criticism

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3
Q

Which historical period did Alexander Pope identify as the ‘golden age of criticism’?

A

The Classical age

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4
Q

According to Pope, which four classical authors define the golden age of literature?

A

Homer, Aristotle, Horace, and Longinus

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5
Q

In Neoclassical theory, what does the ‘mimetic dictum’ define as the primary task of a poet?

A

To copy the classical writers

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6
Q

Neoclassical writers believed that ancient classical works captured the laws of a harmonious and ordered _____.

A

Nature

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7
Q

Beyond natural genius and knowledge of the classics, what must a good poet possess according to Pope?

A

Good breeding and an understanding of the rules of poetry

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8
Q

Which specific verse form was established as the fixed standard for Neoclassical poetry?

A

The heroic couplet

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9
Q

How did Neoclassical critics like Pope view free verse and emotional outbreaks?

A

They were considered unrefined.

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10
Q

According to Pope, poetry serves as a reassertion of absolutes already discovered by _____.

A

Classical writers

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11
Q

What is the critic’s social role according to Alexander Pope?

A

To be the custodian and defender of good taste and cultural values

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12
Q

What are the two theoretical foundations of Alexander Pope’s literary contentions?

A

Mimetic theory and rhetoric theory

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13
Q

The 18th-century rationalistic mind viewed the world as a ‘great machine,’ whereas the 19th-century mind viewed it as a _____.

A

Living organism

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14
Q

What served as the proper guide to truth in 19th-century thought, replacing the 18th-century emphasis on reason?

A

Intuition

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15
Q

In the 18th century, what location was considered the center of art and the standard for good taste?

A

The city

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16
Q

Why did 19th-century thinkers prefer rural settings over urban environments?

A

It was seen as a place where people could discover their inner selves.

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17
Q

Which 1798 publication by Wordsworth and Coleridge heralded the start of British Romanticism?

A

Lyrical Ballads

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18
Q

Wordsworth’s stated purpose in poetry was to choose incidents and situations from _____.

A

Common life

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19
Q

What type of language did Wordsworth advocate for use in Romantic poetry?

A

Language really used by people in states of excitement

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20
Q

Unlike the nobility-focused works of his predecessors, what characters did Wordsworth emphasize?

A

Common men and women

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21
Q

What specific subject matter did Wordsworth prioritize in his literary theory?

A

Humble and rustic life

22
Q

Wordsworth famously defined poetry as the ‘spontaneous overflow of powerful _____’ .

23
Q

According to Wordsworth, poetry takes its origin from emotion recollected in _____.

24
Q

While Pope viewed poetry as reasoned and controlled, Wordsworth viewed its core as _____.

25
Wordsworth described the poet not as a defender of civilized values, but as 'a man speaking to _____' .
Men
26
What quality does a poet possess in greater measure than common mankind according to Wordsworth?
A more comprehensive soul and lively sensibility
27
How does a Romantic poet craft a poem after internalizing a scene?
By recollecting the occasion and its accompanying emotions in tranquility
28
In the 'Expressive school' of criticism, what is the reader’s privilege?
To share in the individuality and emotions of the poet
29
How did the Expressive school of criticism impact established literary theories?
It defied the traditional mimetic and rhetorical theories.
30
Which 19th-century French critic introduced the historical approach to literary criticism?
Hippolyte Adolphe Taine
31
In Taine's theory, which factor refers to the shared beliefs and emotions of authors from the same heritage?
Race
32
What does Taine's concept of 'Milieu' represent in the analysis of a text?
The culture of the author
33
How does Taine define the 'Moment' in literary criticism?
The period and dominant worldview in which the text was written
34
Taine viewed a literary text as a product of _____.
History
35
Which critic is known as the 'self-appointed voice of English Victorianism'?
Matthew Arnold
36
According to Matthew Arnold, what can poetry provide for society?
Necessary truths, values, and guidelines
37
Arnold's belief that poetry is of a 'higher truth' than history is rooted in the work of _____.
Aristotle
38
Which classical philosopher's view did Arnold adopt regarding literature reflecting society's values?
Plato
39
In 'The Study of Poetry,' Arnold argues that we turn to poetry to interpret, sustain, and _____ us.
Console
40
What is Matthew Arnold’s view on the relationship between science and poetry?
Science is not complete without poetry.
41
Arnold defined 'seriousness' in the best poetry as a measure of _____.
Moral excellence
42
What is the primary social role of criticism according to Matthew Arnold?
To create a current of true and fresh ideas
43
Why did Arnold advocate for critics to remain 'aloof' from politics and mundane affairs?
To achieve the high culture necessary for writing the best poetry
44
What is the 'touchstone' method in Arnold’s literary criticism?
Comparing a new text to lines and expressions of the great masters
45
How does Arnold define the authority of a literary critic?
The critic is an authority on values, culture, and taste.
46
Which genre became a respectable subject for literary critics primarily due to Henry James?
The novel
47
What constitutes the value of a novel according to Henry James?
A personal and direct impression of life
48
Henry James rejected the Romanticist notion that readers should _____ while reading.
Suspend disbelief
49
According to Henry James, how are 'bad novels' categorized?
As either romantic or scientific
50
In James’s theory, what does it mean for a text to be 'organic' regarding narration?
The text shows action through mimesis rather than telling through an omniscient narrator.
51
What is the distinction between mimesis and diegesis in Henry James’s theory of the novel?
Mimesis shows the action, while diegesis tells it.
52
How does a reader decide on the worth of a text according to Henry James?
Based on the standards set by classic writers