Processes, techniques and materials Flashcards

(27 cards)

1
Q

Painting general processes

A

ideation and sketching, blocking in, rednering and layering, refining

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2
Q

ideation and sketching

A

Choose your subject and create a detailed sketch to plan the composition, values, and proportions. You can draw directly on the canvas or use transfer methods. - Figures posing, chambre claire: The device projected a superimposed image of the subject onto the artist’s drawing paper.

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3
Q

blocking in

A

Lay down the basic shapes and colors, often starting with the darker areas or shadows, to establish the foundation of the painting.

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4
Q

rendering and layering

A

Begin building up the painting by adding more layers of color. Work from general shapes to more specific details, adding big shapes first before moving on to smaller elements. - Thin/lean mediums to start with, linseed oil as the thinnest, build up to fatter medium

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5
Q

refining

A

Add final details, adjust colors, and make any necessary corrections to bring the painting to completion.

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6
Q

techniques of painting

A

blending, drybrush, impasto, underpainting, stippling, glazing

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7
Q

stippling

A

is when you paint tiny dots, usually in a variety of shades or colors

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8
Q

glazing

A

is a technique where you apply a thin, transparent layer of paint over a dry layer to enhance depth and luminosity.

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9
Q

embroidery my work photography

A
  • Photos on a variety of digital cameras, filters using photoshop, including inside and outside glow after selecting subject, lens blur, motion blur, medium shot, eyelevel shot
  • Compilling the photos in a composition, printing onto canvas paper
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10
Q

general processes of embroidery/fashion

A

conceptual planning, design development, sketching and illustration, fabric sampling, contruction, refinemeant and deatiling

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11
Q

conceptual planning

A
  • Visual collages showing colour palettes, textures, silhouettes, and conceptual influences.
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12
Q

sketching and illustration

A

Exploring different silhouettes, proportions, and structures.

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13
Q

fabric sampling

A

Testing materials for texture, colour, drape, and durability

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14
Q

material experimentation and sampling

A

textile manipulation, strcutural testing, surface design

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15
Q

construction

A
  • Structural innovation: Incorporating non-textile materials (wire, plastic, paper) if the work leans toward wearable art.
  • Functional vs sculptural focus: Deciding whether the garment will be wearable, performative, or purely artistic.
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16
Q

refinement and detailing

A
  • Surface embellishment: Adding embroidery, beading, printing, or painting.
  • Final adjustments: Perfecting seams, hems, closures, or proportions.
17
Q

Types of stitches

A

running stitch, back stitch, chain stitch, stem stitch, french knots

18
Q

stem stitch

A

slightly twisted line stitch, good for curves

19
Q

chain stitch

A

looping stitches that resemble chains

20
Q

examples of machine embroidery techniques

A

free-motion embroidery, applique, reverse applique, trapunto, thread painting

21
Q

applique

A

can be machine or hand, attaching fabric shapes onto a base using stitching

22
Q

reverse applique

A

cutting away layers to reveal fabric underneath

23
Q

trapunto

A

raised-padded sections stitched and filled for relief

24
Q

thread painting

A

using layered stitches to create painterly effects

25
examples of fabric and surface manipulation techniques (fashion)
pleating, gathering/ruching, draping, fraying, beading, embossing/heat manipulation
26
examples of decorative and conceptual extensions of embroidery
textile collage/layering, thread drawing on mixed media, stumpwork
27
stumpwork
raised, 3d embroideyr, often wired