age of empire
coincided with the birth of cinema + psychoanalysis: by 1895 well over half the world’s land mass was under the control of a handful of European powers
•Psychoanalysis: method of studying cinema
•Contemporaries of each other
•ensured global dominance by extracting resources from
•first to establish infrastructure for film
As a result the history of cinema is bound up with the history of colonialism
travelogues
•Travelogues: lumieres credited for fathers of cinema
oActualites: capture things happening now
•Sent camera operators around the world to capture life
•Indochina, the village of namo: allowed them to be virtual travelers
•French camera was able to bring indochina within french cinema
•Positioned as virtual colonial adventurers
•Ppl able to be part of colonialism without leaving chair
ethnographic films
•Ethnographic: allowed anthropologists to preserve + study ppl they were interested in
•Rough, short, rudementary, low quality
•Interested in capturing rituals, customs of aboriginals they encountered
exercised taxidermy preservation + taxonomy: categorization
Effects of Colonialist Representation
institutionalization of looking relations: white people look + non-white people are looked at
colonized ppl as spectacle, under surveillance
Effects of Colonialist Representation
shoring up certain assumptions about racial difference that were already in circulation by time cinema was invented film in service of confirming white, Western assumptions about white supremacy + rationale by which colonizing cultures often justified their actions: “the white man’s burden.”
Effects of Colonialist Representation
only type of film to regularly feature colonized/Aboriginal during the colonial era was ethnographic cinema commercial features, relegated to supporting roles (usually as sidekick or villain)/“colorful” backdrop
Effects of Colonialist Representation
native become object of romanticization + yearning, but stereotypes that equate him/her with nature, the past, the body + childlike innocence endure.
•Rely of entrenched stereotypes: now celebrated
•Treated with hostile distortion but also affectionate condescension
Postcolonialism
break from and a continuation of colonialism.
•dissolution of european empires: either through struggle/ diplomacy achieved self government
Many still remained economically dependent
•Exacerbated by international division of labour through globalization
Postcolonialism
Film and Postcolonialism
more ppl from formerly/currently colonized nations have started making films to creatively confront the past, ponder the present + imagine a future.
•Giving voice to perspective who have historically been marginalized in cinema
counter-cinematic tradition
The Battle of Algiers + Camp de Thiaroye
Talks back to colonial cinema
•Consistently use shot scales to emphasize different + spectatorial identification
•Promotes spectatorial investigations
•Counter narrative to those that represented rebels as enemies
goal of counter-cinematic tradition
goal of counter-cinematic tradition
positive images