First seconds of the advert
(scene one)
Kadeena Cox is in centre frame, making her appear important and powerful
Montage of audio commentary
(scene one)
“already won two gold”
“set her sights on Tokyo”
image of a tunnel
(scene one)
“tunnel vision” visually represented with a wide shot
- connotes the athlete’s mindsets
binary opposition of success vs failure
gunshot sound effect
acts as a transition from the tunnel to real life
reality after dream (Cox)
reality vs dream sequence
visual binary opposition created
- dream like sequence contains dramatic images, music and a rich colour palette
- reality contains ambient lighting and the strident sound of an alarm clock
montage of early morning realities
pros of showing a diverse range of people
criticisms of portrayal of disabled people
Ellie Simmons at the swimming pool
auditory code of strapping joints and using tape + grunts and groaning
sound effects underscore the music - emphasising the battle of training
jump cuts of training (montage)
realities of athletes lives outside of training
pov shots of cyclist
animated and archive footage
ultra close up shots of bruises and blisters
obstructions in reality for people with disabilities
revisit to Kadeena Cox in tunnel
revisit to Ellie Simmonds in the swimming pool
fast paced editing
“you might as well quit” Boris Johnson
reflects Channel 4s values as being more predominantly anti establishment and has an alternative political perspective
split screen montage of close ups
“to be an Paralympian there must be something wrong with you”
audiences perception of athletes VS reality
conceptual binary opposition
- challenges how language is used against the reality of the positive images in the advertisement
- this binary opposition is what the director encourages the audience to reflect upon