1
Q
Lysistrata (Characters - Comedy/Tragedy?)
A
Comedy – do not tend to evolve
2
Q
Antagonist (La)
A
The Magistrate
- Causing the conflict
3
Q
Protagonist (La)
A
Lysistrata
- Is targeted by the Antagonist
- Has the goal
4
Q
Lysistrata -ch- (La)
A
- Common (X not noble)
- Protagonist
- Man characteristics
- Look down on her sex
5
Q
Lampito (La)
A
- Beautiful
- Powerful
- Scottish speak (not as good as English, something wrong, other, NOTATHENIAN)
6
Q
Dialogue (La)
A
- Unembelished
7
Q
Aristotle Greek Comedy (good)
- Plot
A
- Unified, simple, universal
- Imitation of Inferior Action
- Necessary or probable sequence
- Order RE-established in the end
8
Q
Aristotle’s Greek Comedy (Good Aristotle Comedy)
- Character
A
- Ignoble human beings, the ridiculous / deformed
9
Q
Aristotle’s Greek Comedy (Good Aristotle Comedy)
- Thought
A
- Possible and pertinent, proof and refutation
10
Q
Aristotle’s Greek Comedy (Good Aristotle Comedy)
- Diction
A
- Delivery, language, vocabulary
11
Q
Aristotle’s Greek Comedy (Good Aristotle Comedy)
- Spectacle
A
- Spectacular events = Set fire to the gates of the Akropolis (Gates of the virgin.)
- Reconciliation = women in the end (being an object map)
12
Q
Irony (3 types)
A
- Dramatic (audience knows, not characters)
- Situational (Conflict expected/happens)
- Verbal (Words used mean something diff. than itended)
13
Q
Dramatic irony
A
- Audience knows something characters don’t
14
Q
- Audience knows something characters don’t
A
Dramatic irony
15
Q
Situational irony
A
- Discrepancy between what is expected to happen and what does
16
Q
- Discrepancy between what is expected to happen and what does
A
Situational irony
17
Q
Verbal irony
A
- The words used mean something different than what is intended
18
Q
- The words used mean something different than what is intended
A
Verbal irony
19
Q
Mix of chorus in the end (La)
A
- Break the fourth wall
20
Q
- Break the fourth wall
A
Mix of chorus in the end (La)
21
Q
- Literary devices (La)
A
- Irony
- Symbolism
22
Q
Major Themes (La)
A
- Arguments
23
Q
Thetrical Conceit-or effect- (La)
A
Metaphor
24
Q
Major Symbols (La)
A
- Lysistrata’s wool
- Clothing, cosmetics and dressing
- 2 weapons : Reproduction
- Chorus (History, wisdom, F/M, OLD men fight, OLD wm fight back)
- Athena & the Acropolis
25
Themes / Argument (La)
- Feminine and the masculine
- The domestic/private versus the community/public
- War and violence
- Power and obedience
26
Metatheatricality (La)
Talks about other plays (in La - Elements of greek Drama)
27
Talks about other plays (in La - Elements of greek Drama)
Metatheatricality (La)
28
Peripeteia (in La)
When the men cave - arrival of Spartan ambassador (La - Element of Greek Drama)
29
When the men cave - arrival of Spartan ambassador (La - Element of Greek Drama)
Peripeteia (in La)
30
Hamartia (in La)
tragic flaw has to be in noble character
â€" (men): They cannot see the effect of loss of war in their
(La - Element of Greek Drama)
31
tragic flaw has to be in noble character
â€" (men): They cannot see the effect of loss of war in their
(La - Element of Greek Drama)
Hamartia (in La)
32
- Hubris (in La)
The inhability of men to accept the equality or be better beside women. (The magistrate shows that : ‘’’Mbetter than women’’
| (La - Element of Greek Drama)
33
The inhability of men to accept the equality or be better beside women. (The magistrate shows that : ‘’’Mbetter than women’’
| (La - Element of Greek Drama)
- Hubris (in La)
34
Catharsis (in La)
Men accept to think more logically (in La - Element of Greek Drama)
35
Men accept to think more logically (in La - Element of Greek Drama)
Catharsis (in La)
Z - Theatre
flashcards
Decks in class (8)
# Cards
