Declarative Sentence
Provides information, used to transfer intel between two participants in a discourse.
Imperative Sentence
An instructive utterance, by omitting the subject
1) Affront negative face needs
2) Create a sense of urgency and intensity
this links to conative/emotive function
Exclamative Sentence
An exclamatory remark
1) Links to emotive function
2) Enkindle outrage, excitement or urgency (conative function)
Interrogative Sentence
Used to ask questions
1) Engages the audience by eliciting a response out of them
2) Can be used as a rhetoric to exploit irony and imply sarcasm (High yield)
Simple Sentence
One independent clause
1) Enhances clarity, directness and coherence
2) Can be used for emphatic stress, as the consistent rhythm of complex/compound sentences can be broken with a stand-out simple sentence.
Compound Sentence
At least 2 independent clauses joined via coordinating conjunctions
1) Increases lexical density, allowing it to be used for obfuscating purposes
2) Combine and contrast ideas (parallelism and antithesis)
3) Convey causality and a chain of logical events (cohesion/coherence & information flow)
Complex Sentence
One independent clause with at least 1 dependent clause, joined via subordinating conjunction
1) Increase lexical density
2) Convey causality
3) Combine OR contrast ideas
Compound-complex sentence
At least 2 independent clauses and 1 dependent clause
1) Elevates lexical density
2) Imbue text with formality
3) Logical ordering -> “fronting dependent clauses”
Sentence fragment
Incomplete sentence
1) To convey information **concisely for effect **
(e.g. Buy 1 get 1 free!)
Ellipsis
Omission of words from a sentence as long as it remains understandable to the same degree (ALSO SPOKEN DISCOURSE FEATURE)
1) Reduces unnecessary repetition
2) Large amounts can reduce formality
3) Inference and implicature (can build rapport/familiarity)
**4) Can add emphatic stress **
Substitution
Replacing a repeated phrasal element with a shorter element.
(e.g. You take this car I’ll take that one)
1) Highlights shared understanding which builds rapport
2) Reduces unnecessary repetition, which increases coherence/cohesion
Active Voice
Active construction involves the agent taking the subject position in a sentence.
1) Emphasises agency/ the agent
(e.g. Aarav kicked the ball)
Agented Passive Voice
The patient occupies the subject position in the sentence.
1) Reduces emphasis on the agent
2) Diminishes agency/responsibility (it is not their choice to do this)
3) Found in formal texts
(e.g. The ball was kicked by Aarav)
Agentless Passive Voice
The patient occupies the subject position and the agent is omitted
1) Ambiguous, evasive, elusive, convoluted aspect to the text.
2) Used in political rhetorics
(e.g. The ball was kicked)
Tense vs Aspect
Tense: past/present or future
* The time of the action being undertaken
Aspect:
* Simple
* Continuous (progressive) -> -ing
* Perfect -> has/had/have
* Perfect continuous (progressive)
e.g response: The independent clause in the present tense “users are subject to T&Cs”, the use of the simple aspect expresses indefinite continuity of the T&Cs.
Sentence Parts
Sentence = Subject + Predicate
Predicate = Predicator (copula verb) + Subject complement
OR
Predicate = Predicator (verb) + objects
Adverbial
An adverbial is a phrase/clause that acts as an adverb.
Adverb vs Adverbial
1) Prepositional phrases can function as adverbials, but not adverbs
2) Adverb is a subset of Adverbial
Parallelism
Syntactic patterning involving the repetiton of sturcturally similar phrases
(e.g. Like father, like son)
1) Constructions are more predictable and expected, making the text easier to process (coherence)
2) Creates a sense of rhythm and tempo, emphasising the rhetorical force of the utterance
3) Used to reinforce the point in memorable ways
Antithesis
A type of parallelism, where the structurally similar repeated elements are semantic antonyms (opposites) of each other.
(e.g. That’s one small step for man, but one giant leap for mankind)
1) Emphasises the stark contrast between elements
2) Creates memorability
3) Lexical balance and rhythm
4) Invites the audience to bring forth their judgements
Listing
Low yield, but involves creating a list of three or more elements.
1) Increases coherence/clarity of the text through conciseness -> accessibility through formatting (bullet points)
2) Reduce unnecessary information
3) Can create a rhythmic utterance, making the listed elements more memorable.
Semantic Broadening vs Semantic Narrowing
Involves the widening of a lexemes meaning
(e.g. mouse means rodent and hardware for PCs)
Involves the limiting of a lexemes meaning
(e.g. to starve = to die [16th century], now it means to die of hunger)
Semantic elevation vs Semantic deterioration
Involves the lexeme taking on a more positive meaning.
(e.g. mischievous: disastrous -> cheeky)
Involves the lexeme taking on a more negative meaning
(e.g. gaudy: joyfully festive -> showy without taste)
Semantic shift
When the meaning of a lexeme changes to another, and the original meaning is lost
(e.g. awful: full of awe -> terribly bad/shocking)
Semantic Patterning
F: Figurative language
L: Lexical ambiguity
A: Animation
I: Irony
M: Metaphor
H: Hyperbole
O: Oxymoron
P: Personification
P: Pun
S: Simile
Lexical ambiguity is when the precise meaning of the lexeme is not known even when applied in the context.
(e.g. The punch made him unsteady. Punch can mean a blow (fist) or an alcoholic drink)