1
Q
Director (Appearance)
A
End of 19th Century
2
Q
Theater aims
A
- to show something
- meant to be performed
3
Q
Good Theatre
A
- requires reaction (not static)
- Actors= symbols of who we are
- Viewer= transformed into something more (magic of theater)
4
Q
Magic of theatre
A
Viewer transformed into something more
5
Q
Drama
A
Reading + Own interpretation
6
Q
Theatre
A
Representation + Someone else’s interpretation
7
Q
Play’s representation with someone else’s interpretation
A
Theatre
8
Q
Play’s reading + own interpretation
A
Drama
9
Q
Interest of Theatre
A
How it is told (Not the story)
10
Q
Tragedy (audience)
A
Noble
11
Q
Tragedy
A
- To release tension
- Simplistic
- Familiar
- Good/Bad Obvious
- Order
- Spiritual
12
Q
Comedy
A
- To question order
- Complexity
- Divergent thinking
- Physical
13
Q
In narrative performance story is told _______
A
within action
14
Q
When the story is told within action..
A
Narrative performance
15
Q
Conditions of Narrative Performance
A
- Centrality of spoken language
- Economy of action
- Absence of authorial consciousness
- Interplay of characters
16
Q
Origins of Western Theatre
A
- hunting, fertility, rituals in early societies
- ritual symbolic forms into non-ritual contexts
- Symbolic performance becomes object of interest
17
Q
Greek Theatre emergence (Time\Place)
A
- 5th C. BCE
- Athens
18
Q
Greek Theatre Origins
A
religious rituals
19
Q
Greek Theatre brought____
A
Greek Tragedy and Tragedians
20
Q
Thespis
A
First Greek playwright
21
Q
First Greek playwright
A
Thespis
22
Q
Greek 2 Types of plays
A
- Tragedy
- Comedy
23
Q
Greek Tragedy
A
- Mythological Past
- Gods+Heroes
- Major Character (loss to illumination)
24
Q
Greek Satyr/ Greek Old Comedy/ Greek New Comedy
A
- Caricatures of living + fictional persons
- Present
25
Greek Theories of Drama
- Plato's Dialogues
| - Aristotle's Poetics
26
Plato's Dialogues
- Extreme emotions could cause the opposite
| - Poets + Artists should be banned (Hypocrites)
27
Aristotle's Poetics
- Mimicry (mimesis)
- 6 Crucial Elements
- Plots Elements
- Catharsis
28
Aristotle's Poetics
| - Mimicry (mimesis)
- common human trait
| - (source of pleasure)
29
Aristotle's Poetics
| - 6 Crucial Elements
- plot
- character
- thought
- diction
- music
- spectacle
30
Aristotle's Poetics
| - Plot Elements
- sudden reversal
- moment of recognition
- unity
31
Catharsis (katharsis)
- Socially therapeutic
| - Aristotle's Poetics
32
Socially Therapeutic
- Catharsis
| - Aristotle's Poetics
33
Medieval Theatre (time)
- 1000 yrs
- 5th C. - 16th C.
- 3 Periods (5, 3 ,2)
34
Medieval Theatre
| - 5th to 10th centuries
- Religious ProCessionals
- Simple Entertainers
- No professional troupes
35
Medieval Theatre
| - 11th to 13th centuries
- + Elaborate forms
| - Diverge religious themes
36
Medieval Theatre
| - 14th to 16th centuries
- Bourgeois class (independence)
| - Increased taste for Satire
37
Medieval Theatre
- Pledge of loyalty
- Religious Events Dramatizations
- 3 Forms of Plays (Miracle, Mystery, Morality)
38
Medieval 3 Forms of play
- Miracle plays
- Mystery plays
- Morality plays
39
Medieval Theatre Celebrates _____
united devotion to common
| political and social order (pledge of loyalty)
40
Liberation of Man (time + def.)
(End of Roman Empire)
| - Man can define himself
41
End of Roman Empire
- No Gladiators
- No Theatre
- Liberation of Man
42
Renaissance & Elizabethan Theatre Era
- Resurrecting
- New freedom
- Liberal education
- New man (the creator and artist)
43
Ren. & Eliz. Theatre
| - Resurrecting
New birth to those ancient civilizations destroyed by Goths
44
Ren. & Eliz. Theatre
| - New freedom
```
Stimulated creative minds:
new sense of...
- purpose
- unity
- order
```
45
Ren. & Eliz. Theatre
| - Liberal education
Individual liberated from prejudice
46
Ren. & Eliz. Theatre
| - New Man
- Perfected by Sports, Poetry, Dancing, Music
| - Man as Creator/Artist = Observer/Measurer/Controller of Nature
47
Renaissance & Elizabethan Theatre (Different theatres)
2 Categories:
- Classical/Aristocratic Tradition
- Popular Theatre
48
Ren. & Eliz. Theatre
| Classical/Aristocratic Tradition
- Redifinition of the 3 types of 'Greek' play
- Comedy = Private Citizens
- Tragedy = Kings, Gr. Public Figures
- Satire = Rustics
49
Popular Theatre
Farces and Interludes
- Farce = rough, bawdy, gaulois/courtois
- Stupid Country vs. Clever Townsman
50
Elizabeth I 's death
- Puritans in power
| - Theatres closed
51
Restoration (theatre)
- Back via France
- Focus = scenery and spectacle
- Women on Stage
52
Modern Theatre
- Commercialization and Techno. Innovation Period
- Subject Matters Expansion
- 'Natural Style' emphasis
- Increased access. merchants, industrialists, bourgeoisie, masses
53
Contemporary Theatre
- Commercial theatre
- Gentrification of theatre
- Technological + in scenography and acting
- Films and Television
Z - Theatre
flashcards
Decks in class (8)
# Cards
